1 00:00:04,735 --> 00:00:09,865 [CHEERING] 2 00:00:09,865 --> 00:00:13,243 HEY, BRINGSTON UNIVERSITY, Y'ALL, MAKE SOME NOISE! 3 00:00:13,243 --> 00:00:16,330 [LOUDER CHEERING] 4 00:00:16,330 --> 00:00:18,373 UH! LET'S GO. 5 00:00:18,373 --> 00:00:19,958 WHOA, WHOA, WHOA, UH! 6 00:00:19,958 --> 00:00:22,044 ♪ SWEET LORD, PLEASE HAVE MERCY ♪ 7 00:00:22,044 --> 00:00:24,046 ♪ BABY JESUS, PLEASE SAVE US ♪ 8 00:00:24,046 --> 00:00:25,714 ♪ I KNOW I USED UP MY THREE FAVORS ♪ 9 00:00:25,714 --> 00:00:27,049 ♪ BACK TO SINNING, LIKE, A WEEK LATER ♪ 10 00:00:27,049 --> 00:00:29,092 ♪ NEW CAR, SPEED RACER ♪ 11 00:00:29,092 --> 00:00:31,011 ♪ COP A CRIB, NEED ACRES ♪ 12 00:00:31,011 --> 00:00:32,429 ♪ MOST OF ALL, WE ALL NEED PRAYER ♪ 13 00:00:32,429 --> 00:00:33,764 ♪ KARMA COMING, BEWARE... ♪ 14 00:00:33,764 --> 00:00:36,141 WOW. I BET PRINCETON 15 00:00:36,141 --> 00:00:37,225 ISN'T DOING ALL THIS FOR THEIR HOMECOMING. 16 00:00:37,225 --> 00:00:39,311 PRINCETON WHO? 17 00:00:39,311 --> 00:00:40,812 SPENCER: EXACTLY. LOOK, IF THEY 18 00:00:40,812 --> 00:00:43,231 TOO WACK TO ACCEPT YOU, FORGET THEM. 19 00:00:43,231 --> 00:00:45,233 LOOK, GUYS, I THOUGHT THE WHOLE POINT OF THIS TRIP WAS 20 00:00:45,233 --> 00:00:47,486 TO HELP CHEER ME UP AND TAKE MY MIND OFF THAT SCHOOL. 21 00:00:47,486 --> 00:00:50,030 OLIVIA: WELL, YEAH, AND TO SCOPE OUT THE HBCU EXPERIENCE. 22 00:00:50,030 --> 00:00:52,407 JORDAN: YOU'RE THE ONLY ONE WITH HBCUs ON YOUR LIST, LIV. 23 00:00:52,407 --> 00:00:55,160 WELL, AT LEAST SHE HAS A LIST. I AIN'T GOT NADA. 24 00:00:55,160 --> 00:00:57,621 ALL RIGHT. OK. STOP THE COLLEGE TALK, ALL RIGHT? 25 00:00:57,621 --> 00:00:59,915 THIS WEEKEND IS ABOUT VISITING YOUR AUNT 26 00:00:59,915 --> 00:01:00,874 AND HAVING SOME G.A.F. AM I RIGHT? GROWN-ASS FUN. 27 00:01:00,874 --> 00:01:03,126 COME ON, GUYS. 28 00:01:03,126 --> 00:01:04,586 [CHUCKLES] HOLD UP. HOLD UP. 29 00:01:04,586 --> 00:01:06,254 IS THAT REALLY CORDAE ON THE STAGE? 30 00:01:06,254 --> 00:01:07,464 CORDAE: ♪ ALL GAS AND THE BRAKE'S SLOWER ♪ 31 00:01:07,464 --> 00:01:09,466 ♪ TOOK A TRIP OUT TO TOKYO ♪ 32 00:01:09,466 --> 00:01:10,759 ♪ NOW I'M HERE IN PARIS FOR THE LAYOVER... ♪ 33 00:01:10,759 --> 00:01:13,178 SIMONE: ALL RIGHT, Y'ALL. 34 00:01:13,178 --> 00:01:14,221 WELCOME TO BRINGSTON UNIVERSITY. 35 00:01:14,221 --> 00:01:17,391 IT'S TIME TO TURN UP. 36 00:01:17,391 --> 00:01:19,309 CORDAE: ♪ LIFE WILL HIT YOU WITH A LIGHT JAB ♪ 37 00:01:19,309 --> 00:01:21,144 ♪ MIKE TYSON, STRIKE BACK ♪ 38 00:01:21,144 --> 00:01:22,896 ♪ YOU GO ON NOW, SLIGHT SAD ♪ 39 00:01:22,896 --> 00:01:24,356 ♪ KNOW I'M ALL ABOUT MY BAG ♪ 40 00:01:24,356 --> 00:01:26,483 ♪ NEW DRIP, I GRAB ♪ 41 00:01:26,483 --> 00:01:28,277 ♪ I JUST WANNA GET MY LIFE BACK ♪ 42 00:01:28,277 --> 00:01:29,569 IT'S JUST LIKE IN ANY OTHER SPACE. 43 00:01:31,947 --> 00:01:35,409 AS BLACK JOURNALISTS, 44 00:01:35,409 --> 00:01:36,785 YOU WILL BE HELD TO A HIGHER STANDARD. 45 00:01:36,785 --> 00:01:38,120 THERE'S A LARGER, UNREALISTIC BURDEN 46 00:01:38,120 --> 00:01:40,956 ON BLACK JOURNALISTS. 47 00:01:40,956 --> 00:01:42,666 AND IF YOU TAKE SOMEONE LIKE ME, WHO LIES IN THE INTERSECTION 48 00:01:42,666 --> 00:01:45,794 OF JOURNALISM AND ACTIVISM, THAT BURDEN IS EVEN GREATER. 49 00:01:45,794 --> 00:01:48,755 OLIVIA: IS THAT YOUR AUNT? PROFESSOR: KEISHA? 50 00:01:48,755 --> 00:01:50,299 KEISHA: SO HOW CAN YOU MAINTAIN JOURNALISTIC OBJECTIVITY? 51 00:01:50,299 --> 00:01:52,634 STUDENT: THE SAME WAY WHITE REPORTERS DO. 52 00:01:52,634 --> 00:01:54,553 KEISHA: EXCEPT, DO THEY? 53 00:01:54,553 --> 00:01:56,430 JUST BECAUSE THE VIEWS OF WHITENESS ARE NORMALIZED 54 00:01:56,430 --> 00:01:57,264 TO BE THE OBJECTIVE NEUTRAL DOESN'T MEAN THAT THEY ACTUALLY ARE. 55 00:01:57,264 --> 00:01:59,975 ALL RIGHT. 56 00:01:59,975 --> 00:02:00,976 FORGET ABOUT JOURNALISTIC OBJECTIVITY, KEISHA. 57 00:02:00,976 --> 00:02:04,062 I INSTEAD BELIEVE IN BEING 58 00:02:04,062 --> 00:02:05,689 ETHICAL, FAIR, AND TELLING THE TRUTH. 59 00:02:05,689 --> 00:02:07,316 THERE'S A DIFFERENCE. 60 00:02:07,316 --> 00:02:08,734 AND AS FOR ETHICS, MY PHILOSOPHY IS 61 00:02:08,734 --> 00:02:10,402 IF IT DOESN'T CROSS YOUR LINE IN THE SAND, 62 00:02:10,402 --> 00:02:12,946 THERE IS NO SHAME IN WALKING AWAY. 63 00:02:12,946 --> 00:02:16,116 BUT IF IT DOES, YOU PURSUE IT 64 00:02:16,116 --> 00:02:18,035 UNTIL YOU HAVE IT RIGHT, AND THEN BRING IT ALL TO THE LIGHT. 65 00:02:18,035 --> 00:02:22,873 OK. YAS, POETRY! 66 00:02:22,873 --> 00:02:25,834 [LAUGHTER, STUDENTS SNAPPING FINGERS] 67 00:02:25,834 --> 00:02:27,002 PROFESSOR: ALL RIGHT. SEE YOU ALL TUESDAY. 68 00:02:27,002 --> 00:02:28,837 KEISHA, YOU'RE A MESS. 69 00:02:28,837 --> 00:02:33,216 HOOTIE HOO! HA HA! 70 00:02:33,216 --> 00:02:36,178 HI, AUNTIE. 71 00:02:36,178 --> 00:02:38,263 OH, MY BABY GIRL. 72 00:02:38,263 --> 00:02:39,973 I CAN'T BELIEVE YOU'RE REALLY HERE. HA HA! 73 00:02:39,973 --> 00:02:42,267 I KNOW. 74 00:02:42,267 --> 00:02:44,728 OLIVIA, WHICH MAKES YOU SPENCER. 75 00:02:44,728 --> 00:02:47,439 AND YOU MUST BE NEPHEW-IN-LAW. 76 00:02:47,439 --> 00:02:50,275 SOMETHING LIKE THAT. 77 00:02:50,275 --> 00:02:51,985 UH, BY THE WAY, THANK YOU SO MUCH 78 00:02:51,985 --> 00:02:53,236 FOR LETTING US STAY THIS WEEKEND, MS. PATTERSON. 79 00:02:53,236 --> 00:02:54,613 DEAR GOD. CALL ME AMARA. 80 00:02:54,613 --> 00:02:55,989 I AM NOT THAT OLD. 81 00:02:55,989 --> 00:02:58,283 SO WHAT YOU GOT GOING ON? 82 00:02:58,283 --> 00:02:59,451 WHAT DO YOU MEAN? TEACHING. 83 00:02:59,451 --> 00:03:01,536 YOU ARE NEVER JUST TEACHING. 84 00:03:01,536 --> 00:03:03,038 I KNOW YOU GOT SOME AMAZING ARTICLE BREWING 85 00:03:03,038 --> 00:03:05,415 SOMEWHERE UP IN THERE. 86 00:03:05,415 --> 00:03:07,125 I'M STILL PUTTING THE PIECES TOGETHER. 87 00:03:07,125 --> 00:03:09,711 IN THE MEANTIME, IT'S HOMECOMING. 88 00:03:09,711 --> 00:03:10,837 YEAH, Y'ALL SEEM TO TAKE THAT REAL SERIOUS OUT HERE. 89 00:03:10,837 --> 00:03:12,965 OH, HONEY, YOU HAVE NO IDEA. 90 00:03:12,965 --> 00:03:15,133 KEISHA HAS OFFERED TO BE 91 00:03:15,133 --> 00:03:16,843 YOUR UNOFFICIAL AMBASSADOR FOR THE WEEKEND. 92 00:03:16,843 --> 00:03:18,470 SO LEAVE YOUR BAGS WITH ME. HAVE SOME FUN. 93 00:03:18,470 --> 00:03:20,138 I'LL CATCH YOU LATER. 94 00:03:20,138 --> 00:03:21,890 WAIT. ARE YOU SURE? 95 00:03:21,890 --> 00:03:23,558 GIRL, DON'T ASK TWICE. 96 00:03:23,558 --> 00:03:25,018 ♪ I MADE THE LONG CLIMB FOR THE FIRST TIME ♪ 97 00:03:25,018 --> 00:03:28,021 ♪ I'M ON TOP FOR THE THIRD TIME... ♪ 98 00:03:28,021 --> 00:03:28,981 KEISHA: YOU MADE IT JUST IN TIME FOR THE BEST PART OF HOMECOMING. 99 00:03:28,981 --> 00:03:33,610 OLIVIA: WHAT'S THAT? 100 00:03:33,610 --> 00:03:35,070 TONIGHT'S FASHION SHOW, CHOREOGRAPHED BY MOI. 101 00:03:35,070 --> 00:03:36,989 OH. SO YOU'RE A JOURNALISM -MAJOR/ -CHOREOGRAPHER? 102 00:03:36,989 --> 00:03:41,702 PREMED, ACTUALLY, 103 00:03:41,702 --> 00:03:42,286 AND PROUD CAPTAIN OF THE UNDEFEATED BRINGSTON DANCE SQUAD. 104 00:03:42,286 --> 00:03:46,957 HEY. 105 00:03:46,957 --> 00:03:47,874 WHAT ARE YOU THINKING ABOUT APPLYING HERE FOR? 106 00:03:47,874 --> 00:03:49,334 OH, NO, I'M NOT APPLYING HERE. 107 00:03:49,334 --> 00:03:50,419 I'M JUST VISITING WITH MY FAMILY. 108 00:03:50,419 --> 00:03:51,920 MORE LIKE HIDING FROM FAMILY. 109 00:03:51,920 --> 00:03:53,380 SIMONE'S MOM IS, LIKE, A LOT. 110 00:03:53,380 --> 00:03:55,007 KEISHA: SO WHERE ARE YOU APPLYING? 111 00:03:55,007 --> 00:03:57,175 HONESTLY, I DON'T KNOW. 112 00:03:57,175 --> 00:03:59,428 GIRL, TICK-TOCK. 113 00:03:59,428 --> 00:04:00,512 YOU'RE KIND OF RUNNING OUT OF TIME. 114 00:04:00,512 --> 00:04:01,847 WHAT'S YOUR THING? 115 00:04:01,847 --> 00:04:03,432 TENNIS. 116 00:04:03,432 --> 00:04:04,850 -TENNIS. -MM-HMM. 117 00:04:04,850 --> 00:04:06,101 -OK. YOU ANY GOOD? -YEAH. 118 00:04:06,101 --> 00:04:09,021 KEISHA: OK. SIMONE: I AM. 119 00:04:09,021 --> 00:04:10,147 YO, IS EVERYONE IN ATLANTA HERE THIS WEEKEND? 120 00:04:10,147 --> 00:04:13,191 THIS IS BANANAS. 121 00:04:13,191 --> 00:04:15,027 GIRL, HBCUs ARE HOT RIGHT NOW, 122 00:04:15,027 --> 00:04:17,362 ESPECIALLY WITH 3 OF OUR GRADS OUT HERE 123 00:04:17,362 --> 00:04:19,114 SAVING THE COUNTRY FROM ITSELF. 124 00:04:19,114 --> 00:04:20,991 THANK YOU, MADAM V.P. 125 00:04:20,991 --> 00:04:22,701 AND THANK YOU, 126 00:04:22,701 --> 00:04:24,036 MS. STACEY "NOBEL PEACE PRIZE NOMINEE" ABRAMS. 127 00:04:24,036 --> 00:04:27,998 HEY. I LIKE THE WAY YOU SAY THAT. 128 00:04:27,998 --> 00:04:30,334 WAIT. WHO'S THE THIRD ONE, THOUGH? 129 00:04:30,334 --> 00:04:31,418 BOTH: MAYOR KEISHA LANCE BOTTOMS. 130 00:04:32,711 --> 00:04:34,004 OK, SO WHAT'S THE REAL ON THE TWO SEXIES BEHIND US? 131 00:04:37,674 --> 00:04:42,846 WELL, ONE OF THEM IS MY HUSBAND. 132 00:04:42,846 --> 00:04:44,681 HUSBAND? OK, WELL, THAT'S A STORY THAT I NEED TO HEAR, 133 00:04:44,681 --> 00:04:48,018 BUT PLEASE TELL ME IT'S NOT THE DARK CHOCOLATE ONE. 134 00:04:48,018 --> 00:04:50,896 OH, NO. SPENCER IS ALL LIV'S. 135 00:04:50,896 --> 00:04:52,814 UM, NO. SPENCER AND I ARE NOT TOGETHER. 136 00:04:52,814 --> 00:04:56,985 WE'RE JUST FRIENDS. 137 00:04:56,985 --> 00:04:58,236 WELL, THEN, HEH, YAY, ME. 138 00:04:58,236 --> 00:05:01,365 ["WOBBLE" BY V.I.C. PLAYING] 139 00:05:01,365 --> 00:05:02,824 KEISHA: ALL RIGHT. SO, UM, WHO'S HUNGRY? 140 00:05:02,824 --> 00:05:04,284 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE ♪ 141 00:05:04,284 --> 00:05:06,203 ♪ YEAH... ♪ 142 00:05:06,203 --> 00:05:07,079 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE ♪ 143 00:05:07,079 --> 00:05:09,331 ♪ YEAH... ♪ 144 00:05:09,331 --> 00:05:10,207 ♪ WOBBLE, BABY, WOBBLE, BABY, WOBBLE... ♪ 145 00:05:10,207 --> 00:05:11,541 ♪ YEAH... ♪ 146 00:05:11,541 --> 00:05:13,251 ♪ GET IN THERE! ♪ 147 00:05:13,251 --> 00:05:14,670 ♪ YEAH, YEAH ♪ 148 00:05:14,670 --> 00:05:15,879 ♪ GET IN THERE ♪ 149 00:05:15,879 --> 00:05:17,130 ♪ YEAH, YEAH ♪ 150 00:05:17,130 --> 00:05:18,298 ♪ GET IN THERE... ♪ 151 00:05:18,298 --> 00:05:20,550 ♪ YEAH, YEAH... ♪ 152 00:05:20,550 --> 00:05:21,301 ALL RIGHT. SO WHO GONNA WOBBLE WITH ME? 153 00:05:21,301 --> 00:05:25,263 OH, I'M GOOD. 154 00:05:25,263 --> 00:05:27,057 I'M NOT REALLY IN A GROUP DANCE KIND OF MOOD. 155 00:05:27,057 --> 00:05:28,976 WHATEVER DRAMA YOU GOT BACK HOME, FORGET ABOUT IT. 156 00:05:28,976 --> 00:05:31,269 JUST FOR THE WEEKEND, GIVE IN TO THE FUN 157 00:05:31,269 --> 00:05:34,147 OF A BEAUTIFULLYMELANATED HBCU EXPERIENCE. 158 00:05:34,147 --> 00:05:37,818 ALL RIGHT. SO I'M GONNA BE REAL MAD 159 00:05:37,818 --> 00:05:38,610 IF WE DON'T GET OUT THERE BEFORE MY SONG ENDS, SO... 160 00:05:38,610 --> 00:05:40,988 WELL, I'LL COME. 161 00:05:40,988 --> 00:05:42,739 NEXT SONG, I PROMISE. 162 00:05:42,739 --> 00:05:45,742 OK? 163 00:05:45,742 --> 00:05:47,202 ♪ GET IN THERE! ♪ 164 00:05:47,202 --> 00:05:49,454 ♪ YEAH, YEAH ♪ 165 00:05:49,454 --> 00:05:50,289 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 166 00:05:50,289 --> 00:05:52,332 ♪ YEAH... ♪ 167 00:05:52,332 --> 00:05:53,834 ♪ MAKE 'EM BACK IT UP ♪ 168 00:05:53,834 --> 00:05:55,502 [STUDENTS CHEERING, OLIVIA LAUGHING] 169 00:05:55,502 --> 00:05:58,380 ♪ MAKE 'EM BACK IT UP... ♪ 170 00:05:58,380 --> 00:06:01,383 [DEADPAN] GIVING IN TO THE FUN. 171 00:06:01,383 --> 00:06:04,636 ♪ MAKE 'EM BACK IT UP ♪ 172 00:06:04,636 --> 00:06:05,512 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 173 00:06:05,512 --> 00:06:08,432 ♪ YEAH... ♪ 174 00:06:08,432 --> 00:06:10,058 [ECHOING] ♪ MAKE 'EM BACK IT UP ♪ 175 00:06:10,058 --> 00:06:11,143 ♪ GIRL, WOBBLE IT, AND I'MMA GOBBLE IT... ♪ 176 00:06:11,143 --> 00:06:14,104 YO, CAN YOU NOT? 177 00:06:14,104 --> 00:06:16,189 ARE YOU CRAZY?! 178 00:06:16,189 --> 00:06:18,692 LOOK, LOOK. I'M JUST NOT TRYING TO DO 179 00:06:18,692 --> 00:06:19,818 THE WHOLE PICTURE THING THIS WEEKEND, ALL RIGHT? 180 00:06:19,818 --> 00:06:21,695 LOOK, I JUST WANT SOME PRIVACY. 181 00:06:21,695 --> 00:06:23,447 WAIT. I DON'T KNOW WHO YOU ARE, NOR DO I CARE. 182 00:06:23,447 --> 00:06:24,948 I WAS TAKING A VIDEO OF MY FRIENDS DANCING BEHIND YOU. 183 00:06:24,948 --> 00:06:27,492 [CHUCKLES] OH. OH, MY BAD. 184 00:06:29,411 --> 00:06:32,080 YOUR BAD? ARE YOU SERIOUS? 185 00:06:32,080 --> 00:06:34,458 IF YOU EVER TOUCH ME OR MY PROPERTY AGAIN, I-- 186 00:06:34,458 --> 00:06:38,378 WHY ARE YOU AMUSED RIGHT NOW? 187 00:06:38,378 --> 00:06:39,838 I'M SORRY. LOOK, UH, PLEASE CONTINUE. 188 00:06:39,838 --> 00:06:42,758 OH. SO YOU THINK YOU'RE CUTE. 189 00:06:42,758 --> 00:06:44,801 OK, WELL, UH, LET'S SEE HOW FUNNY YOU THINK THIS IS 190 00:06:44,801 --> 00:06:46,345 WHEN YOU GO VIRAL FOR GETTING YOUR ASS HANDED TO YOU BY A WOMAN. 191 00:06:46,345 --> 00:06:49,389 JORDAN: HEY, EVERYTHING GOOD, BABE? 192 00:06:49,389 --> 00:06:51,099 SIMONE: YEAH. JORDAN: YOU SURE? 193 00:06:51,099 --> 00:06:54,144 YEAH. MAN. JUST A, UH-- 194 00:06:54,144 --> 00:06:55,062 JUST A LITTLE MISUNDERSTANDING. 195 00:06:56,605 --> 00:06:57,773 FORGET HIM. 196 00:07:01,443 --> 00:07:02,277 ♪ BIG GIRL, MAKE 'EM BACK IT UP ♪ 197 00:07:02,277 --> 00:07:03,862 ♪ YEAH ♪ 198 00:07:03,862 --> 00:07:05,364 ♪ MAKE 'EM BACK IT UP ♪ 199 00:07:05,364 --> 00:07:06,281 ♪ HEY, BIG GIRL, MAKE 'EM BACK IT UP ♪ 200 00:07:06,281 --> 00:07:08,700 ♪ YEAH... ♪ 201 00:07:08,700 --> 00:07:09,534 [ECHOING] ♪ MAKE 'EM BACK IT UP ♪ 202 00:07:09,534 --> 00:07:14,039 MAN: WHOO! 203 00:07:14,039 --> 00:07:15,791 MAN 2: YOU KNOW, IF YOU REALLY DON'T WANT FOLKS TO KNOW YOU'RE HERE THIS WEEKEND, THIS IS THE LAST PLACE YOU SHOULD BE. 204 00:07:15,791 --> 00:07:18,418 I JUST WANTED TO SEE THE FIELD 205 00:07:18,418 --> 00:07:20,128 WHERE HANK DAWSON BROKE THE RECORD FOR STOLEN BASES. 206 00:07:20,128 --> 00:07:20,921 MM! GREATEST TO EVER DO IT IN THE NEGRO LEAGUE. 207 00:07:20,921 --> 00:07:24,967 YEAH. 208 00:07:24,967 --> 00:07:26,843 YOU ALL RIGHT? 209 00:07:26,843 --> 00:07:28,011 YEAH, MAN. I'M COOL. 210 00:07:30,263 --> 00:07:32,140 JUST WISH I COULD'VE MET HIM. 211 00:07:32,140 --> 00:07:34,643 SO WHAT'S IT LIKE TO PLAY FOR THE GREAT LEONARD SHAW? 212 00:07:34,643 --> 00:07:38,105 CRAZY INTIMIDATING. 213 00:07:38,105 --> 00:07:39,690 THEY KEEP ME ON THE BENCH MOST OF THE TIME, THOUGH. 214 00:07:39,690 --> 00:07:41,108 MAN, YOUR TIME WILL COME. 215 00:07:41,108 --> 00:07:43,694 ALL RIGHT? 216 00:07:43,694 --> 00:07:46,029 YOU SEE YOURSELF COMING TO SCHOOL IN THE SOUTH? 217 00:07:46,029 --> 00:07:47,823 COME ON, MAN. THE DREAM'S TO PLAY IN CALI. 218 00:07:47,823 --> 00:07:51,118 WHAT IF SIMONE DON'T WANT TO STAY IN CALI? 219 00:07:51,118 --> 00:07:52,828 SHE DOES, OK, NOW THAT PRINCETON'S OFF THE TABLE, 220 00:07:52,828 --> 00:07:55,914 SO EVERYTHING'S GONNA BE A-OK. 221 00:07:55,914 --> 00:07:58,375 SPENCER: I KNEW IT. I KNEW THAT CAT LOOKED FAMILIAR. 222 00:07:58,375 --> 00:08:01,712 WHO IS HE? 223 00:08:01,712 --> 00:08:04,131 DAMON SIMS. 224 00:08:04,131 --> 00:08:05,966 HE ONE OF THE TOP RECRUITS IN THE COUNTRY. 225 00:08:05,966 --> 00:08:07,301 THAT BOY'S A SURE THING TO GO FIRST ROUND TO THE MLB 226 00:08:07,301 --> 00:08:09,594 STRAIGHT OUT OF HIGH SCHOOL THIS YEAR. 227 00:08:09,594 --> 00:08:12,014 MLB. THEN, WELL, WHY IS HE HERE 228 00:08:12,014 --> 00:08:13,890 CHECKING OUT BRINGSTON'S BASEBALL PROGRAM, 229 00:08:13,890 --> 00:08:15,642 TRYING TO BE ALL INCOGNITO? 230 00:08:15,642 --> 00:08:17,144 I'M GONNA CATCH YOU AFTER PRACTICE. 231 00:08:17,144 --> 00:08:18,603 -HEY, YO, IS THAT DAMON SIMS? -WHAT? 232 00:08:20,772 --> 00:08:23,734 MAN: HEY, GUYS, CHECK IT OUT. DAMON SIMS IS HERE. 233 00:08:23,734 --> 00:08:26,278 I TOLD YOU. 234 00:08:28,947 --> 00:08:33,660 OLIVIA: WHO KNEW THERE WAS 235 00:08:33,660 --> 00:08:34,911 A WHOLE MINI-WIMBLEDON GOING ON BACK HERE? 236 00:08:34,911 --> 00:08:36,830 KEISHA: THEA'S PARENTS INSIST 237 00:08:36,830 --> 00:08:37,873 ON NOTHING BUT THE BEST FOR THEIR BABY GIRL. 238 00:08:37,873 --> 00:08:40,500 THEY ARE MAJOR DONORS. 239 00:08:40,500 --> 00:08:43,253 SIMONE: DAMN. SHE IS RIDICULOUS. 240 00:08:43,253 --> 00:08:45,422 DO YOU SEE HOW AGGRESSIVE SHE IS FROM THE BASELINE? 241 00:08:45,422 --> 00:08:47,466 OLIVIA: OK, CALM DOWN. SHE'S NOT BEYONCÉ 242 00:08:47,466 --> 00:08:49,426 KEISHA: CAME UP ON THE JUNIOR CIRCUIT, 243 00:08:49,426 --> 00:08:51,219 AND THE 2020 NATIONAL WOMEN'S HBCU CHAMPION. 244 00:08:51,219 --> 00:08:52,846 SO, YEAH, SHE'S KIND OF OUR QUEEN BEY, 245 00:08:52,846 --> 00:08:54,723 JUST NOT AS NICE. 246 00:08:54,723 --> 00:08:56,642 [GROANS] 247 00:08:56,642 --> 00:08:59,227 ARE YOU GUYS DONE? 248 00:08:59,227 --> 00:09:00,604 LIKE, IS THERE ANYWHERE ELSE 249 00:09:00,604 --> 00:09:01,730 YOU CAN HANG OUT AND BE DISRUPTIVE? 250 00:09:01,730 --> 00:09:03,106 OR IT HAS TO BE HERE? 251 00:09:03,106 --> 00:09:06,276 OH, UH, SORRY. 252 00:09:06,276 --> 00:09:08,987 WE, LIKE, WEREN'T TRYING TO DISTRACT YOU OR ANYTHING. AND YET HERE YOU ARE EVEN CLOSER. 253 00:09:08,987 --> 00:09:11,073 OH. UH, I'M TRYING TO GIVE YOU A COMPLIMENT, 254 00:09:11,073 --> 00:09:14,826 BUT I GUESS I'LL JUST MIND MY BUSINESS. 255 00:09:14,826 --> 00:09:17,996 -YOU PLAY? -EXCUSE ME? 256 00:09:17,996 --> 00:09:20,874 OH, YEAH. I CAME UP JUNIOR CIRCUIT LIKE YOU. 257 00:09:20,874 --> 00:09:23,794 OH, LIKE ME? LET'S SEE WHAT YOU GOT. 258 00:09:23,794 --> 00:09:25,879 YOU CAN HELP WARM ME UP. 259 00:09:25,879 --> 00:09:27,923 BECCA. 260 00:09:27,923 --> 00:09:29,591 WAIT. YOU MEAN, LIKE, RIGHT NOW? 261 00:09:29,591 --> 00:09:31,885 OH, YEAH. UH, OK, COOL. 262 00:09:34,638 --> 00:09:35,222 ALL RIGHT. GOOD LUCK THIS SEASON, Y'ALL. 263 00:09:39,017 --> 00:09:41,353 HEY, HOW ABOUT IT? 264 00:09:41,353 --> 00:09:43,939 [CHUCKLES WEAKLY] 265 00:09:43,939 --> 00:09:45,607 THANKS, BUT I'M GOOD. I DON'T WANT TO INTERRUPT. 266 00:09:45,607 --> 00:09:47,818 INTERRUPT? DUDE, WE'RE ALL DYING TO SEE THAT VELOCITY. 267 00:09:47,818 --> 00:09:49,987 WHAT'D YOU CLOCK AT THE ALL-STAR FUTURES GAME, 101? 268 00:09:49,987 --> 00:09:52,781 102.1, ACTUALLY. 269 00:09:52,781 --> 00:09:53,782 HEY, WE GOT TIME BEFORE COACH GET HERE. 270 00:09:53,782 --> 00:09:56,076 LET'S TOSS A FEW. 271 00:09:56,076 --> 00:09:57,452 REALLY, I'M--I'M GOOD, MAN. 272 00:09:57,452 --> 00:10:00,038 Y'ALL REALLY GONNA MAKE HIM SAY IT? 273 00:10:00,038 --> 00:10:01,707 MILLION-DOLLAR BABY OVER HERE CAN'T WASTE HIS ARM ON LITTLE OLD US. 274 00:10:01,707 --> 00:10:03,417 DON'T PUT WORDS IN MY BOY'S MOUTH. 275 00:10:03,417 --> 00:10:05,419 MY BAD. 276 00:10:05,419 --> 00:10:06,378 AM I WRONG, THOUGH? CORRECT ME, PLEASE. 277 00:10:07,754 --> 00:10:12,426 ALL RIGHT. 278 00:10:12,426 --> 00:10:13,051 WHO'S GOT A PITCHER'S GLOVE? 279 00:10:14,636 --> 00:10:14,886 ♪ YOU GONNA ♪ 280 00:10:19,516 --> 00:10:19,891 ♪ YOU GONNA ♪ 281 00:10:23,854 --> 00:10:25,188 ♪ YOU GONNA ♪ 282 00:10:27,899 --> 00:10:30,902 GET READY. 283 00:10:30,902 --> 00:10:33,405 WOMAN: ♪ HEY! ♪ 284 00:10:33,405 --> 00:10:35,282 MAN: ♪ 'CAUSE YOU GOT TO FEEL IT IN YOUR SOUL ♪ 285 00:10:35,282 --> 00:10:37,034 ♪ 'CAUSE YOU GOT TO BELIEVE IT, YOU GOT TO KNOW ♪ 286 00:10:37,034 --> 00:10:38,368 ♪ 'CAUSE YOU GOT TO WAKE UP AND DREAM AND GO GET IT ♪ 287 00:10:38,368 --> 00:10:40,996 ♪ A VISIONARY KNOWS NO LIMIT ♪ 288 00:10:40,996 --> 00:10:43,123 ♪ DO IT BIG SO YOUR NAME BE REMEMBERED ♪ 289 00:10:43,123 --> 00:10:44,291 OLIVIA: I THOUGHT THIS WAS A FRIENDLY MATCH. 290 00:10:44,291 --> 00:10:46,001 THOSE DON'T EXIST FOR THEA. 291 00:10:46,001 --> 00:10:47,252 ♪ YOU GONNA DREAM BIG... ♪ 292 00:10:48,795 --> 00:10:50,922 PLAYERS: WHOO! 293 00:10:50,922 --> 00:10:52,591 PLAYER: THAT'S WHAT I'M TALKING ABOUT. 294 00:10:52,591 --> 00:10:54,426 WOMAN: ♪ CALLING SHOTS 'CAUSE YOU'RE IN CHARGE ♪ 295 00:10:54,426 --> 00:10:56,553 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 296 00:10:56,553 --> 00:10:59,139 ♪ YOU WANNA LIVE LIFE LIKE A RENEGADE ♪ 297 00:10:59,139 --> 00:11:01,016 ♪ CLIMB TO THE TOP FOR YOUR PIECE OF FAME... ♪ 298 00:11:01,016 --> 00:11:03,185 PLAYER: LET'S GO, BOYS. 299 00:11:03,185 --> 00:11:04,936 ♪ CALLING SHOTS 'CAUSE YOU'RE IN CHARGE ♪ 300 00:11:04,936 --> 00:11:06,229 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 301 00:11:06,229 --> 00:11:09,650 ♪ IF YOU GONNA... ♪ 302 00:11:09,650 --> 00:11:11,902 ♪ MM ♪ 303 00:11:11,902 --> 00:11:12,653 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 304 00:11:12,653 --> 00:11:16,239 ♪ MM MM ♪ 305 00:11:16,239 --> 00:11:16,990 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 306 00:11:16,990 --> 00:11:20,744 ♪ OOH ♪ 307 00:11:20,744 --> 00:11:21,536 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 308 00:11:21,536 --> 00:11:25,123 ♪ MM MM ♪ 309 00:11:25,123 --> 00:11:26,375 ♪ YOU GONNA DREAM BIG, YOU BETTER DREAM LARGE ♪ 310 00:11:26,375 --> 00:11:29,378 ♪ YOU SAY YOU WANNA BE FAMOUS ♪ 311 00:11:29,378 --> 00:11:31,296 ♪ STAND 10 FEET TALL ♪ 312 00:11:31,964 --> 00:11:33,840 TAKE IT EASY ON ME, MAN. 313 00:11:36,301 --> 00:11:38,178 WOULDN'T KNOW HOW. 314 00:11:38,178 --> 00:11:43,225 ♪ YOU GONNA ♪ 315 00:11:43,225 --> 00:11:44,309 ♪ UH! THIS IS THE TIME OF YOUR LIFE, THE MOMENT TO LIVE ♪ 316 00:11:44,309 --> 00:11:47,396 ♪ THE MOMENT TO SHINE ♪ 317 00:11:47,396 --> 00:11:49,022 ♪ THE MOMENT TO RISE AND TAKE OVER THE WORLD ♪ 318 00:11:49,022 --> 00:11:50,023 ♪ I'M ON TOP OF EVERYTHING, ON TOP OF MY GAME ♪ 319 00:11:50,023 --> 00:11:51,942 ♪ UH! ♪ 320 00:11:51,942 --> 00:11:53,360 UH! 321 00:11:58,573 --> 00:12:03,245 YOU ALWAYS WARM UP THAT INTENSELY? 322 00:12:03,245 --> 00:12:06,123 SORRY. I THOUGHT YOU COULD HANG. 323 00:12:15,799 --> 00:12:17,009 MAN: HEY, WHAT THE HELL Y'ALL DOING? HUH? 324 00:12:17,009 --> 00:12:20,470 SO Y'ALL JUST GOT TIME TO WASTE? 325 00:12:20,470 --> 00:12:22,264 DAMON: UH, LOOK, I'M SORRY. THIS WAS--THIS WAS MY FAULT. 326 00:12:22,264 --> 00:12:24,141 LAPS AROUND THE FIELD NOW. [PLAYERS GROANING] 327 00:12:24,141 --> 00:12:25,851 LOOK, YOU DON'T STOP TILL I TELL YOU TO STOP. 328 00:12:25,851 --> 00:12:27,978 LET'S GO. LET'S GO! MOVE IT, NOW. 329 00:12:27,978 --> 00:12:30,606 YOU PLAY HOW YOU PRACTICE. GO! 330 00:12:30,606 --> 00:12:31,982 UH, DAMON SIMS, SIR. 331 00:12:34,818 --> 00:12:39,364 MAN. YOU MUST BE PROUD OF THIS TEAM. 332 00:12:39,364 --> 00:12:41,241 I MEAN, THEY'RE TIGHT, A WELL-OILED MACHINE. 333 00:12:41,241 --> 00:12:43,994 I KNOW. I OILED THEM. 334 00:12:43,994 --> 00:12:45,495 AND NEXT TIME YOU WANT TO SHOW OFF, 335 00:12:45,495 --> 00:12:46,622 YOU DO IT ELSEWHERE, SON. 336 00:12:46,622 --> 00:12:49,499 I APOLOGIZED. 337 00:12:49,499 --> 00:12:51,710 YEAH, I HEARD YOU. IT'S NOTHING PERSONAL, KID. 338 00:12:51,710 --> 00:12:54,379 I JUST DON'T LIKE MY PRACTICES BEING INTERRUPTED. 339 00:12:54,379 --> 00:12:56,798 FUNNY, 'CAUSE IT FEELS PRETTY PERSONAL, COACH. 340 00:12:56,798 --> 00:13:00,677 I JUST DON'T TAKE TO PLAYERS 341 00:13:00,677 --> 00:13:02,137 WHO ALL ABOUT THEMSELVES AND NOT THE TEAM. 342 00:13:02,137 --> 00:13:04,014 YOU DON'T EVEN KNOW ME. 343 00:13:04,014 --> 00:13:06,099 AREN'T YOU THE STAR PITCHER 344 00:13:06,099 --> 00:13:07,225 WHO'S CURRENTLY SITTING OUT OF HIS HIGH-SCHOOL BASEBALL GAMES 345 00:13:07,225 --> 00:13:09,102 WHEN HIS TEAM NEEDS HIM THE MOST, 346 00:13:09,102 --> 00:13:11,396 BECAUSE HE'S SAVING HIS ARM FOR THE PROS? 347 00:13:11,396 --> 00:13:12,940 SEE, I'VE WATCHED A LOT OF TAPE ON YOU, SON, 348 00:13:12,940 --> 00:13:15,859 AND HERE'S WHAT I DON'T GET. 349 00:13:15,859 --> 00:13:17,110 WHY DO YOU PLAY THE GAME IN THE FIRST PLACE, SON? 350 00:13:17,110 --> 00:13:20,322 'CAUSE IT'S CLEAR YOU DON'T ENJOY IT. 351 00:13:20,322 --> 00:13:22,282 YOU LECTURING OUR SURPRISE GUEST, MARCUS? 352 00:13:22,282 --> 00:13:24,493 JUST HAVING AN HONEST CONVERSATION, COACH. 353 00:13:24,493 --> 00:13:27,079 HEH HEH! WELL, COACH TURNER IS KNOWN 354 00:13:27,079 --> 00:13:29,081 FOR HIS HONEST CONVERSATION. 355 00:13:29,081 --> 00:13:31,041 LEONARD SHAW, HEAD COACH. 356 00:13:31,041 --> 00:13:33,335 MARCUS TURNER, ASSISTANT HEAD. 357 00:13:33,335 --> 00:13:35,170 NICE TO MEET YOU, SIR. 358 00:13:35,170 --> 00:13:37,089 I'VE HAD MY EYE ON YOU SINCE FIRST YEAR VARSITY. 359 00:13:37,089 --> 00:13:40,258 MOM CAME DOWN ON ME PRETTY HARD, THOUGH. 360 00:13:40,258 --> 00:13:42,344 COACH TURNER, THEM BOYS LOOK PLENTY WARM. 361 00:13:42,344 --> 00:13:44,680 WHY DON'T YOU GO AHEAD AND GET THINGS STARTED? 362 00:13:44,680 --> 00:13:47,516 [LAUGHTER] 363 00:13:47,516 --> 00:13:50,435 [MUSIC PLAYING, CELL PHONE RINGS] 364 00:13:50,435 --> 00:13:52,437 AMARA: SHE'S PROBABLY CHECKING TO MAKE SURE 365 00:13:52,437 --> 00:13:54,231 I HAVEN'T CORRUPTED YOU YET. 366 00:13:54,231 --> 00:13:56,441 MM-HMM. 367 00:13:56,441 --> 00:13:57,442 SHE DOES KNOW YOU'RE HERE, RIGHT? 368 00:13:57,442 --> 00:13:58,694 -DAD KNOWS. -SIMONE. 369 00:14:01,029 --> 00:14:02,948 AUNTIE, I NEED TO FIGURE OUT 370 00:14:02,948 --> 00:14:04,283 WHAT MY COLLEGE FUTURE LOOKS LIKE, 371 00:14:04,283 --> 00:14:05,909 FIGURE OUT WHAT'S BEST FOR ME, 372 00:14:05,909 --> 00:14:07,619 WHAT'S BEST FOR US. 373 00:14:07,619 --> 00:14:09,079 AND I CAN'T DO THAT AT HOME. 374 00:14:11,331 --> 00:14:13,542 IT'S EITHER TINA HICKS' WAY OR NO WAY. 375 00:14:13,542 --> 00:14:16,211 I WON'T BLOW UP YOUR SPOT UNDER ONE CONDITION. 376 00:14:16,211 --> 00:14:18,422 YOU GIVE BRINGSTON SOME CAREFUL THOUGHT THIS WEEKEND. 377 00:14:18,422 --> 00:14:21,300 I KNOW YOU DIDN'T COME TO SCOUT THE SCHOOL, BUT JUST CONSIDER IT. 378 00:14:21,300 --> 00:14:23,677 I THINK IT COULD BE A GOOD FIT... 379 00:14:24,845 --> 00:14:27,347 FOR BOTH OF YOU, FOR ALL OF YOU, ACTUALLY. 380 00:14:29,558 --> 00:14:31,685 SPENCER: ALL RIGHT. I'LL BITE. 381 00:14:31,685 --> 00:14:33,603 WHAT MAKES HBCUs SO SPECIAL? 382 00:14:33,603 --> 00:14:35,647 IT'S A CONNECTION TO OUR HISTORY, OUR CULTURE. 383 00:14:35,647 --> 00:14:39,359 OLIVIA: BLACK EXCELLENCE. AMARA: EXACTLY. 384 00:14:39,359 --> 00:14:41,486 AND THE TENNIS PROGRAM IS REALLY GOOD. 385 00:14:41,486 --> 00:14:43,363 YEAH, JUST MAYBE DON'T PUT ALL YOUR EGGS 386 00:14:43,363 --> 00:14:46,950 IN THE ATHLETIC BASKET. 387 00:14:46,950 --> 00:14:48,577 [CELL PHONE VIBRATES, AMARA CHUCKLES] 388 00:14:48,577 --> 00:14:50,829 KEISHA, SHOULDN'T YOU BE GETTING READY FOR-- 389 00:14:50,829 --> 00:14:53,665 DAMN. OK. I'M ON MY WAY. 390 00:14:53,665 --> 00:14:56,668 BIG FASHION SHOW EMERGENCY. COME ON. 391 00:14:56,668 --> 00:15:00,172 IT'S A FASHION SHOW. HOW BIG OF AN EMERGENCY CAN IT BE? 392 00:15:00,172 --> 00:15:02,090 ♪ THIS IS THE STORY OF MY REIGN AND MY ARRIVAL... ♪ 393 00:15:02,090 --> 00:15:06,762 LISTEN, I'M A MIRACLE WORKER 394 00:15:06,762 --> 00:15:09,056 WITH COVER-UP AND A CONTOUR BRUSH, 395 00:15:09,056 --> 00:15:10,390 BUT EVEN I CAN'T FIX THIS CRAZINESS. 396 00:15:10,390 --> 00:15:13,644 AMARA AND SIMONE: OOH. 397 00:15:13,644 --> 00:15:14,895 WE ARE NOT PUTTING HER 398 00:15:14,895 --> 00:15:16,355 ON THE STAGE LIKE THAT. 399 00:15:16,355 --> 00:15:18,815 NOT MY FASHION SHOW. 400 00:15:18,815 --> 00:15:20,108 KEISHA: DR. PATTERSON, YOU'RE OUR ADVISOR. 401 00:15:20,108 --> 00:15:21,985 YOU KNOW THE ROUTINE. SO, LIKE-- 402 00:15:21,985 --> 00:15:23,028 AMARA: OH, NO, NO, NO. BUT, SIMONE, 403 00:15:23,028 --> 00:15:26,657 YOU USED TO DANCE. 404 00:15:26,657 --> 00:15:29,701 UH, OLIVIA STILL DANCES. 405 00:15:29,701 --> 00:15:31,954 UH, NO ONE ASKED ME. 406 00:15:31,954 --> 00:15:33,288 OK, YOU KNOW WHAT? YOU'RE BOTH DOING IT. 407 00:15:33,288 --> 00:15:35,457 SYMMETRY. YOU'LL BE FINE. 408 00:15:35,457 --> 00:15:38,043 AND YOU HAVE AN HOUR UNTIL CURTAIN. 409 00:15:38,043 --> 00:15:39,962 THAT'S LIKE A YEAR IN DANCER TIME. 410 00:15:39,962 --> 00:15:42,005 OK. BUT I DIDN'T SAY YES. 411 00:15:42,005 --> 00:15:44,049 YOU DID. YOU SAID, "NEXT SONG...PROMISE." 412 00:15:44,049 --> 00:15:45,968 WELL, THE NEXT SONG'S HERE, SWEETIE, SO LET'S GO. COME ON. 413 00:15:45,968 --> 00:15:48,428 AMARA: YOU'LL BE FINE. OLIVIA: I... 414 00:15:48,428 --> 00:15:50,555 -YOU'RE OK. -COME-- 415 00:15:50,555 --> 00:15:52,808 DAMON: HEY, WHAT'S THE DEAL WITH COACH TURNER ANYWAY? 416 00:15:52,808 --> 00:15:54,685 I THOUGHT COACH SHAW WOULD BE THE ONE WITH THE STICK UP HIS ASS. 417 00:15:54,685 --> 00:15:56,395 HEH. COACH TURNER'S THE REAL DEAL. 418 00:15:56,395 --> 00:15:58,397 THAT DUDE'S JUST MAD STRESSED LATELY. 419 00:15:58,397 --> 00:15:59,940 WHY? YOU ALL ARE A CHAMPIONSHIP TEAM. 420 00:15:59,940 --> 00:16:03,318 I DON'T KNOW. 421 00:16:03,318 --> 00:16:03,986 EMCEE: B.U., ARE Y'ALL BITCHES READY FOR A FASHION SHOW? 422 00:16:03,986 --> 00:16:08,073 [APPLAUSE] 423 00:16:08,073 --> 00:16:09,741 [VOCAL SAMPLES] 424 00:16:11,243 --> 00:16:15,414 BEYONCÉ♪ DRIVER, ROLL UP THE PARTITION, PLEASE ♪ 425 00:16:15,414 --> 00:16:18,959 LOOK OUT. 426 00:16:18,959 --> 00:16:21,128 ♪ DRIVER, ROLL UP THE PARTITION, PLEASE ♪ 427 00:16:21,128 --> 00:16:23,964 ♪ I DON'T NEED YOU SEEING 'YONCE ON HER KNEES ♪ 428 00:16:23,964 --> 00:16:26,675 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 429 00:16:26,675 --> 00:16:28,343 ♪ WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 430 00:16:28,343 --> 00:16:32,222 [CHEERING] 431 00:16:32,222 --> 00:16:34,891 ♪ OH, HE SO HORNY, YEAH, HE WANT TO, MM ♪ 432 00:16:34,891 --> 00:16:36,852 ♪ HE BUCKED ALL MY BUTTONS, AND HE RIPPED MY BLOUSE ♪ 433 00:16:36,852 --> 00:16:39,896 ♪ HE MONICA LEWINSKI'D ALL ON MY GOWN ♪ 434 00:16:39,896 --> 00:16:42,190 ♪ OH, THERE, DADDY, DADDY DIDN'T BRING THE TOWEL ♪ 435 00:16:42,190 --> 00:16:44,568 ♪ OH, BABY, BABY, WE BETTER SLOW IT DOWN ♪ 436 00:16:44,568 --> 00:16:47,195 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 437 00:16:47,195 --> 00:16:49,364 ♪ AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 438 00:16:49,364 --> 00:16:51,742 ♪ TAKE ALL, TAKE ALL ♪ 439 00:16:51,742 --> 00:16:54,703 ♪ OF ME, OF ME ♪ 440 00:16:54,703 --> 00:16:55,787 ♪ I JUST WANNA BE THE GIRL YOU LIKE, GIRL YOU LIKE ♪ 441 00:16:55,787 --> 00:17:00,000 ♪ TAKE ALL, TAKE ALL ♪ 442 00:17:00,000 --> 00:17:01,877 ♪ OF ME, OF ME, I JUST WANNA BE... ♪ 443 00:17:01,877 --> 00:17:04,463 WOW. SHE IS STUNNING. 444 00:17:04,463 --> 00:17:06,214 YEAH. YEAH, SHE IS. 445 00:17:06,214 --> 00:17:10,260 ♪ ...IS RIGHT HERE WITH ME ♪ 446 00:17:10,260 --> 00:17:11,553 ♪ RIGHT HERE WITH ME, RIGHT HERE WITH ME ♪ 447 00:17:11,553 --> 00:17:14,139 ♪ RIGHT HERE WITH ME ♪ 448 00:17:14,139 --> 00:17:15,974 ♪ DRIVER, ROLL UP THE PARTITION FAST ♪ 449 00:17:15,974 --> 00:17:18,018 ♪ OVER THERE, I SWEAR I SAW THEM CAMERAS FLASH ♪ 450 00:17:18,018 --> 00:17:20,646 ♪ HANDPRINTS AND FOOTPRINTS ON MY GLASS ♪ 451 00:17:20,646 --> 00:17:22,981 ♪ HANDPRINTS AND GOOD GRIPS ALL ON MY... ♪ 452 00:17:22,981 --> 00:17:26,151 ♪ PRIVATE SHOW WITH THE MUSIC BLASTING ♪ 453 00:17:26,151 --> 00:17:28,153 ♪ HE LIKE TO CALL ME PEACHES WHEN WE GET THIS NASTY ♪ 454 00:17:28,153 --> 00:17:31,239 ♪ RED WINE DRIP, WE'LL TALK THAT TRASH ♪ 455 00:17:31,239 --> 00:17:33,492 ♪ CHAUFFEUR EAVESDROPPING, TRYING NOT TO CRASH ♪ 456 00:17:33,492 --> 00:17:36,286 ♪ OH, THERE DADDY, DADDY, NOW YOU RIPPED MY FUR ♪ 457 00:17:36,286 --> 00:17:38,705 ♪ OH, BABY, BABY BE SWEATING OUT MY HAIR ♪ 458 00:17:38,705 --> 00:17:41,208 ♪ TOOK 45 MINUTES TO GET ALL DRESSED UP ♪ 459 00:17:41,208 --> 00:17:43,210 ♪ AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB ♪ 460 00:17:43,210 --> 00:17:45,921 ♪ TAKE ALL, TAKE ALL ♪ 461 00:17:45,921 --> 00:17:49,257 ♪ OF ME, OF ME ♪ 462 00:17:49,257 --> 00:17:50,968 ♪ I JUST WANNA BE THE GIRL YOU LIKE, GIRL YOU LIKE ♪ 463 00:17:50,968 --> 00:17:54,137 ♪ THE KIND OF GIRL YOU LIKE IS RIGHT HERE WITH ME ♪ 464 00:17:54,137 --> 00:17:56,473 ♪ RIGHT HERE WITH ME, RIGHT HERE WITH ME ♪ 465 00:17:56,473 --> 00:17:59,226 [OVERLAPPING VOCALS] 466 00:17:59,226 --> 00:18:03,605 PERSON ON RECORDING: HELLO! 467 00:18:03,605 --> 00:18:04,606 [CHEERING AND APPLAUSE] 468 00:18:12,364 --> 00:18:17,202 OH, MY GOD. 469 00:18:17,202 --> 00:18:18,412 SO THEY JUST BREED Y'ALL DIFFERENT OUT IN 470 00:18:18,412 --> 00:18:20,289 BEVERLY HILLS, HUH? 471 00:18:20,289 --> 00:18:21,290 I CANNOT BELIEVE I JUST DID THAT. 472 00:18:21,290 --> 00:18:22,916 LIKE, WE JUST DID THAT. 473 00:18:22,916 --> 00:18:24,126 OH, MY GOSH. THAT WAS SO-- 474 00:18:24,126 --> 00:18:26,169 SEXY. 475 00:18:26,169 --> 00:18:27,129 THE WORD YOU'RE LOOKING FOR IS SEXY, SEXY... 476 00:18:27,129 --> 00:18:29,881 -OK. -SEXY! 477 00:18:29,881 --> 00:18:31,967 NOW, COME ON WITH YOUR FINE SELVES, 478 00:18:31,967 --> 00:18:33,802 AND LET'S GET YOU OUT OF THESE HELLA EXPENSIVE DRESSES 479 00:18:33,802 --> 00:18:36,179 SO I CAN RETURN THEM. 480 00:18:36,179 --> 00:18:38,223 OLIVIA: OH, OH, OK. 481 00:18:38,223 --> 00:18:38,598 KEISHA: SERIOUS. I WAS GONNA SAY. COME ON. 482 00:18:44,563 --> 00:18:48,859 OOH. HA HA. 483 00:18:48,859 --> 00:18:50,485 THAT WAS FIRE. 484 00:18:52,529 --> 00:18:53,905 I'M GOOD. THANKS. 485 00:18:56,283 --> 00:18:59,369 UH, LISTEN, ABOUT EARLIER, 486 00:18:59,369 --> 00:19:02,956 UM, THERE'S BEEN JUST, LIKE, A LOT MORE ATTENTION LATELY, 487 00:19:02,956 --> 00:19:03,540 SO I'M STILL GETTING USED TO THE WHOLE LOSS OF PRIVACY THING. 488 00:19:04,708 --> 00:19:07,419 OH, THAT'S IT. THAT'S YOUR APOLOGY. 489 00:19:09,379 --> 00:19:13,383 UH, NAH. OF-- OF COURSE NOT. 490 00:19:13,383 --> 00:19:14,843 WHAT I MEANT WAS, LIKE, I'M SORRY THAT I WAS A LITTLE-- 491 00:19:14,843 --> 00:19:17,054 OBNOXIOUS? OVER THE TOP? OPINIONATED? 492 00:19:17,054 --> 00:19:21,016 YOU WANT ME TO PICK ONE? 493 00:19:21,016 --> 00:19:22,768 OK, YES, ALL RIGHT. ALL THE ABOVE. 494 00:19:22,768 --> 00:19:25,646 NOW, CAN I GET A DO-OVER FOR REAL THIS TIME? 495 00:19:25,646 --> 00:19:27,856 I'M DAMON SIMS. 496 00:19:30,192 --> 00:19:34,279 SIMONE HICKS. 497 00:19:34,279 --> 00:19:35,364 OK, SIMONE HICKS. 498 00:19:35,364 --> 00:19:38,867 [BOTH CHUCKLE] 499 00:19:38,867 --> 00:19:39,493 SO WHAT ARE THE CHANCES I CAN TALK YOU 500 00:19:41,787 --> 00:19:43,205 INTO SHOWING ME AROUND CAMPUS TOMORROW? 501 00:19:43,205 --> 00:19:44,122 SHE SAYS SHE'S NOT INTERESTED. 502 00:19:44,122 --> 00:19:46,291 JORDAN, I GOT IT. 503 00:19:46,291 --> 00:19:48,126 LOOK, MAN, I DON'T CARE HOW FAMOUS YOU ARE. 504 00:19:48,126 --> 00:19:51,254 YOU KEEP BOTHERING MY GIRL, WE'RE GONNA HAVE A PROBLEM. 505 00:19:51,254 --> 00:19:52,130 I JUST CAME BACK HERE TO COMPLIMENT HER ON THE SHOW. 506 00:19:52,130 --> 00:19:54,633 OK. 507 00:19:56,551 --> 00:20:00,889 I KNOW YOU, RIGHT? 508 00:20:00,889 --> 00:20:02,849 I DON'T THINK SO. 509 00:20:02,849 --> 00:20:04,393 JUSTICE FOR TAMIKA, RIGHT? 510 00:20:04,393 --> 00:20:05,352 YOU'RE THE FOOTBALL CAT THAT SET OFF 511 00:20:05,352 --> 00:20:06,812 THE CHAIN OF FORFEITS. 512 00:20:06,812 --> 00:20:08,522 MADE NATIONAL NEWS. 513 00:20:08,522 --> 00:20:10,065 I'M DAMON SIMS. 514 00:20:10,065 --> 00:20:12,401 I'M SPENCER JAMES. 515 00:20:12,401 --> 00:20:13,902 LOOK, NO DISRESPECT, MAN. 516 00:20:16,947 --> 00:20:17,906 BASEBALL PLAYER: HEY, BRO, I'VE BEEN CALLING YOU. 517 00:20:17,906 --> 00:20:20,867 CHECK YOUR DAMN PHONE. 518 00:20:20,867 --> 00:20:21,493 YOU'RE THE TOP STORY ON EVERY SPORTS NEWS FEED. 519 00:20:34,006 --> 00:20:35,048 STUDENT: 5, 6, 7, 8... [STUDENTS CHANT] 520 00:20:35,048 --> 00:20:36,049 1, 2, 3, 4, 5, 6, 7, 8. 521 00:20:36,049 --> 00:20:39,636 1, 2, 3, 4, 5, 6... 522 00:20:45,142 --> 00:20:49,521 MOM, I SWEAR I DIDN'T KNOW IT WAS GONNA GO VIRAL. 523 00:20:49,521 --> 00:20:52,107 LOOK, I CAN EXPLAIN. 524 00:20:52,107 --> 00:20:54,192 I BET YOU CAN. FUNNY. 525 00:20:54,192 --> 00:20:55,777 THIS DOESN'T LOOK LIKE CAMPING WITH CHASE. 526 00:20:55,777 --> 00:20:56,445 I JUST WANTED A WEEKEND, ONE WEEKEND TO-- 527 00:20:56,445 --> 00:20:58,989 TO WHAT? 528 00:20:58,989 --> 00:21:00,657 TO JUST BE NORMAL. 529 00:21:00,657 --> 00:21:02,326 WE'VE WORKED SO HARD TO GET HERE, RIGHT? 530 00:21:02,326 --> 00:21:05,120 TO HAVE THE MLB AT OUR FINGERTIPS, 531 00:21:05,120 --> 00:21:07,456 AND YOU'RE READY TO RISK INJURY THIS WEEKEND FOR WHAT? 532 00:21:07,456 --> 00:21:10,542 A CHANCE TO CHUG FRUIT PUNCH OUT OF A TRASH CAN 533 00:21:10,542 --> 00:21:12,961 AND SWAG SURF WITH MEDIOCRITY? 534 00:21:12,961 --> 00:21:14,421 HEY, MS. SIMS. LOOK, IT'S KIND OF MY FAULT. 535 00:21:14,421 --> 00:21:17,507 MOM, YOU REMEMBER J.R., RIGHT? 536 00:21:17,507 --> 00:21:18,383 -WE WERE ON THE 15 -U NATIONAL TEAM TOGETHER. 537 00:21:23,972 --> 00:21:28,727 THERE'S A WAY FOR ALL THIS TO ACTUALLY WORK IN OUR FAVOR. 538 00:21:28,727 --> 00:21:31,396 NO, WE DON'T HAVE TO SPIN THIS ONE. 539 00:21:31,396 --> 00:21:34,441 IT WORKED FOR KUMAR. 540 00:21:34,441 --> 00:21:35,567 HE CHOSE A TOP D1 SCHOOL IN PLACE OF A LOWER DRAFT. 541 00:21:35,567 --> 00:21:38,987 AND NOW HE'S EXPECTED TO BE 542 00:21:38,987 --> 00:21:40,364 THE NUMBER ONE PICK OUT OF COLLEGE THIS YEAR. 543 00:21:40,364 --> 00:21:42,366 SO WHAT, YOU WANT THE MLB TO THINK THAT 544 00:21:42,366 --> 00:21:44,284 I'M CONSIDERING ENROLLING HERE? 545 00:21:44,284 --> 00:21:46,036 IT'LL CREATE MORE HYPE AROUND YOU. YEAH. 546 00:21:46,036 --> 00:21:47,496 YOU KNOW WHAT? GO SHOWER. PUT SOMETHING NICE ON. 547 00:21:47,496 --> 00:21:49,831 YOU'RE DOING INTERVIEWS. 548 00:21:49,831 --> 00:21:51,708 NO. 549 00:21:51,708 --> 00:21:53,043 EXCUSE ME? 550 00:21:53,043 --> 00:21:55,462 I SAID, NO, MOM. 551 00:21:55,462 --> 00:21:57,464 YOU KEEP SAYING "WE," BUT I'M THE ONE WHO'S OUT THERE 552 00:21:57,464 --> 00:22:00,342 ON THAT FIELD, MA. ME. 553 00:22:00,342 --> 00:22:02,135 I'M THE ONE WHO HAS TO PLAY HURT OR HEALTHY. 554 00:22:02,135 --> 00:22:04,346 I'M THE ONE WHO HAS TO DEAL WITH DISAPPOINTED TEAMMATES 555 00:22:04,346 --> 00:22:06,473 BECAUSE YOU INSIST THAT I SAVE MY ARM FOR THE PROS. 556 00:22:06,473 --> 00:22:08,850 I'M THE ONE WHO HAS TO MISS CLASS 557 00:22:08,850 --> 00:22:12,562 SO THAT I CAN SHOW UP AND SHOW OUT 558 00:22:12,562 --> 00:22:13,480 AND GET ANOTHER UNNECESSARY SHOWCASE, MA. ME. 559 00:22:13,480 --> 00:22:17,276 OH, REALLY? 560 00:22:17,276 --> 00:22:19,444 SO WHO WAS IT WHO GAVE UP EVERYTHING 561 00:22:19,444 --> 00:22:21,446 SO THAT YOU COULD BE OUT ON THOSE FIELDS SHOWING UP AND SHOWING OUT? 562 00:22:21,446 --> 00:22:24,157 YOUR CAREER DOESN'T HAPPEN WITHOUT ME. 563 00:22:24,157 --> 00:22:26,368 AND YOURS DOESN'T HAPPEN WITHOUT ME. 564 00:22:26,368 --> 00:22:27,869 BOY, EVERYTHING I DO IS FOR YOU. 565 00:22:28,745 --> 00:22:32,624 AND ONE DAY, YOU'LL THANK ME. 566 00:22:33,959 --> 00:22:35,877 NOW, GET DRESSED. 567 00:22:38,046 --> 00:22:39,923 DAMON. 568 00:22:41,842 --> 00:22:42,551 Y--YES, MA'AM. 569 00:22:58,108 --> 00:23:02,988 UH, EXCUSE ME. 570 00:23:02,988 --> 00:23:04,448 I'M SORRY. I'M LOOKING FOR LIV AND SIMONE. 571 00:23:04,448 --> 00:23:06,366 THEY SAID THEY WERE MEETING YOU HERE. 572 00:23:06,366 --> 00:23:08,827 UH, YEAH, CHANGE OF PLANS. 573 00:23:08,827 --> 00:23:09,703 THEY SAID THEY'D MEET YOU AND JORDAN AT THE TAILGATE. 574 00:23:09,703 --> 00:23:12,414 OK, BET. 575 00:23:12,414 --> 00:23:12,998 IS THAT THE STORY YOU'RE WORKING ON? 576 00:23:15,208 --> 00:23:17,628 COLLEGE ATHLETIC SCANDALS? 577 00:23:17,628 --> 00:23:18,962 IS SOMETHING HAPPENING HERE AT BRINGSTON? 578 00:23:21,673 --> 00:23:23,800 MY BAD. LAST NIGHT, YOU WAS MAD CAGEY ABOUT 579 00:23:23,800 --> 00:23:25,636 THE WHOLE ATHLETICS THING HERE. 580 00:23:25,636 --> 00:23:26,970 NOTHING GETS PAST YOU, HUH? 581 00:23:26,970 --> 00:23:29,640 IS THAT FOR ME? 582 00:23:29,640 --> 00:23:31,183 YEAH. YEAH. IT WAS TAPED TO YOUR DOOR OUTSIDE. 583 00:23:31,183 --> 00:23:33,977 I'LL SEE YOU LATER. 584 00:23:33,977 --> 00:23:34,686 MM-HMM. 585 00:23:38,523 --> 00:23:43,236 YEAH. THIS IS DR. PATTERSON. 586 00:23:43,236 --> 00:23:44,780 I NEED TO PULL SOME TRANSCRIPTS. 587 00:23:46,865 --> 00:23:47,032 DID YOU KNOW MARIAN WRIGHT EDELMAN WAS 588 00:23:52,120 --> 00:23:53,372 THE FIRST WOMAN IN MISSISSIPPI TO PASS THE BAR EXAM? 589 00:23:53,372 --> 00:23:56,291 SHE WAS A LAWYER FOR THE NAACP, 590 00:23:56,291 --> 00:23:57,876 A SPELMAN GRAD, GOT THE PRESIDENTIAL MEDAL OF FREEDOM IN 2000. 591 00:23:57,876 --> 00:24:01,922 SHE'S A BADASS. 592 00:24:01,922 --> 00:24:04,591 I MEAN, CLEARLY. 593 00:24:04,591 --> 00:24:05,634 SO THEN WHY ISN'T SHE IN OUR HISTORY BOOKS? 594 00:24:05,634 --> 00:24:09,012 WHY ISN'T TONI MORRISON 595 00:24:09,012 --> 00:24:11,264 A PART OF OUR ENGLISH LIT REQUIRED READING? 596 00:24:11,264 --> 00:24:13,976 THIS PLACE IS GROWING ON YOU, ISN'T IT? 597 00:24:13,976 --> 00:24:15,978 LIV, I GUESS I JUST DIDN'T EXPECT TO COME TO THIS PLACE 598 00:24:15,978 --> 00:24:18,730 AND--I DON'T KNOW-- FEEL SO FULL. 599 00:24:18,730 --> 00:24:23,735 [CELL PHONE CHIMES] 600 00:24:23,735 --> 00:24:26,280 IT'S KEISHA. SHE'S WITH SPENCER AND JORDAN ALREADY. 601 00:24:26,280 --> 00:24:28,740 OH, AND SHE SAYS, "YOU BETTER HAUL ASS." 602 00:24:28,740 --> 00:24:31,118 OK, STOP. KEISHA IS COOL. 603 00:24:31,118 --> 00:24:34,788 I JUST, UH... 604 00:24:34,788 --> 00:24:36,456 I'M NOT SURPRISED THAT SHE'S ALREADY WITH SPENCER. 605 00:24:36,456 --> 00:24:38,208 OK, WELL, IF YOU'RE NOT GOING TO GO AFTER WHAT YOU WANT, 606 00:24:38,208 --> 00:24:40,502 YOU CAN'T GET MAD WHEN SOMEBODY ELSE DOES. 607 00:24:40,502 --> 00:24:41,253 WELL, IT LOOKS LIKE SOMEBODY NEEDS TO TAKE HER OWN ADVICE. 608 00:24:49,219 --> 00:24:54,016 MARCUS: KIDS LIKE DAMON SIMS JUST DON'T WALK AWAY 609 00:24:54,016 --> 00:24:55,767 FROM A CHANCE AT PLAYING PRO BALL. 610 00:24:55,767 --> 00:24:57,811 WOMAN: DR. PATTERSON, PLEASE... 611 00:24:57,811 --> 00:24:58,979 I'M SORRY. I JUST NEED A MINUTE. 612 00:24:58,979 --> 00:25:00,731 DR. ALLEN, IT'S URGENT. 613 00:25:00,731 --> 00:25:02,733 I'M IN THE MIDDLE OF A MEETING. 614 00:25:02,733 --> 00:25:03,150 OH, IT'S ALL RIGHT. WE ALL DONE HERE. 615 00:25:12,492 --> 00:25:17,414 THAT'S YOUR HEAD BASEBALL COACH 616 00:25:17,414 --> 00:25:18,457 AND YOUR ANTHROPOLOGY DEPARTMENT CHAIR. 617 00:25:18,457 --> 00:25:21,335 ALLEN: OK. 618 00:25:21,335 --> 00:25:22,544 AND THESE ARE THE ACADEMIC TRANSCRIPTS I PULLED 619 00:25:22,544 --> 00:25:25,297 FOR EVERY BASEBALL PLAYER ENROLLED IN 620 00:25:25,297 --> 00:25:26,840 AND ACING ANTHROPOLOGY 404 AND 406 OVER THE LAST 2 YEARS. 621 00:25:26,840 --> 00:25:30,677 GET TO THE POINT, AMARA. 622 00:25:30,677 --> 00:25:32,679 ANTHROPOLOGY 406 ISN'T A REAL CLASS. 623 00:25:32,679 --> 00:25:34,514 IT'S A PAPER CLASS. NO REAL PROFESSORIAL OVERSIGHT, 624 00:25:34,514 --> 00:25:38,018 NO ACTUAL CLASS TIME. 625 00:25:38,018 --> 00:25:38,393 IT'S A SHAM TO KEEP THESE BASEBALL PLAYERS ELIGIBLE. 626 00:25:39,853 --> 00:25:41,313 YOU'RE TELLING ME LEONARD SHAW CHEATED 627 00:25:44,358 --> 00:25:45,901 TO WIN AT BASEBALL GAMES? 628 00:25:51,949 --> 00:25:52,532 HE'S CHEATING THESE BOYS OUT OF A REAL EDUCATION. 629 00:25:52,532 --> 00:25:56,161 AND ARE THESE... 630 00:25:56,161 --> 00:25:58,413 THESE, UH, PAPER CLASSES, 631 00:25:58,413 --> 00:26:00,582 ARE THEY OPEN TO ALL STUDENTS? 632 00:26:00,582 --> 00:26:01,583 I MEAN, YES, BUT THAT DOESN'T CHANGE ANYTHING. 633 00:26:01,583 --> 00:26:04,544 TO THE NCAA, IT WILL. 634 00:26:04,544 --> 00:26:06,171 MEANS IT'S NOT SOLELY AN ATHLETIC PRIVILEGE. 635 00:26:06,171 --> 00:26:09,633 SO BECAUSE THEY WON'T CARE, WHAT? 636 00:26:09,633 --> 00:26:11,259 THAT MEANS YOU'RE JUST GONNA SWEEP THE CHEATING UNDER THE RUG? 637 00:26:11,259 --> 00:26:14,137 LOOK, I GET THIS STORY IS A BIG BREAK FOR YOU. 638 00:26:14,137 --> 00:26:16,264 STORY? YOU THINK THIS IS ABOUT A DAMN STORY? 639 00:26:16,264 --> 00:26:19,101 SCREW THE STORY. 640 00:26:19,101 --> 00:26:20,602 THIS IS ABOUT DOING RIGHT BY 641 00:26:20,602 --> 00:26:23,355 AN INSTITUTION THAT I LOVE, 642 00:26:23,355 --> 00:26:24,564 A SCHOOL THAT SHAPED WHO I WAS AS A STUDENT, WHO I AM TODAY, 643 00:26:24,564 --> 00:26:27,734 A PLACE OF EXCELLENCE. 644 00:26:27,734 --> 00:26:30,362 YOU NEED TO GET AHEAD OF THIS, ZEKE. 645 00:26:30,362 --> 00:26:32,948 YOU NEED TO SHOW EVERYONE THAT SELFISH BASTARD 646 00:26:32,948 --> 00:26:35,867 DOES NOT DEFINE BRINGSTON, 647 00:26:35,867 --> 00:26:37,953 THAT WE ARE STILL ABOVE REPROACH, 648 00:26:37,953 --> 00:26:39,288 BECAUSE WHEN THIS KIND OF FLAGRANT CRAP HAPPENS, 649 00:26:39,288 --> 00:26:40,497 WE CLEAN OUT OUR OWN DAMN CLOSETS. 650 00:26:44,334 --> 00:26:48,213 [HEAVY SIGH] 651 00:26:48,714 --> 00:26:50,257 [SIGHS] 652 00:26:53,635 --> 00:26:56,638 REMEMBER, WHEN SHE ASKS YOU ABOUT RUMORS 653 00:26:56,638 --> 00:26:57,931 THAT PLAYING AT COLLEGE IS BACK ON THE TABLE FOR YOU, 654 00:26:57,931 --> 00:27:00,434 KEEP IT VAGUE BUT HUMBLE. 655 00:27:00,434 --> 00:27:02,436 I KNOW, MOM. I'M PREPARED. 656 00:27:02,436 --> 00:27:03,603 OK. AND IF SHE BRINGS UP... 657 00:27:03,603 --> 00:27:06,315 WAIT. WHAT THE HELL? 658 00:27:06,315 --> 00:27:09,276 -WHAT'S GOING ON? -SHH, SHH. 659 00:27:09,276 --> 00:27:10,777 REPORTER ON VIDEO: IN A STATEMENT JUST RELEASED BY PRESIDENT ALLEN, 660 00:27:10,777 --> 00:27:12,321 AN INTERNAL INVESTIGATION HAS BEEN LAUNCHED, 661 00:27:12,321 --> 00:27:14,239 LOOKING INTO ALLEGED ACADEMIC FRAUD BY 662 00:27:14,239 --> 00:27:16,867 SOME PROMINENT MEMBERS OF THE BASEBALL TEAM. 663 00:27:16,867 --> 00:27:18,160 COACH LEONARD SHAW IS RESIGNING, EFFECTIVE IMMEDIATELY. 664 00:27:18,160 --> 00:27:21,788 MORE TO COME. 665 00:27:21,788 --> 00:27:24,249 DAMN. WE JUST LOST OUR LEVERAGE. 666 00:27:24,249 --> 00:27:26,418 LEVERAGE? IS THAT REALLY WHAT YOU'RE FOCUSED ON RIGHT NOW? 667 00:27:26,418 --> 00:27:29,963 WHAT ELSE SHOULD I BE FOCUSED ON? 668 00:27:29,963 --> 00:27:31,798 MOM, A TEAM JUST GOT DECIMATED, 669 00:27:31,798 --> 00:27:34,635 PEOPLE'S LIVELIHOODS DESTROYED. 670 00:27:34,635 --> 00:27:36,553 WHAT IS WITH YOU AND THIS SCHOOL? 671 00:27:36,553 --> 00:27:38,555 AND WHY ARE YOU SO OBSESSED WITH THIS TEAM 672 00:27:38,555 --> 00:27:40,682 YOU'VE SPENT ALL OF 2 SECONDS WITH? 673 00:27:40,682 --> 00:27:44,227 FORGET IT. 674 00:27:44,227 --> 00:27:47,522 ALL RIGHT? IT'S NOTHING. 675 00:27:47,522 --> 00:27:48,357 I'M WALKING BACK TO CAMPUS, ALL RIGHT, MA? 676 00:27:57,532 --> 00:28:02,537 HOW COULD YOU DO IT? 677 00:28:02,537 --> 00:28:04,581 IT WAS TWO SEASONS OF A COUPLE OF GHOST CLASSES. 678 00:28:04,581 --> 00:28:08,710 SPARE ME THE LECTURE. 679 00:28:08,710 --> 00:28:09,795 IN FACT, I DARE YOU TO FIND ME A COLLEGE COACH 680 00:28:09,795 --> 00:28:12,381 THAT ISN'T GAMING THE SYSTEM. 681 00:28:12,381 --> 00:28:13,966 IF YOU DO, IT'S 'CAUSE THEY HAVEN'T BEEN CAUGHT. 682 00:28:13,966 --> 00:28:16,009 ME, OK? BECAUSE I DON'T COACH LIKE THAT. 683 00:28:16,009 --> 00:28:18,136 WELL, THAT'S WHY YOU COULDN'T EVEN MAKE IT IN THE MINORS. 684 00:28:18,136 --> 00:28:20,180 BUT I'M PREPARED TO DO WHAT IT TAKES TO GAIN THE COMPETITIVE ADVANTAGE. 685 00:28:20,180 --> 00:28:22,808 WHAT ABOUT YOURRESPONSIBILITY TO THESE BOYS, HUH? 686 00:28:22,808 --> 00:28:25,060 MY JOB IS TO GET THEM READY FOR THE PROS. 687 00:28:25,060 --> 00:28:27,980 AND THAT'S WHAT I'VE BEEN DOING. 688 00:28:27,980 --> 00:28:29,314 I WON'T APOLOGIZE FOR THAT. 689 00:28:32,192 --> 00:28:32,609 I GUESS THAT'S WHERE YOU AND I FUNDAMENTALLY DIFFER. 690 00:28:34,486 --> 00:28:35,862 YOU'LL LEARN. 691 00:28:43,245 --> 00:28:47,124 [HIP-HOP MUSIC PLAYING] 692 00:28:50,669 --> 00:28:55,757 [JORDAN CHUCKLES] 693 00:28:55,757 --> 00:28:57,217 JORDAN: NOW WE'RE TALKING. SIMONE: I KNOW, BABE. 694 00:28:57,217 --> 00:28:59,553 YOU'VE BEEN WANTING TO PARTY ALL WEEKEND. 695 00:28:59,553 --> 00:29:01,179 I'VE BEEN WANTING TO GRIND ON MY WIFE A LITTLE BIT. MWAH. 696 00:29:01,179 --> 00:29:04,558 KEISHA: YAY, Y'ALL HERE. LET'S GO! 697 00:29:04,558 --> 00:29:08,812 SPENCER: OK! 698 00:29:08,812 --> 00:29:10,480 KEISHA: HEY, YO, NATE, K.E.K. PUNCH FOR EVERYBODY. 699 00:29:10,480 --> 00:29:11,690 OLIVIA: OH, ACTUALLY, NO PUNCH FOR ME. I'M SOBER, SO... 700 00:29:11,690 --> 00:29:15,235 GOOD FOR YOU, GIRL. 701 00:29:15,235 --> 00:29:16,069 SPENCER: DEAR GOD, TELL ME THAT'S NOT A TRASH CAN. 702 00:29:18,280 --> 00:29:19,948 IT'S THE CLEANEST THING IN HERE. TRUST. 703 00:29:19,948 --> 00:29:22,326 HERE Y'ALL GO. 704 00:29:22,326 --> 00:29:24,411 CHEERS, BITCHES. 705 00:29:24,411 --> 00:29:26,913 [ALL CHEER] 706 00:29:26,913 --> 00:29:29,041 [MUSIC CONTINUES] 707 00:29:54,983 --> 00:29:59,905 [SLOWLY] SIMONE HICKS. 708 00:29:59,905 --> 00:30:02,199 WHY DO YOU KEEP SAYING MY NAME LIKE THAT? 709 00:30:02,199 --> 00:30:06,453 'CAUSE IT'S DOPE. 710 00:30:06,453 --> 00:30:07,663 [DEADPAN] OK. 711 00:30:07,663 --> 00:30:09,206 [CHUCKLES] 712 00:30:09,206 --> 00:30:10,916 OH, OK. SO ATHLETE. 713 00:30:12,626 --> 00:30:16,964 THAT'S THE VIBE? 714 00:30:16,964 --> 00:30:17,839 OR ARE YOU JUST A BIG NAOMI OSAKA FAN? 715 00:30:17,839 --> 00:30:21,760 MM. IT'S BOTH. 716 00:30:21,760 --> 00:30:22,469 I'VE BEEN TRYING TO GET MY WAY BACK TO ATHLETE, 717 00:30:22,469 --> 00:30:26,306 FIND MY MOJO AGAIN. 718 00:30:26,306 --> 00:30:29,267 AND HOW'S THAT GOING? 719 00:30:29,267 --> 00:30:30,060 LET'S JUST SAY THE COMPETITION'S A LITTLE STIFF. 720 00:30:30,060 --> 00:30:33,105 SO USE IT. 721 00:30:33,105 --> 00:30:33,897 DON'T LET IT SHAKE YOU.COMPETITION IS JUST MOTIVATION. 722 00:30:33,897 --> 00:30:37,609 HMM. 723 00:30:37,609 --> 00:30:38,986 SO IS THAT HOW YOU KICK ASS IN BASEBALL? 724 00:30:38,986 --> 00:30:42,990 I HEARD ABOUT THE SCANDAL. 725 00:30:42,990 --> 00:30:43,824 BUT THAT DOESN'T AFFECT YOU, THOUGH, RIGHT? 726 00:30:43,824 --> 00:30:47,202 NAH. NOT AT ALL. 727 00:30:47,202 --> 00:30:49,413 STUDENT: YO, YOU SEEN J.R.? 728 00:30:49,413 --> 00:30:51,290 HE'S BEEN M.I.A. SINCE THAT BASEBALL NONSENSE HIT. 729 00:30:51,290 --> 00:30:53,041 MAN, I THOUGHT HE WAS IN THERE. 730 00:30:58,630 --> 00:31:03,677 OK, OK, HEY. HEY. I DON'T KNOW WHERE KEISHA IS, 731 00:31:03,677 --> 00:31:06,096 BUT YOU GOT TO DANCE WITH ME BEFORE SHE COMES BACK. 732 00:31:06,096 --> 00:31:07,848 WELL, YOU KNOW YOU CAN JUST SAY NO. 733 00:31:07,848 --> 00:31:10,225 SO IS NOW A GOOD TIME TO TELL HIM 734 00:31:10,225 --> 00:31:13,395 KEISHA AIN'T REALLY INTO HIM? 735 00:31:13,395 --> 00:31:15,439 UH, YEAH, SHE IS. WHAT ARE YOU TALKING ABOUT? 736 00:31:15,439 --> 00:31:17,691 NO. SHE JUST NEEDED SOMEONE TO HELP MAKE 737 00:31:17,691 --> 00:31:19,151 HER EX, TERRELL, JEALOUS. 738 00:31:21,111 --> 00:31:21,194 WORKS EVERY TIME. 739 00:31:25,198 --> 00:31:27,659 OH. 740 00:31:27,659 --> 00:31:28,619 ♪ ...EH, EVERYTHING IS GONNA HEAT UP ♪ 741 00:31:28,619 --> 00:31:32,039 ♪ I CAN FEEL THAT FEVER ♪ 742 00:31:32,039 --> 00:31:33,832 ♪ WIND IS BLOWING FAST UNDERNEATH US, EH ♪ 743 00:31:33,832 --> 00:31:36,501 ♪ JUST TURN UP THE SPEAKERS, EH ♪ 744 00:31:36,501 --> 00:31:39,129 ♪ WE, WE MAKE IT THROUGH IT ALL ♪ 745 00:31:39,129 --> 00:31:41,214 ♪ WE, WE BREAKIN' THROUGH THE WALL ♪ 746 00:31:41,214 --> 00:31:43,425 ♪ WAY UP IN THE TOP ♪ 747 00:31:43,425 --> 00:31:44,509 ♪ RISE, DON'T STOP ♪ 748 00:31:44,509 --> 00:31:45,886 ♪ TAKE YOUR SHOT ♪ 749 00:31:45,886 --> 00:31:47,596 ♪ WHEN YOU HEAR ME KNOCK ♪ 750 00:31:47,596 --> 00:31:48,847 ♪ GOT TO WAKE UP, WAKE UP, WAKE UP THE PARTY ♪ 751 00:31:48,847 --> 00:31:49,931 ♪ WAKE UP, WAKE UP, WAKE UP ♪ 752 00:31:49,931 --> 00:31:52,351 ♪ THE NIGHT! ♪ 753 00:31:52,351 --> 00:31:53,268 ♪ WAKE UP, WAKE UP, WAKE UP THE PARTY... ♪ 754 00:31:53,268 --> 00:31:55,312 WHAT'D I MISS? 755 00:31:55,312 --> 00:31:56,855 JUST, GROSS. 756 00:31:58,273 --> 00:32:00,192 SHE'S GOING AFTER WHAT SHE WANTS. 757 00:32:16,291 --> 00:32:20,712 UM, UH, MY BAD. I'M LOOKING FOR J.R. 758 00:32:20,712 --> 00:32:24,967 I HAVEN'T SEEN HIM. 759 00:32:24,967 --> 00:32:26,510 I'M SAYING MY GOOD-BYES TO THE FIELD. 760 00:32:29,721 --> 00:32:31,098 THEY'RE BROOMING OUT THE WHOLE COACHING STAFF. 761 00:32:34,309 --> 00:32:37,771 I'M SORRY. UM, I'LL GIVE YOU SOME PRIVACY. 762 00:32:37,771 --> 00:32:40,899 SIMS, WHEN YOU'RE OUT THERE PLAYING FOR THE PROS, 763 00:32:40,899 --> 00:32:44,569 I WANT YOU TO ALWAYS REMEMBER ONE THING: 764 00:32:44,569 --> 00:32:49,157 INTEGRITY. 765 00:32:49,157 --> 00:32:50,492 THAT'S THE MOST IMPORTANT THING AN ATHLETE, 766 00:32:50,492 --> 00:32:54,079 A TEAMMATE, A MAN HAS. 767 00:32:54,079 --> 00:32:55,539 AND WITHOUT IT, NOTHING ELSE MATTERS. 768 00:32:55,539 --> 00:32:57,207 I GUESS COACH SHAW SAW THINGS DIFFERENTLY. 769 00:32:57,207 --> 00:32:59,918 THIS TEAM'S FINALLY RID OF HIM. 770 00:32:59,918 --> 00:33:01,920 NOW, NEXT SEASON, THOSE BOYS CAN GO OUT THERE 771 00:33:01,920 --> 00:33:03,505 AND SHOW THE WHOLE WORLD WHAT THEY CAN REALLY DO 772 00:33:03,505 --> 00:33:06,091 UNDER AN HONEST PROGRAM. 773 00:33:07,050 --> 00:33:08,218 IT WAS YOU, WASN'T IT? 774 00:33:12,014 --> 00:33:13,432 YOU TIPPED SOMEONE OFF. IT COST YOU YOUR JOB. 775 00:33:13,432 --> 00:33:17,352 THOSE BOYS NEEDED A CHANCE 776 00:33:17,352 --> 00:33:19,187 TO REBUILD SOMETHING PURE AND GREAT. 777 00:33:19,187 --> 00:33:21,565 LOOK, I DID WHAT I HAD TO DO. 778 00:33:21,565 --> 00:33:22,733 SOMETIMES YOU JUST GOT TO TAKE ONE FOR THE TEAM. 779 00:33:25,569 --> 00:33:26,695 I'LL LEAVE YOU TO YOUR GOOD-BYES, COACH. 780 00:33:40,083 --> 00:33:44,713 I UNDERESTIMATED YOU. 781 00:33:44,713 --> 00:33:46,214 BUT NONE OF THAT SKILL MATTERS 782 00:33:46,214 --> 00:33:49,009 IF YOU CAN'T PERFORM LIKE THAT 783 00:33:49,009 --> 00:33:51,303 WHEN EYES ARE WATCHING AND THE PRESSURE'S ON. 784 00:33:51,303 --> 00:33:53,180 I WAS HOPING FOR SOME PRIVACY. 785 00:33:53,180 --> 00:33:54,640 ON MY COURTS? YOU'RE THE VISITOR. 786 00:33:54,640 --> 00:33:57,476 [CHUCKLES SOFTLY] 787 00:33:57,476 --> 00:33:58,977 FINE, GIRL. YOU GOT IT. 788 00:33:58,977 --> 00:34:00,646 THEA: YOU KNOW, TENNIS IS A GAME 789 00:34:00,646 --> 00:34:02,898 OF BOTH MENTAL AND PHYSICAL FITNESS. 790 00:34:02,898 --> 00:34:04,816 YOU'LL NEVER MAKE IT IF YOU KEEP BEING SO EASILY PSYCHED OUT. 791 00:34:04,816 --> 00:34:06,485 WHAT IS YOUR PROBLEM? YOU DON'T KNOW ME. YOU HAVE NO IDEA. 792 00:34:06,485 --> 00:34:09,404 I'M NOT A QUITTER. 793 00:34:09,404 --> 00:34:11,239 OK. WHATEVER. 794 00:34:11,239 --> 00:34:13,241 JUST WATCH YOUR BACK RIGHT FOOT 795 00:34:13,241 --> 00:34:15,452 ON YOUR FOREHAND VOLLEY. 796 00:34:15,452 --> 00:34:16,954 TRY STEPPING FORWARD WITH YOUR LEFT INSTEAD. 797 00:34:16,954 --> 00:34:18,288 IT'LL GIVE YOU MORE FORWARD MOMENTUM AND POWER. 798 00:34:18,288 --> 00:34:21,583 AND WHY ARE YOU HELPING ME? 799 00:34:21,583 --> 00:34:24,461 I'M NOT. I'M HELPING THE SPORT I LOVE. 800 00:34:24,461 --> 00:34:27,464 SEE, DON'T LET SERENA AND NAOMI'S SUCCESS FOOL YOU. 801 00:34:27,464 --> 00:34:29,967 EVERY TIME WE WALK OUT ON THAT COURT 802 00:34:29,967 --> 00:34:31,551 AS BLACK WOMEN, WE'RE BEING JUDGED 803 00:34:31,551 --> 00:34:35,681 ON EVERYTHING. 804 00:34:35,681 --> 00:34:37,975 YOU HAVE ONE JOB WHEN YOU PLAY-- 805 00:34:37,975 --> 00:34:39,685 BRING EXCELLENCE OR DON'T PLAY AT ALL. 806 00:34:47,442 --> 00:34:51,905 YOU WERE RIGHT, YOU KNOW? 807 00:34:51,905 --> 00:34:55,325 THIS TRIP, THIS PLACE. 808 00:34:55,325 --> 00:34:58,578 IT WAS EVERYTHING I WASN'T EVEN EXPECTING. 809 00:34:58,578 --> 00:35:01,290 AND IT'S JUST-- IT'S AMAZING TO BE 810 00:35:01,290 --> 00:35:04,418 SOMEPLACE THAT'S FOR US, BY US, 811 00:35:04,418 --> 00:35:07,838 WHERE EXCELLENCE IS EXPECTED, 812 00:35:07,838 --> 00:35:10,882 EVEN BY YOUR FRENEMIES. 813 00:35:10,882 --> 00:35:12,384 IT'S NOT TOO LATE TO APPLY. 814 00:35:13,176 --> 00:35:14,720 BABY SHAY IS IN L.A. 815 00:35:17,931 --> 00:35:19,975 AND I HAVE SUCH A GREAT RELATIONSHIP 816 00:35:19,975 --> 00:35:23,312 WITH HIS ADOPTED FAMILY. 817 00:35:23,312 --> 00:35:24,938 I CAN'T JUST UP AND MOVE CLEAR ACROSS THE COUNTRY. 818 00:35:24,938 --> 00:35:26,732 AND WHAT WERE YOU GONNA DO IF YOU GOT INTO PRINCETON? 819 00:35:26,732 --> 00:35:30,736 EXACTLY. YOU'D HAVE FIGURED IT OUT 820 00:35:30,736 --> 00:35:31,987 BECAUSE IT'S JUST THE EAST COAST, SWEETIE, NOT MARS. 821 00:35:31,987 --> 00:35:35,365 COME ON, AUNTIE. 822 00:35:35,365 --> 00:35:36,825 YOU KNOW MY MOM WOULD NEVER LET ME COME HERE. 823 00:35:36,825 --> 00:35:38,577 MM-MM. DON'T GET ME STARTED ON YOUR MOTHER. 824 00:35:38,577 --> 00:35:40,704 IT'S WAY PAST TIME YOU STOOD UP TO HER 825 00:35:40,704 --> 00:35:43,415 FOR WHAT YOU WANT. 826 00:35:43,415 --> 00:35:45,584 YOU DON'T HAVE TO MAKE A DECISION TODAY, 827 00:35:45,584 --> 00:35:47,961 BUT AS YOU ARE THINKING ABOUT IT, 828 00:35:47,961 --> 00:35:50,130 JUST REMEMBER, IN ORDER TO BE 829 00:35:50,130 --> 00:35:51,798 THE BEST VERSION OF YOURSELF FOR JORDAN 830 00:35:51,798 --> 00:35:54,885 AND SHAY AND EVERYONE ELSE YOU LOVE, 831 00:35:54,885 --> 00:35:56,720 YOU MAY NEED TO CHOOSE YOURSELF FIRST, SIMONE. 832 00:36:05,771 --> 00:36:10,233 SPENCER: AND I THOUGHT I'D BE THE ONLY TEEN AT COLLEGE 833 00:36:10,233 --> 00:36:12,861 UP AT THE CRACK OF DAWN. 834 00:36:12,861 --> 00:36:14,154 LOOK, I KNOW WE DON'T REALLY KNOW EACH OTHER LIKE THAT, 835 00:36:14,154 --> 00:36:17,074 BUT I KNOW WHAT IT LOOKS LIKE 836 00:36:17,074 --> 00:36:17,950 WHEN SOMEBODY'S CARRYING TOO MUCH WEIGHT ON THEIR SHOULDERS. 837 00:36:20,202 --> 00:36:20,786 WERE YOU SCARED WHEN YOU FORFEITED THAT GAME IN PROTEST 838 00:36:25,207 --> 00:36:28,919 AND FOOTBALL AND EVERYTHING COULD JUST GO AWAY? 839 00:36:28,919 --> 00:36:33,632 MAN, OF COURSE. 840 00:36:33,632 --> 00:36:34,007 IT DON'T CHANGE THE FACT THAT IT WAS THE RIGHT THING TO DO. 841 00:36:35,467 --> 00:36:36,009 [SIGHS] 842 00:36:40,555 --> 00:36:41,640 THIS WEEKEND DIDN'T GO AT ALL HOW I PLANNED IT, MAN. 843 00:36:41,640 --> 00:36:43,892 OH, WHAT, YOU WEREN'T PLANNING 844 00:36:43,892 --> 00:36:46,061 ON A CHAMPIONSHIP-WINNING BASEBALL PROGRAM 845 00:36:46,061 --> 00:36:46,853 GETTING DEMOLISHED WHILE YOU WERE VISITING FOR THE WEEKEND? 846 00:36:46,853 --> 00:36:49,606 I KNOW, RIGHT? 847 00:36:49,606 --> 00:36:51,441 GO FIGURE. 848 00:36:52,442 --> 00:36:53,777 IN A FEW MONTHS, I'LL BE DRAFTED, 849 00:36:57,114 --> 00:36:59,074 AND LIFE WILL NEVER BE THE SAME. 850 00:37:01,493 --> 00:37:02,995 I GUESS I JUST WANTED A WEEKEND 851 00:37:06,415 --> 00:37:07,874 TO REALLY CONNECT TO WHO I WAS BEFORE IT CHANGED. 852 00:37:07,874 --> 00:37:09,835 FOR SOMEBODY ABOUT TO GET THEIR DREAM, MAN, 853 00:37:12,337 --> 00:37:14,256 YOU DON'T SEEM TOO HAPPY. 854 00:37:14,256 --> 00:37:15,590 YEAH. I'M STARTING TO REALIZE 855 00:37:15,590 --> 00:37:17,467 THAT THE MLB IS MORE OF MY MOM'S DREAM. 856 00:37:18,802 --> 00:37:20,012 SHE'S JUST DONE SO MUCH FOR ME, 857 00:37:23,390 --> 00:37:24,433 I DON'T WANT TO LET HER DOWN. 858 00:37:27,436 --> 00:37:30,522 SHE'S NOT GONNA BE THE ONE OUT ON THAT FIELD, THOUGH. 859 00:37:30,522 --> 00:37:32,983 MAN. YOU DON'T GET IT. 860 00:37:32,983 --> 00:37:36,153 SHE SAVED MY LIFE. 861 00:37:36,153 --> 00:37:37,988 YEAH. ADOPTED ME OUT THE SYSTEM. 862 00:37:38,572 --> 00:37:43,535 RAISED ME, LOVES ME. 863 00:37:43,535 --> 00:37:46,163 I KNOW SHE'S JUST TRYING TO DO HER BEST BY ME. 864 00:37:46,163 --> 00:37:47,748 MY BIRTH PARENTS ARE ACTUALLY FROM HERE IN ATLANTA. 865 00:37:50,584 --> 00:37:52,961 AND ALL I KNOW IS THAT 18 YEARS AGO, 866 00:37:52,961 --> 00:37:55,005 THEY WENT TO SCHOOL HERE AT BRINGSTON. 867 00:37:55,005 --> 00:37:58,216 IS THAT WHY YOU'RE HERE? YOU TRYING TO FIND 'EM? 868 00:37:58,216 --> 00:38:02,429 I REALLY DON'T KNOW. 869 00:38:02,429 --> 00:38:03,055 THIS SCHOOL'S THE ONLY CONNECTION THAT I HAVE TO 'EM. 870 00:38:05,390 --> 00:38:07,434 I GUESS I JUST WANTED TO FEEL IT. 871 00:38:09,936 --> 00:38:12,856 I DON'T KNOW WHY I JUST TOLD YOU ALL OF THAT, MAN. 872 00:38:12,856 --> 00:38:15,984 CLEARLY YOU NEEDED TO TELL SOMEBODY. 873 00:38:15,984 --> 00:38:17,569 LOOK, MAN, I KNOW YOU FEEL LIKE YOU OWE YOUR MOMS, 874 00:38:17,569 --> 00:38:21,949 BUT IT SOUNDS LIKE SHE LOVES YOU. 875 00:38:21,949 --> 00:38:24,576 AND THAT DON'T COME WITH A FEE. 876 00:38:24,576 --> 00:38:27,454 SO WHATEVER IT IS THAT YOU DECIDE TO DO, 877 00:38:27,454 --> 00:38:28,747 IT'S GOT TO BE THE RIGHT THING FOR YOU. 878 00:38:31,208 --> 00:38:31,416 [EXHALES] 879 00:38:58,819 --> 00:39:03,657 THANK YOU. 880 00:39:03,657 --> 00:39:04,616 THANKS FOR AGREEING TO SEE ME, SIR. 881 00:39:12,749 --> 00:39:16,628 WHERE'S MY SON? 882 00:39:19,256 --> 00:39:23,343 [CAMERA SHUTTERS CLICKING] 883 00:39:23,343 --> 00:39:24,970 ALLEN: THANK YOU ALL FOR COMING. 884 00:39:24,970 --> 00:39:25,971 IT IS NEVER EASY TO DISCOVER 885 00:39:28,265 --> 00:39:29,391 SOMETHING'S GONE WRONG IN YOUR HOUSE, 886 00:39:29,391 --> 00:39:31,435 UNDER YOUR LEADERSHIP. 887 00:39:31,435 --> 00:39:33,312 IT'S MY HOPE THAT WE WILL NOT BE JUDGED 888 00:39:33,312 --> 00:39:35,480 BY THE POOR CHOICES OF A FEW 889 00:39:35,480 --> 00:39:37,399 BUT BY HOW WE RESPONDED TO RECTIFY IT. 890 00:39:37,399 --> 00:39:40,193 IT IS MY HOPE THAT INTEGRITY WILL BE OUR LEGACY. 891 00:39:40,193 --> 00:39:43,196 I'D LIKE TO GIVE DAMON SIMS THE OPPORTUNITY 892 00:39:43,196 --> 00:39:46,575 TO SAY A FEW WORDS. 893 00:39:46,575 --> 00:39:48,535 [CAMERA SHUTTERS CLICKING] 894 00:39:48,535 --> 00:39:50,203 DAMON: UH, THANK YOU, DR. ALLEN. 895 00:39:50,203 --> 00:39:53,498 [EXHALES] 896 00:39:53,498 --> 00:39:56,001 UH, THERE'S BEEN A LOT OF DISCUSSION ABOUT 897 00:39:56,001 --> 00:39:58,545 WHAT MY FUTURE WILL HOLD IN THESE NEXT FEW MONTHS. 898 00:39:58,545 --> 00:40:00,881 DR. ALLEN TALKED ABOUT LEGACY. 899 00:40:00,881 --> 00:40:04,009 AND I WANT MY LEGACY IN THIS SPORT TO BE 900 00:40:04,009 --> 00:40:07,179 THAT I MADE A DIFFERENCE. 901 00:40:07,179 --> 00:40:08,055 AND THAT'S WHY I WON'T BE PARTICIPATING 902 00:40:10,724 --> 00:40:13,185 IN THE 2021 MLB DRAFT. 903 00:40:13,185 --> 00:40:16,104 [SPECTATORS MURMURING] 904 00:40:16,104 --> 00:40:17,564 INSTEAD, I WILL BE COMMITTING TO PLAYING BASEBALL 905 00:40:17,564 --> 00:40:22,402 HERE AT BRINGSTON 906 00:40:22,402 --> 00:40:25,030 WITH COACH MARCUS TURNER AS OUR HEAD COACH. 907 00:40:25,030 --> 00:40:28,617 WE WILL REBUILD BASEBALL TOGETHER 908 00:40:28,617 --> 00:40:31,662 OUT THERE ON THAT FIELD. 909 00:40:31,662 --> 00:40:33,330 WE WILL BRING CHAMPIONSHIP BASEBALL BACK TO B.U., 910 00:40:33,330 --> 00:40:35,457 BACK TO US THE RIGHT WAY, THE HONORABLE WAY... 911 00:40:37,334 --> 00:40:39,586 WITH INTEGRITY. 912 00:40:41,797 --> 00:40:43,256 THANK YOU FOR YOUR TIME. 913 00:40:45,884 --> 00:40:47,678 [APPLAUSE] 914 00:40:56,979 --> 00:41:01,692 [J.R. CHUCKLING] 915 00:41:01,692 --> 00:41:04,945 YOU KNOW, WHEN I INVITED YOU DOWN, 916 00:41:04,945 --> 00:41:06,113 I DID NOT KNOW IT WOULD ACTUALLY END 917 00:41:06,113 --> 00:41:07,030 IN YOU COMMITTING HERE. 918 00:41:07,030 --> 00:41:08,365 I KNOW, RIGHT? 919 00:41:08,365 --> 00:41:09,950 IT FEELS LIKE HOME. 920 00:41:12,035 --> 00:41:14,204 HOME. YEAH. 921 00:41:14,204 --> 00:41:16,290 I GUESS BRINGSTON BASEBALL HAS FOUND ITS STAR. 922 00:41:16,290 --> 00:41:18,250 NO STARS, MAN. JUST BALLPLAYERS... 923 00:41:18,250 --> 00:41:21,586 ALL OF US. 924 00:41:21,586 --> 00:41:23,380 WE'LL DO THIS TOGETHER, ALL RIGHT? 925 00:41:23,380 --> 00:41:24,798 REBUILD HANK'S LEGACY HERE, MAN. 926 00:41:27,384 --> 00:41:30,637 MAKE HIM PROUD. 927 00:41:30,637 --> 00:41:32,639 [CHUCKLES] 928 00:41:32,639 --> 00:41:33,598 HEY, LOOK, MAN, I GOT TO GET GOING. 929 00:41:36,518 --> 00:41:38,353 MY FRAT BROTHERS ARE WAITING ON ME. 930 00:41:38,353 --> 00:41:40,689 OH. FOR SURE. 931 00:41:40,689 --> 00:41:41,857 I GUESS I'LL SEE YOU THIS FALL, BROTHER. 932 00:41:44,985 --> 00:41:46,278 SIMONE: CONGRATULATIONS. 933 00:41:49,740 --> 00:41:52,242 I GUESS THAT BASEBALL THING DID HAVE 934 00:41:52,242 --> 00:41:55,037 SOME EFFECT ON YOU, HUH? 935 00:41:55,037 --> 00:41:56,747 YEAH. SOMETHING LIKE THAT. 936 00:41:56,747 --> 00:41:59,041 WELL, YOU SEEM AT PEACE, SO GOOD FOR YOU. 937 00:42:04,004 --> 00:42:04,921 I SHOULD, UH, GET GOING. 938 00:42:08,759 --> 00:42:10,385 MY HUSBAND'S WAITING OUTSIDE FOR ME. 939 00:42:10,385 --> 00:42:12,304 HUSBAND? 940 00:42:12,929 --> 00:42:14,014 OH, OK. 941 00:42:17,267 --> 00:42:18,852 WHAT ABOUT YOU? 942 00:42:21,396 --> 00:42:22,648 FIND YOUR MOJO? 943 00:42:24,483 --> 00:42:26,026 YEAH. 944 00:42:28,862 --> 00:42:30,530 SOMETHING LIKE THAT. 945 00:42:30,530 --> 00:42:34,618 GOOD. 946 00:42:34,618 --> 00:42:35,410 TAKE CARE OF YOURSELF, SIMONE HICKS. 947 00:42:47,673 --> 00:42:52,344 RHYS LEWIS: ♪ I DON'T READ THE HEADLINES ♪ 948 00:42:52,344 --> 00:42:55,806 ♪ AND I DON'T WATCH THE NEWS ♪ 949 00:42:55,806 --> 00:42:58,058 ♪ 'CAUSE I LOSE FAITH IN SOMETHING ♪ 950 00:42:58,058 --> 00:43:01,144 ♪ EVERY TIME I DO ♪ 951 00:43:01,144 --> 00:43:02,896 ♪ WELL, I DON'T NEED TO BURY MY HEAD... ♪ 952 00:43:02,896 --> 00:43:05,941 WHAT? 953 00:43:05,941 --> 00:43:06,942 NOTHING. YOU JUST-- 954 00:43:06,942 --> 00:43:09,903 YOU SEEM HAPPY. 955 00:43:09,903 --> 00:43:11,738 LEWIS: ♪ ...TRYIN' TO LIVE THIS LIFE ♪ 956 00:43:11,738 --> 00:43:13,490 ♪ AS BEST AS I CAN ♪ 957 00:43:13,490 --> 00:43:15,117 ♪ SO LET'S KEEP SEARCHING FOR SOMEWHERE ♪ 958 00:43:15,117 --> 00:43:17,911 ♪ WE'RE GONNA FIND A WAY ♪ 959 00:43:17,911 --> 00:43:20,789 ♪ TO MAKE TOMORROW ♪ 960 00:43:20,789 --> 00:43:22,791 ♪ TOMORROW BETTER THAN TODAY ♪ 961 00:43:22,791 --> 00:43:26,837 ♪ LET'S MAKE TOMORROW ♪ 962 00:43:26,837 --> 00:43:28,130 ♪ TOMORROW BETTER THAN TODAY ♪ 963 00:43:51,862 --> 00:43:55,741 GREG, MOVE YOUR HEAD.