Get lost.
Carlo, you told us to get the crucifix.
It's a church. It's full of crucifixes.
I told you to get the Foggini crucifix.
I don't know who that is.
That doesn't surprise me.
Is there something wrong with this crucifix?
Apart from the fact that it's worth nothing?
Carlo, you need to be more specific with us.
Obviously.
I actually like it.
Oh yeah?
Me too.
I don't usually like religious art.
But this one's not bad.
Bring it home then.
It'll look good in your living room.
Too late. I found someone else for the Paris job. Sorry.
That's okay.
I have something for you.
Get out of here, boys.
Come on in.
Tell me.
Wait a minute.
Come here.
Lunch is ready.
Richard said he's going to write you
to thank you for all you've done for him.
In the meantime, he asked me to give you this.
What's this for?
He's still in Rome, and isn't sure he's coming back,
so your services are no longer required.
I'll do it myself.
Wait for me here, thanks.
Six tickets for Rome. First class.
Six?
12,000 lire.
Welcome to the Excelsior.
I'd like a room please. Deluxe.
Right away.
For how many days?
Two weeks.
Perfect.
Sign here, please.
Nice pen.
Thank you, Mr. Greenleaf.
Room number 312.
Welcome to Rome.
If you need anything, call reception.
Bad news?
A single room please.
Passport.
Upstairs.
This watch has been in water.
It fell into the sink.
In salt water.
It's stolen, this watch?
As you can see, my initials are on it.
What can I do for you?
An account with the Naples branch.
One moment.
Hello. This is Paolo Alessi,
Director of the Rome branch.
I'd like to check the balance on an account in the name of:
Richard Greenleaf.
Your signature.
Nice pen.
The light.
Always the light.
Calm down.
What will you be opening the account with, Mr. Ripley?
These.
$45,000.
Four years after the murder of Ranuccio Tomassoni in Rome,
Caravaggio was still a fugitive.
During this time, perhaps the last year of his life in 1610,
he painted his David with the Head of Goliath.
In the painting,
Caravaggio links the killer and victim
by portraying David as compassionate, even loving,
in the way he gazes at the severed head of Goliath.
And he made this bond even stronger
by using himself as the model for both.
Both are Caravaggio's face.
Young, and old.
- Merry Christmas. - And to you.