1 00:00:09,000 --> 00:00:12,000 [metronome ticking] 2 00:00:15,760 --> 00:00:16,920 [deep inhale] 3 00:00:19,000 --> 00:00:23,400 [playing Vivaldi's "Winter" from The Four Seasons] 4 00:00:27,680 --> 00:00:30,480 [wind whispers coldly] 5 00:00:34,600 --> 00:00:37,520 ["Winter" continues playing] 6 00:00:58,160 --> 00:00:59,360 [string snaps sharply] 7 00:00:59,440 --> 00:01:03,040 [metronome ticks steadily] 8 00:01:03,840 --> 00:01:06,680 [muffled phone buzzing] 9 00:01:08,040 --> 00:01:09,160 [phone buzzes audibly] 10 00:01:11,000 --> 00:01:11,840 Hello? 11 00:01:11,920 --> 00:01:13,440 [man, slightly muffled] Hello. 12 00:01:15,720 --> 00:01:17,200 Do you know who this is? 13 00:01:17,720 --> 00:01:18,600 Yeah. 14 00:01:19,240 --> 00:01:20,320 Oh, really? 15 00:01:20,920 --> 00:01:23,320 I didn't think you'd recognize my voice. 16 00:01:23,400 --> 00:01:24,720 You sound different. 17 00:01:25,560 --> 00:01:26,520 Yeah. 18 00:01:26,600 --> 00:01:28,640 Yes, the signal is bad here. 19 00:01:29,840 --> 00:01:31,400 Did you do as I asked? 20 00:01:31,480 --> 00:01:32,400 Do what? 21 00:01:33,360 --> 00:01:36,520 What, uh, we talked about. Did you behave yourself? 22 00:01:38,120 --> 00:01:39,560 I always behave myself. 23 00:01:39,640 --> 00:01:40,760 [man chuckles softly] 24 00:01:42,160 --> 00:01:43,760 Are you trying to control me? 25 00:01:44,520 --> 00:01:45,760 No, no. 26 00:01:45,840 --> 00:01:46,920 [man inhales sharply] 27 00:01:47,000 --> 00:01:50,240 I was just worried, so I wanted to know how you were. 28 00:01:51,080 --> 00:01:52,720 Don't worry, I'm fine. 29 00:01:52,800 --> 00:01:54,440 Yes, yes, of course. 30 00:01:55,200 --> 00:01:56,600 I don't doubt that at all. 31 00:01:56,680 --> 00:01:57,920 [man breathes in] 32 00:01:58,000 --> 00:02:01,160 I'm curious. Why are you calling? 33 00:02:01,240 --> 00:02:03,040 Oh, um… sorry. 34 00:02:03,120 --> 00:02:05,520 If… If this bothers you, I won't do it again. 35 00:02:05,600 --> 00:02:08,120 I don't wanna be a pest. [inhales] 36 00:02:08,200 --> 00:02:10,920 But I want you to know that if you ever need anything, 37 00:02:11,000 --> 00:02:12,480 you can always count on me. 38 00:02:12,560 --> 00:02:15,880 So, what you're saying is I can call you in the future 39 00:02:15,960 --> 00:02:18,200 if I ever get into any more trouble? 40 00:02:18,280 --> 00:02:20,120 Then you'll swoop in and rescue me? 41 00:02:20,200 --> 00:02:21,600 Is that how this works? 42 00:02:21,680 --> 00:02:24,400 Actually, it'll probably be the other way around. 43 00:02:24,480 --> 00:02:25,720 You're gonna rescue me. 44 00:02:25,800 --> 00:02:28,440 [gentle music deepens] 45 00:02:28,520 --> 00:02:30,600 And why would you need rescuing? 46 00:02:30,680 --> 00:02:31,760 [man exhales] 47 00:02:32,600 --> 00:02:34,320 Do you want me to tell you? 48 00:02:34,840 --> 00:02:38,600 CAUGHT 49 00:02:38,680 --> 00:02:42,520 [icy violin strains rise, then dissipate] 50 00:02:43,840 --> 00:02:47,720 BASED ON THE NOVEL BY HARLAN COBEN 51 00:02:48,240 --> 00:02:50,760 [distant wind brushes against the quiet] 52 00:02:50,840 --> 00:02:55,240 [Vivaldi's "Summer" from The Four Seasons playing] 53 00:03:15,960 --> 00:03:18,840 {\an8}[hurried strings burst from the stillness] 54 00:03:18,920 --> 00:03:22,320 {\an8}[alarm clock beeps] 55 00:03:32,560 --> 00:03:34,640 OOPS! NO NEW MESSAGES 56 00:03:53,880 --> 00:03:56,560 {\an8}ATTN EMA GARAY 57 00:03:57,800 --> 00:04:00,040 [strings soften] 58 00:04:16,160 --> 00:04:17,040 - [Ema] Bruno? - Mm? 59 00:04:17,120 --> 00:04:19,080 {\an8}- Time to get up. - In a sec, Mom. 60 00:04:23,080 --> 00:04:24,000 {\an8}[van door closing] 61 00:04:28,080 --> 00:04:32,080 {\an8}NATIONAL POSTAL SERVICE 62 00:04:45,200 --> 00:04:50,040 MAIL 63 00:04:50,120 --> 00:04:52,880 {\an8}ATTN EMA GARAY ATTN BRUNO MELLER GARAY 64 00:04:54,280 --> 00:04:56,160 [music ends] 65 00:05:02,520 --> 00:05:04,040 [phones ringing] 66 00:05:06,800 --> 00:05:09,160 - [Ema] Good morning, Moni. - [Araceli] Ema. 67 00:05:09,240 --> 00:05:11,120 - Araceli, you shouldn't have. - I know. 68 00:05:11,200 --> 00:05:14,720 You told me not to, but I don't care, so might as well accept it. Here. 69 00:05:14,800 --> 00:05:15,920 Wow. 70 00:05:16,520 --> 00:05:18,120 - Mm. - We even harvested those. 71 00:05:18,200 --> 00:05:21,280 - It's a rosehip pie, alright? - It looks incredible. So pretty. 72 00:05:21,360 --> 00:05:23,560 It's the least I could do to thank you. 73 00:05:23,640 --> 00:05:24,480 But you know-- 74 00:05:24,560 --> 00:05:27,320 If it weren't for you, my husband would still be in prison. 75 00:05:27,400 --> 00:05:28,720 You really shouldn't have-- 76 00:05:28,800 --> 00:05:33,000 I'm leaving before you go on more about how I "didn't have to." I'm going. 77 00:05:33,080 --> 00:05:35,400 - Thank you. - No, thank you. See you soon, Ema. 78 00:05:35,480 --> 00:05:36,360 See you. 79 00:05:37,360 --> 00:05:38,480 Morning. 80 00:05:38,560 --> 00:05:40,360 [man] Hi, guys. How's it going? 81 00:05:40,440 --> 00:05:43,840 - [indistinct chatter] - [phones ringing] 82 00:05:45,320 --> 00:05:47,200 [Ema sighs softly] 83 00:05:50,480 --> 00:05:52,320 BORED AT SCHOOL? 84 00:05:58,680 --> 00:06:00,200 {\an8}[computer chimes] 85 00:06:00,280 --> 00:06:02,840 WHEN ARE YOU GONNA SEND ME A PIC? 86 00:06:04,520 --> 00:06:05,720 Vicky. 87 00:06:05,800 --> 00:06:07,880 - Wait, just give me a second. - [man] Sure. 88 00:06:09,400 --> 00:06:11,120 - Hi. - Hey 89 00:06:11,200 --> 00:06:13,360 [playful music loops from computer speakers] 90 00:06:13,440 --> 00:06:15,080 - Looks like he's back on. - Mm-hm. 91 00:06:15,160 --> 00:06:16,120 MOM WON'T LET ME 92 00:06:16,200 --> 00:06:18,720 I WANNA SEE YOU, YOU MUST BE GORGEOUS 93 00:06:19,640 --> 00:06:21,320 [fingers tap rapidly on keyboard] 94 00:06:23,080 --> 00:06:25,400 HAHA, SO SEND ME YOUR PIC THEN 95 00:06:25,480 --> 00:06:28,640 I'M EMBARRASSED, I DON'T KNOW IF YOU'LL LIKE ME 96 00:06:28,720 --> 00:06:29,720 COME ON… 97 00:06:36,280 --> 00:06:37,360 SOON 98 00:06:37,440 --> 00:06:39,320 FINALGAME05 HAS LOGGED OFF 99 00:06:42,440 --> 00:06:44,400 - Have you talked to the coder? - [Vicky] Yeah. 100 00:06:44,480 --> 00:06:46,120 - Any news on the IP? - Nothing. 101 00:06:46,200 --> 00:06:49,520 They say an official request isn't enough, even involving child abuse. 102 00:06:49,600 --> 00:06:51,480 They need a request from the police. 103 00:06:51,560 --> 00:06:53,760 - They're making us run around like fools. - Yeah. 104 00:06:53,840 --> 00:06:56,600 Follow up on it. I'm gonna try one last time with the commissioner, 105 00:06:56,680 --> 00:06:59,720 or else we'll have to try with the families. 106 00:06:59,800 --> 00:07:02,480 - Is that a good idea? - Well, we can't just sit here. 107 00:07:02,560 --> 00:07:05,480 CEM # 48 HIGH SCHOOL 108 00:07:05,560 --> 00:07:06,720 [girl 1] What are you wearing? 109 00:07:06,800 --> 00:07:10,240 [girl 2] I don't know. I might wear a denim corset with a pair of jeans. 110 00:07:10,320 --> 00:07:13,200 - Like denim on denim. I like that. - [girl 1] Yeah, me too. 111 00:07:14,360 --> 00:07:18,040 {\an8}- You can wear that skirt. The gray one. - [girl 2] Totally. 112 00:07:18,120 --> 00:07:19,880 - The party? - [girl 1] Yeah. 113 00:07:19,960 --> 00:07:21,080 [girl 2] You going? 114 00:07:21,960 --> 00:07:22,800 Sure. 115 00:07:22,880 --> 00:07:23,760 [whistle blows] 116 00:07:23,840 --> 00:07:25,520 - [teenager] Mati! - [basketball dribbles] 117 00:07:25,600 --> 00:07:27,240 - Mati! - [whistle blows] 118 00:07:28,400 --> 00:07:30,960 Mati! Hey, hey, hey, hey! Over here! 119 00:07:31,040 --> 00:07:32,480 Come on, keep going. 120 00:07:32,560 --> 00:07:34,640 - [coach] That's it. - [teenager] Come on. 121 00:07:34,720 --> 00:07:35,840 Coach! 122 00:07:36,440 --> 00:07:38,800 [coach] Come on, come on. Faster, Flor. Come on. 123 00:07:39,320 --> 00:07:40,960 - Move. - [girl 1] We can get together. 124 00:07:41,040 --> 00:07:42,320 [girl 2] Yeah. 125 00:07:42,400 --> 00:07:44,480 - [girl 1] You started the project? - [teenager] Hey! 126 00:07:44,560 --> 00:07:47,160 - Eyes up front, dickhead. - What if we bring a ladder? 127 00:07:47,240 --> 00:07:48,800 - That won't work, man. - Why not? 128 00:07:48,880 --> 00:07:52,320 - The house has an electric fence, Colo. - So we cut it. What's the problem? 129 00:07:52,400 --> 00:07:54,800 Are we just gonna cover our ears when the alarm starts ringing? 130 00:07:54,880 --> 00:07:56,840 [Colo] Speaking of the alarm, what about the code? 131 00:07:56,920 --> 00:07:58,800 Three weeks ago, Gael's aunt cleaned the place. 132 00:07:58,880 --> 00:08:00,880 - That's how we know the code. - Maybe they changed it. 133 00:08:00,960 --> 00:08:02,880 - Gael knows the code. - We have to get there first. 134 00:08:02,960 --> 00:08:04,560 Otherwise, there's no point. 135 00:08:05,360 --> 00:08:07,240 Is there a code for the water? 136 00:08:09,440 --> 00:08:11,360 - [Colo] What was that, Brian? - Bruno. 137 00:08:11,920 --> 00:08:14,360 - [Colo] Okay, Bruno. - What were you saying? 138 00:08:14,440 --> 00:08:16,200 There's no fence on the water side. 139 00:08:17,320 --> 00:08:19,120 [coach] Come on, Gael, shoot. 140 00:08:19,200 --> 00:08:20,520 [basketball dribble] 141 00:08:20,600 --> 00:08:22,160 [Fede] You're a smart one, huh? 142 00:08:22,240 --> 00:08:23,480 We got a smart one. 143 00:08:23,560 --> 00:08:24,440 BARILOCHE POLICE 144 00:08:24,520 --> 00:08:27,200 [Herrera] According to the Criminal Code, the police cannot intervene 145 00:08:27,280 --> 00:08:29,520 without acquiring conclusive and irrefutable evidence. 146 00:08:29,600 --> 00:08:31,000 Oh, please, Commissioner. 147 00:08:31,080 --> 00:08:33,720 We need evidence connecting the user you've been chatting with 148 00:08:33,800 --> 00:08:36,480 to at least one of our earlier cases. You got that? 149 00:08:36,560 --> 00:08:38,400 Or get the user to reveal their identity or age. 150 00:08:38,480 --> 00:08:41,040 The intel is from a minor who passed on his username. 151 00:08:41,120 --> 00:08:42,880 You serious? That anonymous email? 152 00:08:42,960 --> 00:08:46,520 How about you just grant me access to the other girls' case files? 153 00:08:46,600 --> 00:08:47,520 I might find a pattern. 154 00:08:47,600 --> 00:08:50,600 Maybe he's a serial abuser, and there's irrefutable evidence. 155 00:08:50,680 --> 00:08:52,360 Camila Costa's file, for example. 156 00:08:52,440 --> 00:08:54,320 Try listening to me for once. 157 00:08:54,400 --> 00:08:57,880 Give me the username you created to chat with this alleged suspect, 158 00:08:57,960 --> 00:09:01,240 and I'll get on with doing my job, which is catching criminals. 159 00:09:01,760 --> 00:09:03,760 - No. - I'll give you access to the file. 160 00:09:03,840 --> 00:09:05,360 - No. - Exclusive access. 161 00:09:05,440 --> 00:09:09,440 I already gave his username to you and the court, but you did nothing. 162 00:09:09,520 --> 00:09:13,320 If I give you the username I created and the rest of our research, what then? 163 00:09:13,400 --> 00:09:16,560 Wait until you have enough evidence? That won't get us anything. 164 00:09:16,640 --> 00:09:17,760 You know how it works. 165 00:09:17,840 --> 00:09:20,920 If you don't cooperate, then I'm sorry, my hands are tied. 166 00:09:23,880 --> 00:09:27,520 ["Todo Roto" by Nathy Peluso, CA7RIEL and Paco Amoroso playing] 167 00:09:37,040 --> 00:09:39,040 [whirring] 168 00:09:52,880 --> 00:09:53,840 [music stops] 169 00:09:55,960 --> 00:09:57,960 [machinery whirring and buzzing] 170 00:10:13,360 --> 00:10:14,280 Oh! 171 00:10:15,160 --> 00:10:16,240 Mm. 172 00:10:17,760 --> 00:10:18,680 Mm. 173 00:10:19,640 --> 00:10:20,560 Mm. 174 00:10:40,360 --> 00:10:41,200 [Ema] Hello. 175 00:10:42,800 --> 00:10:45,320 - How are you, Isabel? - Morning. 176 00:10:45,400 --> 00:10:46,520 My name is Ema Garay. 177 00:10:46,600 --> 00:10:50,200 I'm a journalist for a digital magazine called Lado Bariloche. 178 00:10:52,400 --> 00:10:53,240 Hi. 179 00:10:54,000 --> 00:10:56,040 Can I talk to your parents for a minute? 180 00:10:59,240 --> 00:11:00,120 Come on. 181 00:11:00,800 --> 00:11:01,680 Let's go. 182 00:11:03,520 --> 00:11:06,200 Um, I feel bad for just showing up like this, 183 00:11:06,280 --> 00:11:09,280 but I'm investigating an abuser who operates on social media. 184 00:11:09,360 --> 00:11:11,920 He might have something to do with what happened to Camila. 185 00:11:12,000 --> 00:11:14,560 Camila already gave a full statement not once but several times. 186 00:11:14,640 --> 00:11:16,600 No. I know. I know that. 187 00:11:16,680 --> 00:11:19,280 The problem is they won't give me access to the file. 188 00:11:19,360 --> 00:11:22,320 I know Camila wasn't able to identify her attacker, but-- 189 00:11:22,400 --> 00:11:23,840 Sorry, ma'am, that's enough. 190 00:11:24,840 --> 00:11:25,720 Hi. 191 00:11:26,240 --> 00:11:28,040 - And you are? - A family friend. 192 00:11:28,640 --> 00:11:32,280 Okay, then "Mr. Family Friend," if you'll excuse me, I-- 193 00:11:33,680 --> 00:11:36,360 [tense music builds] 194 00:11:36,440 --> 00:11:38,200 So what, are we dancing now? 195 00:11:39,560 --> 00:11:43,160 - They don't want to talk to reporters. - No. I just… [exhales] 196 00:11:43,240 --> 00:11:45,200 Listen, they're not interested. 197 00:11:45,280 --> 00:11:47,360 They'll talk when they're ready. Not now. 198 00:11:47,960 --> 00:11:49,040 So, please ma'am… 199 00:11:49,800 --> 00:11:52,000 - You gonna push me? - Oh, I'm not pushing you. 200 00:11:52,080 --> 00:11:55,000 No, I'm asking you to think about more than just the story you want to tell 201 00:11:55,080 --> 00:11:57,200 and consider other people's suffering. Please, go. 202 00:11:57,280 --> 00:11:59,160 You don't know what I do or who I am. 203 00:11:59,240 --> 00:12:01,760 Don't lecture me on things you know nothing about. 204 00:12:03,240 --> 00:12:05,320 That's true. I apologize. 205 00:12:05,400 --> 00:12:07,720 You're right. I don't know anything about you, 206 00:12:07,800 --> 00:12:10,360 but I am sure you know how to empathize with others. 207 00:12:11,760 --> 00:12:14,440 And that's what they need right now, so please… 208 00:12:15,760 --> 00:12:17,040 I'm sorry, Isabel. 209 00:12:18,880 --> 00:12:21,080 I didn't mean to make you feel uncomfortable. 210 00:12:21,160 --> 00:12:24,040 I'm just trying to figure out who attacked Camila. 211 00:12:24,120 --> 00:12:26,680 It might be the same person we're looking for too. 212 00:12:27,200 --> 00:12:30,560 If you ever feel like you want to talk to someone, call me. 213 00:12:30,640 --> 00:12:32,720 I'll leave my card with you if you want-- 214 00:12:42,360 --> 00:12:43,880 [music fades] 215 00:12:45,000 --> 00:12:48,480 - For you. Coffee from the corner shop. - Oh, you're the best. 216 00:12:48,560 --> 00:12:50,760 - Okay, what's new? - They won't budge. 217 00:12:51,360 --> 00:12:54,560 Jesus, we can't wait around until this guy hurts someone. 218 00:12:54,640 --> 00:12:56,960 What we need is to find out what he looks like. 219 00:12:57,040 --> 00:13:00,800 Which means our first goal is to lure him out of the cave he's hiding in. 220 00:13:01,280 --> 00:13:02,120 Yeah. 221 00:13:02,640 --> 00:13:03,800 What if we ask to meet? 222 00:13:03,880 --> 00:13:06,840 Take photos when he gets there. At least we'll see his face, 223 00:13:06,920 --> 00:13:09,240 and we can find him on the National Sex Offenders Registry. 224 00:13:09,320 --> 00:13:10,840 You really think that'll work? 225 00:13:10,920 --> 00:13:13,120 If he suspects anything, he'll disappear. 226 00:13:13,200 --> 00:13:14,720 I don't know. 227 00:13:14,800 --> 00:13:17,800 This creep could be chatting with many girls simultaneously. 228 00:13:17,880 --> 00:13:19,760 We don't know what he could be up to. 229 00:13:21,240 --> 00:13:22,160 Yeah, that's true. 230 00:13:22,240 --> 00:13:24,160 [playful music loops from computer] 231 00:13:24,240 --> 00:13:28,480 {\an8}HEY. WHAT IF INSTEAD OF SENDING PICS WE MEET AT A PARK OR SOMETHING? 232 00:13:30,680 --> 00:13:32,400 - Now, we wait. - [Vicky] Okay. 233 00:13:34,160 --> 00:13:36,480 - We'll take a broadcasting van? - Yeah. 234 00:13:37,160 --> 00:13:39,160 Also, we need a girl we can use as bait. 235 00:13:39,240 --> 00:13:41,640 I know a 19-year-old who could probably do it. 236 00:13:41,720 --> 00:13:42,560 Mm. 237 00:13:43,160 --> 00:13:44,680 Will it be safe for her? 238 00:13:44,760 --> 00:13:47,240 - Well, she has a black belt in jiujitsu. - Ah. 239 00:13:47,320 --> 00:13:48,200 - [chuckles] - Yeah. 240 00:13:48,280 --> 00:13:49,280 [computer chimes] 241 00:13:49,360 --> 00:13:51,120 - Oh, he responded. - [Vicky] Already? 242 00:13:51,640 --> 00:13:52,920 Well, that was quick. 243 00:13:53,000 --> 00:13:55,840 [tense music playing] 244 00:13:55,920 --> 00:13:58,120 - [typing] - [computer chimes] 245 00:13:59,960 --> 00:14:01,080 [computer chimes] 246 00:14:01,160 --> 00:14:02,640 [typing] 247 00:14:02,720 --> 00:14:04,440 [Vicky] I'll get everything ready. 248 00:14:05,600 --> 00:14:06,680 [computer chimes] 249 00:14:07,280 --> 00:14:09,320 [typing] 250 00:14:10,120 --> 00:14:13,120 - [computer chimes] - We gonna need a fuchsia-colored backpack. 251 00:14:13,200 --> 00:14:14,680 [tense music swells] 252 00:14:14,760 --> 00:14:16,120 WHEN? TODAY? 253 00:14:16,200 --> 00:14:17,040 SURE 254 00:14:17,120 --> 00:14:19,120 THE SKATE PARK? 3 PM? 255 00:14:19,200 --> 00:14:21,760 - YUP, I'LL HAVE A FUCHSIA BACKPACK. U? - I'LL BRING A GIFT 256 00:14:21,840 --> 00:14:24,360 - I HAVE A CONFESSION TO MAKE - HAHA, I'M SCARED 257 00:14:24,440 --> 00:14:28,240 I'M NOT 17, I'M A BIT OLDER WE CAN STILL BE FRIENDS, RIGHT? 258 00:14:29,400 --> 00:14:30,800 [typing] 259 00:14:30,880 --> 00:14:32,880 We got you, you son of a bitch. 260 00:14:35,480 --> 00:14:36,440 [Germán] Martina. 261 00:14:37,120 --> 00:14:39,640 - Come on. It's getting late. - Wait. Wait, wait. 262 00:14:39,720 --> 00:14:40,760 Come on. 263 00:14:44,160 --> 00:14:47,440 [Germán] Sofi? Martina and I are leaving, you're staying with Mom. 264 00:14:47,520 --> 00:14:49,960 Clean your room, okay? We've talked about this. 265 00:14:50,040 --> 00:14:52,960 When I get back, I want your room looking tidy, okay? 266 00:15:01,520 --> 00:15:03,520 [indistinct chatter] 267 00:15:10,880 --> 00:15:14,240 [players tuning and rehearsing] 268 00:15:34,440 --> 00:15:36,120 [indistinct chatter] 269 00:15:37,720 --> 00:15:39,080 - Check this out. - Hey, guys. 270 00:15:39,160 --> 00:15:40,240 - What's good? - You know it. 271 00:15:42,640 --> 00:15:43,960 [lens whirring] 272 00:15:44,800 --> 00:15:47,720 [uneasy music playing] 273 00:15:52,160 --> 00:15:54,560 [Vicky] Is the man sitting down looking at her? 274 00:15:54,640 --> 00:15:56,760 [Ema] Let's see the one on the bench, Manu. 275 00:15:56,840 --> 00:15:58,160 [camera lens whirring] 276 00:16:01,000 --> 00:16:02,960 [uneasy music rising softly] 277 00:16:07,000 --> 00:16:09,440 Man in the wool hat? Let's see. 278 00:16:11,040 --> 00:16:13,640 - [Ema] Yeah, follow that one. - [camera lens whirring] 279 00:16:24,000 --> 00:16:26,240 - [violins tuning] - [unzips bag] 280 00:16:35,520 --> 00:16:36,640 Where are you? 281 00:16:37,400 --> 00:16:38,680 I'm about to go in. 282 00:16:40,120 --> 00:16:41,720 You promised that you'd be here. 283 00:16:46,640 --> 00:16:48,840 - [judge] Martina Schulz? - Yes. 284 00:17:02,520 --> 00:17:04,880 - What's the plan? Should we leave now? - Mm-mm. 285 00:17:05,520 --> 00:17:07,040 Let's keep watching for a bit. 286 00:17:08,520 --> 00:17:11,760 - It's been over two hours, Ema. - And what if he comes now? 287 00:17:13,760 --> 00:17:16,960 - Can you get a little closer there, Manu? - [camera lens whirring] 288 00:17:25,880 --> 00:17:28,200 [judge] Miss Schulz? 289 00:17:28,960 --> 00:17:30,680 This is the final audition. 290 00:17:30,760 --> 00:17:34,880 We'd like to personally congratulate you for making it this far. 291 00:17:35,520 --> 00:17:37,480 So, what piece have you chosen? 292 00:17:37,560 --> 00:17:40,480 "Winter," by Vivaldi. First movement in F minor. 293 00:17:41,240 --> 00:17:43,600 [judge] Very well. Ready when you are. 294 00:17:44,440 --> 00:17:46,440 [pianist strikes key as pitch reference] 295 00:17:46,520 --> 00:17:49,080 [Martina adjusts pitch] 296 00:17:50,960 --> 00:17:54,440 [pianist begins playing Vivaldi's "Winter"] 297 00:18:01,200 --> 00:18:03,200 [Martina joins] 298 00:18:09,760 --> 00:18:11,880 [Vicky] Another 30 minutes, then we leave. 299 00:18:11,960 --> 00:18:14,600 [Vivaldi's "Winter" continues playing] 300 00:18:14,680 --> 00:18:15,760 [exhales] 301 00:18:17,040 --> 00:18:18,840 I'm gonna get some fresh air. 302 00:19:01,240 --> 00:19:04,040 [urgent melody swells] 303 00:19:22,760 --> 00:19:24,640 [teenager 1] Watch out, lady! 304 00:19:25,960 --> 00:19:27,600 [teenager 2] Coming through! 305 00:19:29,080 --> 00:19:30,240 [teenager 3] Watch it! 306 00:19:30,920 --> 00:19:31,920 He's here. 307 00:19:32,760 --> 00:19:33,920 [teenager 4] Watch out! 308 00:19:34,000 --> 00:19:35,920 I see him. Call Herrera. Tell him everything. 309 00:19:36,000 --> 00:19:37,840 He needs to ID the suspect now. 310 00:19:37,920 --> 00:19:40,120 This is our chance to stop him. They gotta ID this guy. 311 00:19:40,200 --> 00:19:42,000 He's headed towards the port. 312 00:19:44,040 --> 00:19:45,760 [camera shutter clicks] 313 00:19:54,120 --> 00:19:57,440 [music continues] 314 00:20:12,080 --> 00:20:13,200 [slams door] 315 00:20:15,800 --> 00:20:17,800 [Martina continues playing] 316 00:20:26,840 --> 00:20:29,000 [music fades] 317 00:20:29,080 --> 00:20:32,280 [faint dissonant music takes over] 318 00:20:39,200 --> 00:20:41,400 [water dripping] 319 00:20:57,840 --> 00:21:00,800 [dissonant music rising] 320 00:21:15,400 --> 00:21:17,400 [music turns unsettling] 321 00:21:30,040 --> 00:21:32,880 [music builds then fades] 322 00:21:36,520 --> 00:21:38,720 [door slams, echoing] 323 00:21:39,640 --> 00:21:41,440 [metallic chirring] 324 00:21:41,520 --> 00:21:44,560 [Vivaldi's "Winter" resumes] 325 00:22:09,440 --> 00:22:12,440 [music ends] 326 00:22:17,240 --> 00:22:18,680 [single string plucks] 327 00:22:25,960 --> 00:22:28,960 They've searched the building and they didn't find anything. 328 00:22:29,600 --> 00:22:30,720 [Ema] This is him. 329 00:22:31,560 --> 00:22:33,520 [sarcastic] Oh, from behind. Great. 330 00:22:33,600 --> 00:22:35,160 - You have another? - No. 331 00:22:35,240 --> 00:22:36,240 Huh. 332 00:22:36,320 --> 00:22:37,920 And why didn't you tell us? 333 00:22:38,000 --> 00:22:39,720 Earlier I told you I was already-- 334 00:22:39,800 --> 00:22:43,040 If this guy figures out we're chasing after him, he'll disappear. 335 00:22:43,120 --> 00:22:44,800 For good. Understand? 336 00:22:44,880 --> 00:22:49,400 So you need to hand that contact info over to me and let me take it from here. 337 00:22:54,880 --> 00:22:56,000 [exhales] 338 00:22:56,080 --> 00:22:57,240 [car door opens] 339 00:22:58,040 --> 00:22:58,920 [car door closes] 340 00:23:07,160 --> 00:23:08,280 [Juliana] You get it? 341 00:23:08,920 --> 00:23:10,120 Yeah. There we go. 342 00:23:17,040 --> 00:23:19,200 Getting Armando to help me was impossible. 343 00:23:19,280 --> 00:23:22,520 - How's it going with the therapist? - Doesn't wanna go anymore. 344 00:23:22,600 --> 00:23:24,240 You could try group therapy. 345 00:23:24,320 --> 00:23:27,160 I made that suggestion, but he doesn't want to. 346 00:23:27,240 --> 00:23:28,160 Can't make him go. 347 00:23:29,360 --> 00:23:32,200 [Juliana] Why don't you talk to him? He listens to you. 348 00:23:33,080 --> 00:23:34,240 What does his dad say? 349 00:23:34,320 --> 00:23:36,120 - What do you think? - [Leo] Huh. 350 00:23:36,200 --> 00:23:37,440 [Leo chuckles softly] 351 00:23:38,240 --> 00:23:41,120 [chuckling] I told you, some things just can't be fixed. 352 00:23:43,400 --> 00:23:45,160 How's your goddaughter doing? 353 00:23:47,280 --> 00:23:48,240 Mm. 354 00:23:49,240 --> 00:23:50,240 That's too bad. 355 00:23:50,320 --> 00:23:53,120 Saw Isabel at City Hall yesterday, but we didn't really talk. 356 00:23:57,080 --> 00:23:58,120 Do you know her? 357 00:23:59,360 --> 00:24:00,280 Ema Garay. 358 00:24:00,360 --> 00:24:01,840 - Mm. - Why do you have this? 359 00:24:02,720 --> 00:24:05,960 She's asking about Facu and Isabel, but… I don't know. 360 00:24:06,040 --> 00:24:08,240 - I see. Do you know her? - No. 361 00:24:08,320 --> 00:24:10,080 She works at Lado Bariloche. 362 00:24:11,440 --> 00:24:12,960 She's from Buenos Aires. 363 00:24:13,040 --> 00:24:15,080 Her son goes to school with Armando. 364 00:24:15,160 --> 00:24:17,840 We haven't talked much, but she seems really nice. 365 00:24:18,560 --> 00:24:20,360 You've never seen Caught before? 366 00:24:20,440 --> 00:24:21,720 No, no idea. 367 00:24:22,680 --> 00:24:24,080 Isn't it sensationalist? 368 00:24:24,160 --> 00:24:25,520 No, no. Quite the opposite. 369 00:24:25,600 --> 00:24:28,040 It's good. I think it's brilliant, actually. 370 00:24:28,560 --> 00:24:30,280 - There he is. - [door closes] 371 00:24:31,000 --> 00:24:32,840 - How're you doing, kiddo? - What's up? 372 00:24:33,360 --> 00:24:35,280 They said you didn't want to get your hands dirty, 373 00:24:35,360 --> 00:24:36,800 so I had to do all the work. 374 00:24:36,880 --> 00:24:39,760 - You leaving? - I don't know, it depends. What's there? 375 00:24:39,840 --> 00:24:41,280 Hmm? 376 00:24:45,040 --> 00:24:46,560 [Armando] This one's new. 377 00:24:46,640 --> 00:24:50,360 Hey. I don't know if you've noticed. There's someone else here besides Leo. 378 00:24:50,440 --> 00:24:51,640 Give me a kiss. 379 00:24:56,400 --> 00:24:57,240 And this… 380 00:24:57,320 --> 00:24:59,280 [Juliana] The French are playing at the restaurant. 381 00:24:59,360 --> 00:25:01,720 - You should come. - I'll go, if he goes. Want to? 382 00:25:01,800 --> 00:25:02,640 No. 383 00:25:02,720 --> 00:25:04,400 Hey, you said you'd help out. 384 00:25:04,480 --> 00:25:06,520 Going out. There's a party. 385 00:25:07,040 --> 00:25:07,880 A party? 386 00:25:09,240 --> 00:25:10,080 Yeah. 387 00:25:10,600 --> 00:25:11,480 Where at? 388 00:25:12,080 --> 00:25:15,080 - I don't know. - Oh, is it for a friend's birthday? 389 00:25:15,160 --> 00:25:17,800 - [Armando] Yeah, from school. - And you wanna go? 390 00:25:17,880 --> 00:25:18,800 Yes, Mom. 391 00:25:19,480 --> 00:25:22,720 You always want me to go out more. When I do, you have a thousand questions. 392 00:25:22,800 --> 00:25:25,600 - I didn't ask a thousand questions. - [Leo] I love this one. 393 00:25:25,680 --> 00:25:26,880 You're so dramatic. 394 00:25:26,960 --> 00:25:29,400 - This one? - [Juliana] Okay, I'll leave you alone. 395 00:25:37,320 --> 00:25:39,480 - Good morning. - [Ema] Good morning. 396 00:25:39,560 --> 00:25:41,920 My name is Ema Garay. Do you know who I am? 397 00:25:42,000 --> 00:25:45,040 - [woman] A journalist, right? - [Ema] Mm-hm. You're being recorded now. 398 00:25:45,640 --> 00:25:48,240 There's a camera outside, and I'm wearing a mic. 399 00:25:49,080 --> 00:25:50,600 Do you know why I'm here? 400 00:25:52,040 --> 00:25:53,920 - [woman] No. - [Ema] Are you sure? 401 00:25:55,160 --> 00:25:56,040 I don't. 402 00:25:56,920 --> 00:25:58,560 [Ema] Well, do you remember him? 403 00:25:59,440 --> 00:26:00,720 His name is Juan Meller. 404 00:26:00,800 --> 00:26:03,400 The last time you saw him was the day you killed him. 405 00:26:04,360 --> 00:26:05,360 [sighs] 406 00:26:07,240 --> 00:26:09,600 [pensive music playing] 407 00:26:09,680 --> 00:26:11,160 HIT, RUN, LIE 408 00:26:16,200 --> 00:26:17,200 CAUGHT 409 00:26:29,960 --> 00:26:32,280 {\an8}OOPS! NO NEW MESSAGES 410 00:26:32,360 --> 00:26:34,040 - [computer chimes] - [Bruno] Mom. 411 00:26:35,040 --> 00:26:36,320 - Mom. - Yeah? 412 00:26:36,400 --> 00:26:39,520 - You've seen the keys to Dad's workshop? - In the drawer in the kitchen. 413 00:26:39,600 --> 00:26:42,720 - [Bruno] No, they're not there. - Did you try looking around? 414 00:26:42,800 --> 00:26:44,480 - Mm… no. - Well, you should. 415 00:26:45,440 --> 00:26:46,880 He always kept them there. 416 00:26:47,960 --> 00:26:48,880 Mom. 417 00:26:48,960 --> 00:26:50,320 - Yes? - Where'd you put them? 418 00:26:50,400 --> 00:26:51,840 - Where'd I…? - Yeah. 419 00:26:51,920 --> 00:26:54,080 Could you have left them on the table in the hallway? 420 00:26:54,160 --> 00:26:56,200 - They're not on the table. - In your room? 421 00:26:56,280 --> 00:26:57,760 They're not there. 422 00:26:57,840 --> 00:26:59,680 They'll turn up eventually. 423 00:27:01,360 --> 00:27:03,760 Why do want Dad's workshop keys? 424 00:27:03,840 --> 00:27:05,600 Oh, it's nothing. 425 00:27:07,720 --> 00:27:09,360 Hey, Bruno. 426 00:27:09,440 --> 00:27:10,920 You know I love you. 427 00:27:11,920 --> 00:27:13,120 Yeah, Mom. 428 00:27:15,000 --> 00:27:18,320 [phone ringing] 429 00:27:18,400 --> 00:27:19,760 Hello? 430 00:27:19,840 --> 00:27:21,480 [man] Ema Garay? 431 00:27:21,560 --> 00:27:23,360 Yes, who's this? 432 00:27:23,440 --> 00:27:24,360 Leo Mercer. 433 00:27:24,440 --> 00:27:27,000 We met this morning at the Costas' house. 434 00:27:27,080 --> 00:27:28,680 Yes, what's this about? 435 00:27:29,560 --> 00:27:31,520 I wanted to apologize. 436 00:27:32,760 --> 00:27:36,120 Camila's parents are in no condition to help anyone. 437 00:27:36,840 --> 00:27:40,920 But if you're still interested in catching the son of a bitch who did this to her, 438 00:27:41,760 --> 00:27:43,480 we can help each other out. 439 00:27:45,320 --> 00:27:50,000 [serene melody unfolds] 440 00:27:55,840 --> 00:27:57,480 [man in distance] Let's go! 441 00:27:57,560 --> 00:27:59,040 Woo-hoo! 442 00:27:59,120 --> 00:28:03,240 [acoustic guitar and gentle percussion emerge] 443 00:28:15,920 --> 00:28:18,680 - [teenager 1] That was awesome. - [teenager 2] Come on. 444 00:28:18,760 --> 00:28:24,600 FRONTERAS FOUNDATION 445 00:28:24,680 --> 00:28:26,680 Remember, hypothermia is not a joke. 446 00:28:26,760 --> 00:28:28,320 So, if you fall into the water, 447 00:28:28,400 --> 00:28:31,240 you've gotta act with speed and gotta be smart. 448 00:28:31,320 --> 00:28:32,640 And that's what Pity did. 449 00:28:32,720 --> 00:28:36,880 He stayed calm, he encouraged Alexis, and he helped her swim to the boat. 450 00:28:36,960 --> 00:28:39,480 He's finishing up a class. He'll be right with you. 451 00:28:39,560 --> 00:28:40,760 Perfect timing. Thanks. 452 00:28:40,840 --> 00:28:43,600 [Leo] When they recovered, they were even more in sync. 453 00:28:43,680 --> 00:28:45,400 So, congratulations to you two. 454 00:28:45,480 --> 00:28:48,000 - Well done, everyone. Great work. - [applause] 455 00:28:49,960 --> 00:28:51,160 Yeah. 456 00:28:51,240 --> 00:28:54,520 Good work. And don't forget what I always tell you. 457 00:28:54,600 --> 00:28:58,840 The only way to know if I can put my trust in somebody is to just do it. 458 00:28:58,920 --> 00:29:01,880 And roll the dice, okay? Then you'll know. 459 00:29:01,960 --> 00:29:04,680 Right? Leave your life-jackets and go grab a hot drink. 460 00:29:07,000 --> 00:29:12,120 [indistinct chatter] 461 00:29:12,200 --> 00:29:13,880 Alright, I think that's everyone. 462 00:29:14,840 --> 00:29:17,000 - Rami, is that everyone? - We're all here. 463 00:29:17,080 --> 00:29:20,280 Guys! Guys, I need all of your attention for a minute. 464 00:29:21,240 --> 00:29:22,800 We're gonna steal a little of your time, 465 00:29:22,880 --> 00:29:24,760 then you can go back to whatever you were doing. 466 00:29:24,840 --> 00:29:28,600 My friend Ema is a journalist, and she's conducting an investigation. 467 00:29:28,680 --> 00:29:31,600 So I'm asking you to please give her your full attention. 468 00:29:31,680 --> 00:29:34,480 And if you can help her, please do. Alright? 469 00:29:34,560 --> 00:29:36,440 - [teenagers] Yeah. - [Leo] Okay. 470 00:29:37,960 --> 00:29:39,040 Thank you. 471 00:29:39,120 --> 00:29:42,840 Well, just like he said, my name's Ema Garay, I'm a journalist. 472 00:29:42,920 --> 00:29:46,440 I'm here to ask you some questions. You can raise your hand to respond. 473 00:29:46,520 --> 00:29:50,360 The first thing I want to know is if any of you, if anybody here, 474 00:29:50,440 --> 00:29:54,120 plays or has played a game called City of Persons. 475 00:29:55,560 --> 00:29:57,400 - Okay, most of you. - [teenagers chuckle] 476 00:29:57,480 --> 00:29:58,680 Um… 477 00:29:58,760 --> 00:30:01,040 Uh, the next question is a bit private. 478 00:30:01,120 --> 00:30:03,240 Have you ever felt you were being seduced? 479 00:30:03,320 --> 00:30:07,760 Like another user wanted to meet you outside the game in real life? 480 00:30:07,840 --> 00:30:11,160 - Like someone our age or older? - No, someone older, a grown-up. 481 00:30:11,240 --> 00:30:14,720 Uh, well, they could've been pretending they were around your age. 482 00:30:14,800 --> 00:30:18,240 - Are you asking if we were groomed? - [teenager 1] What's grooming? 483 00:30:18,320 --> 00:30:19,360 That's right. 484 00:30:20,600 --> 00:30:22,800 Have you ever felt like a user was trying to groom you? 485 00:30:22,880 --> 00:30:25,880 - [teenager 2] Yeah, I think so. - [teenager 3] Lots of people have. 486 00:30:25,960 --> 00:30:28,320 [indistinct murmuring] 487 00:30:28,400 --> 00:30:31,800 [dramatic music lingers] 488 00:30:35,400 --> 00:30:37,840 I wrote to him every night before bed. 489 00:30:38,480 --> 00:30:40,200 I told him everything. 490 00:30:40,280 --> 00:30:41,920 And so did he. 491 00:30:42,920 --> 00:30:45,320 Sometimes, I'd send him photos. 492 00:30:45,400 --> 00:30:48,880 Some of them were kind of spicy, but because he insisted. 493 00:30:50,320 --> 00:30:53,240 When he told me he was coming to Bariloche to see me, 494 00:30:54,280 --> 00:30:55,840 I was so excited. 495 00:30:56,800 --> 00:31:00,240 He told me he was a little older than me, but I didn't care. 496 00:31:00,320 --> 00:31:01,720 I was just so into him. 497 00:31:04,880 --> 00:31:08,760 We even agreed to meet in Arrayanes plaza, but Vale… 498 00:31:08,840 --> 00:31:11,000 She didn't want me to go. 499 00:31:11,080 --> 00:31:14,800 She couldn't keep it to herself and she told one of our teachers. 500 00:31:14,880 --> 00:31:17,200 Obviously, they wouldn't let me do it. 501 00:31:18,040 --> 00:31:20,760 I remember I was so mad at everyone. 502 00:31:20,840 --> 00:31:22,840 Have you ever talked to him again? 503 00:31:25,040 --> 00:31:26,360 Yeah, I told him. 504 00:31:28,960 --> 00:31:31,000 But he never sent me a reply. 505 00:31:32,000 --> 00:31:34,280 After that, I realized I'd been a total idiot. 506 00:31:36,040 --> 00:31:39,400 No, you were not an idiot, I can assure you. 507 00:31:39,480 --> 00:31:40,920 [teenager] I don't know. 508 00:31:41,560 --> 00:31:42,680 I believed him. 509 00:31:43,880 --> 00:31:45,520 I really trusted him. 510 00:31:46,840 --> 00:31:48,760 But it was really smart to tell Vale. 511 00:31:49,480 --> 00:31:52,600 You knew something was off, and you protected yourself. 512 00:31:53,440 --> 00:31:54,920 You did so good. 513 00:32:00,200 --> 00:32:01,800 Was this his username? 514 00:32:04,600 --> 00:32:06,400 No, that's not him. 515 00:32:07,880 --> 00:32:10,400 Have you ever encountered this user? 516 00:32:10,480 --> 00:32:12,880 In City of Persons or anywhere else? 517 00:32:12,960 --> 00:32:15,320 - No, I haven't. - No, no. 518 00:32:21,720 --> 00:32:24,400 - Germán, Germán, Germán. - Okay. Thank you. 519 00:32:25,840 --> 00:32:27,440 - Well? - What'd they say? 520 00:32:27,520 --> 00:32:28,520 Did you get in? 521 00:32:29,720 --> 00:32:33,440 Oh, honey, I'm sorry, no, no, no. You can always try again, okay? 522 00:32:33,520 --> 00:32:36,120 Alright? It won't be that much longer. 523 00:32:37,440 --> 00:32:39,520 Good news is all that waiting is finally over. 524 00:32:39,600 --> 00:32:41,080 [screams] You got in! 525 00:32:41,160 --> 00:32:43,120 - [laughing excitedly] - Wait, what's happened? 526 00:32:43,200 --> 00:32:44,760 - You got in?! - She's incredible! 527 00:32:44,840 --> 00:32:45,960 She got in, Sofi! 528 00:32:46,040 --> 00:32:49,480 Hey, Sofía. I've just become the third violin of the camerata. 529 00:32:49,560 --> 00:32:50,920 [yells excitedly] 530 00:32:51,000 --> 00:32:52,120 That's great! 531 00:32:52,200 --> 00:32:53,320 - Photo. - [Emilia] Photo time. 532 00:32:53,400 --> 00:32:54,760 - Let's go. - Cheese. 533 00:32:54,840 --> 00:32:58,160 FRONTERAS FOUNDATION 534 00:32:58,240 --> 00:33:01,240 [Ema] The work you do here is really touching. 535 00:33:01,320 --> 00:33:04,520 And the kids seem really supported and happy. 536 00:33:06,040 --> 00:33:07,240 Thank you. 537 00:33:08,400 --> 00:33:12,000 Oh, and Facundo, Camila's father, was one of your first, um… 538 00:33:12,080 --> 00:33:14,880 - What do you call them? Your students? - How'd you know? 539 00:33:14,960 --> 00:33:16,920 Well, I am a journalist. 540 00:33:17,880 --> 00:33:20,760 Yeah. Yeah, Facu was one of my very first. 541 00:33:21,800 --> 00:33:24,760 When I met him, he was just this kid. 542 00:33:24,840 --> 00:33:27,200 He even tried to rob me that first day. 543 00:33:27,280 --> 00:33:28,480 He had a knife. 544 00:33:28,560 --> 00:33:31,880 - We ended up having pizza together. - [both chuckle softly] 545 00:33:31,960 --> 00:33:33,920 That day, Facu gave me purpose. 546 00:33:34,800 --> 00:33:37,360 If it weren't for him, I don't know where I'd be. 547 00:33:37,440 --> 00:33:38,560 Why? 548 00:33:38,640 --> 00:33:41,600 [birds chirping] 549 00:33:41,680 --> 00:33:43,560 [gentle music creeping in] 550 00:33:43,640 --> 00:33:48,200 Well, when I was his age, I could've used something like this. 551 00:33:50,840 --> 00:33:52,840 You grew up around here? In Bariloche? 552 00:33:52,920 --> 00:33:56,200 You like asking questions, don't you? [chuckles] 553 00:33:56,280 --> 00:34:00,360 My son used to say that asking questions is an occupational hazard. 554 00:34:00,440 --> 00:34:01,440 What's his name? 555 00:34:01,520 --> 00:34:03,280 - Bruno. - Bruno. 556 00:34:04,440 --> 00:34:06,240 Born and raised here, yeah. 557 00:34:07,080 --> 00:34:08,240 Buenos Aires? 558 00:34:09,600 --> 00:34:11,720 - Is it really that obvious? - Just a bit. 559 00:34:12,680 --> 00:34:15,720 - I'll walk you to your car. - What's this place used for? 560 00:34:17,960 --> 00:34:19,160 I live there. 561 00:34:19,240 --> 00:34:20,600 It's my house. 562 00:34:20,680 --> 00:34:22,040 [Ema] Oh. 563 00:34:22,120 --> 00:34:23,400 Gotcha. I know your type. 564 00:34:23,480 --> 00:34:26,120 You don't just live for work, you live at work. 565 00:34:26,200 --> 00:34:27,400 [Leo, chuckling] Yeah. 566 00:34:28,360 --> 00:34:30,760 I kinda get the feeling you're that way as well. 567 00:34:31,920 --> 00:34:33,240 Yeah, you're right. 568 00:34:36,240 --> 00:34:38,240 [music fades] 569 00:34:40,240 --> 00:34:41,800 Do you want some coffee or tea? 570 00:34:43,760 --> 00:34:45,400 A beer sounds nice. 571 00:34:46,720 --> 00:34:48,000 [door opens] 572 00:34:49,600 --> 00:34:51,160 [door closes] 573 00:35:05,760 --> 00:35:07,040 [door opens] 574 00:35:09,840 --> 00:35:11,880 - So, that's you? - [Leo] Yeah. 575 00:35:14,160 --> 00:35:15,160 Here. 576 00:35:15,920 --> 00:35:17,160 Cheers. 577 00:35:17,240 --> 00:35:18,280 Cheers. 578 00:35:44,080 --> 00:35:48,520 [gentle music flows] 579 00:35:50,800 --> 00:35:52,280 [soft bump against furniture] 580 00:35:55,680 --> 00:35:56,800 [Ema breathes in] 581 00:36:00,720 --> 00:36:03,160 [breathing heavily] 582 00:36:09,880 --> 00:36:13,440 [gentle music rising] 583 00:36:21,040 --> 00:36:23,000 [belt unbuckles hastily] 584 00:36:24,800 --> 00:36:26,360 [pants unzip with a firm slide] 585 00:36:29,440 --> 00:36:34,120 [Ema breathes heavily] 586 00:36:46,920 --> 00:36:48,920 [giggles] 587 00:36:50,000 --> 00:36:53,960 [gentle music continues] 588 00:37:05,840 --> 00:37:09,160 [breathing heavily] 589 00:37:14,240 --> 00:37:16,200 [moans] 590 00:37:18,200 --> 00:37:20,600 [moaning] 591 00:37:25,560 --> 00:37:27,960 [music fades] 592 00:37:32,160 --> 00:37:33,400 Want some water? 593 00:37:34,400 --> 00:37:35,600 Water, sure. 594 00:37:43,040 --> 00:37:47,720 [soft, introspective music playing] 595 00:38:08,960 --> 00:38:11,440 [cries softly] 596 00:38:12,680 --> 00:38:14,240 [door closes] 597 00:38:26,440 --> 00:38:27,800 [keys jingling] 598 00:38:29,040 --> 00:38:31,240 Oh. I have to go. 599 00:38:32,440 --> 00:38:33,560 Already? 600 00:38:33,640 --> 00:38:36,160 I have a meeting today. I'm already running late. 601 00:38:36,240 --> 00:38:39,240 - Nah, cancel it. - [scoffs] No, I can't. 602 00:38:40,720 --> 00:38:42,160 - [Ema] Sorry. - Are you okay? 603 00:38:42,240 --> 00:38:44,560 Oh, yeah, yeah, yeah, I'm fine, but… 604 00:38:44,640 --> 00:38:47,720 Well, I'll tell you some other… time. 605 00:38:47,800 --> 00:38:49,920 You don't have to explain. It's alright. 606 00:38:50,880 --> 00:38:52,880 Thank you. Alright, bye. 607 00:39:01,400 --> 00:39:03,240 [car approaching] 608 00:39:15,560 --> 00:39:17,320 [man] I thought we were going rowing? 609 00:39:17,400 --> 00:39:19,120 - Yeah. - Yeah? 610 00:39:20,600 --> 00:39:24,120 - You don't waste time, do you? - Hold on a minute. I'll go change. 611 00:39:33,320 --> 00:39:36,520 [pensive music playing] 612 00:40:03,080 --> 00:40:07,360 CAMERATA FIRST REHEARSAL 613 00:40:07,880 --> 00:40:12,600 [phone buzzing] 614 00:40:19,960 --> 00:40:20,800 Hi. 615 00:40:20,880 --> 00:40:23,080 [man] So? How did it go? 616 00:40:23,160 --> 00:40:24,360 You promised. 617 00:40:25,640 --> 00:40:27,240 I'm sorry, I couldn't. 618 00:40:28,200 --> 00:40:31,040 But I was thinking about you the whole time. 619 00:40:31,120 --> 00:40:33,400 I wanted you to be there in person with me. 620 00:40:33,480 --> 00:40:34,600 You're right. 621 00:40:34,680 --> 00:40:36,040 I'm sorry. 622 00:40:36,120 --> 00:40:38,920 Come on, tell me how it went. 623 00:40:40,480 --> 00:40:42,040 You don't have to tell me. 624 00:40:42,120 --> 00:40:43,600 I know you got in. 625 00:40:43,680 --> 00:40:45,400 How'd you know? 626 00:40:45,480 --> 00:40:46,760 Because I know. 627 00:40:46,840 --> 00:40:49,520 I know you're going to get everything you set your mind to. 628 00:40:49,600 --> 00:40:50,760 Yeah, I will. 629 00:40:50,840 --> 00:40:52,800 See? What did I tell you? 630 00:40:52,880 --> 00:40:54,160 You're a genius. 631 00:40:54,240 --> 00:40:56,400 Start thinking about how you want to celebrate. 632 00:40:57,000 --> 00:40:59,800 We'll meet up as soon as I can. 633 00:40:59,880 --> 00:41:01,440 But before we do, 634 00:41:02,360 --> 00:41:04,240 I need to ask you something. 635 00:41:39,400 --> 00:41:41,560 [footsteps descend stairs] 636 00:41:44,080 --> 00:41:45,360 All good, Mom? 637 00:41:45,440 --> 00:41:48,160 - Oh, sure. You? - What's wrong? 638 00:41:48,240 --> 00:41:49,960 Nothing's wrong. 639 00:41:50,040 --> 00:41:51,840 - What is it? - [phone ringing] 640 00:41:51,920 --> 00:41:53,280 Nothing, okay? 641 00:41:54,120 --> 00:41:56,320 - [phone continues ringing] - Gonna answer it? 642 00:41:57,240 --> 00:41:58,320 Who is it? 643 00:41:58,960 --> 00:41:59,960 - No one. - Let me see. 644 00:42:00,040 --> 00:42:01,200 - No, no, no. - Let's see. 645 00:42:01,280 --> 00:42:03,040 - Give me the phone. - Oh, Leo Mercer. 646 00:42:03,120 --> 00:42:05,240 - Who is it? Tell me. - Bruno, give the phone back. 647 00:42:05,320 --> 00:42:09,320 - It's work. It's from work. It's nothing. - Oh! Right, "work." 648 00:42:10,280 --> 00:42:11,760 [Bruno chuckles] 649 00:42:13,160 --> 00:42:15,080 Fer's coming over. We're going out. 650 00:42:15,160 --> 00:42:17,240 - Okay, perfect. - I'll be out late. 651 00:42:17,320 --> 00:42:19,440 - Where are you going? - To a party. 652 00:42:19,520 --> 00:42:21,320 - Where at? - In Playa Bonita. 653 00:42:21,400 --> 00:42:24,240 Oh, that's far. Why don't you take the car? Take the car. 654 00:42:24,320 --> 00:42:26,600 No, it's okay. Don't worry. 655 00:42:26,680 --> 00:42:27,920 - Really? - Really. 656 00:42:28,000 --> 00:42:29,160 Okay. 657 00:42:33,000 --> 00:42:34,480 [phone chimes] 658 00:42:39,600 --> 00:42:43,120 {\an8}SORRY ABOUT YESTERDAY. WHEN I ARRIVED, YOU WERE GONE. 659 00:42:43,200 --> 00:42:46,080 [playful music loops from computer speakers] 660 00:42:47,360 --> 00:42:48,440 [typing] 661 00:42:50,520 --> 00:42:53,400 {\an8}I THOUGHT YOU DIDN'T CARE ANYMORE. 662 00:42:57,920 --> 00:42:59,360 I'LL MAKE IT UP TO YOU. 663 00:42:59,440 --> 00:43:00,400 I'LL TRAVEL TOMORROW. 664 00:43:04,240 --> 00:43:07,880 CAN WE MEET TODAY? 665 00:43:07,960 --> 00:43:10,160 [playful music continues] 666 00:43:15,800 --> 00:43:17,320 How'd the police respond? 667 00:43:17,400 --> 00:43:21,040 They don't have any officers available, so we should reschedule. 668 00:43:21,120 --> 00:43:22,760 We can't. It has to be today. 669 00:43:22,840 --> 00:43:25,040 If we try to reschedule, he'll disappear. No. 670 00:43:25,120 --> 00:43:28,200 They're making us pay for not handing the investigation over. 671 00:43:28,280 --> 00:43:29,880 It's why we can't allow that to happen. 672 00:43:29,960 --> 00:43:33,680 They're bureaucrats who won't do anything. Vicky and I can take care of it. 673 00:43:33,760 --> 00:43:35,720 We'll be fine once we solve the security problem. 674 00:43:35,800 --> 00:43:39,080 We'll find the spot to observe this guy and get him on camera. 675 00:43:40,080 --> 00:43:43,200 If we don't expose him now, he's gonna keep on harassing girls. 676 00:43:43,280 --> 00:43:46,840 Think of how many girls have fallen into this man's trap already. 677 00:43:46,920 --> 00:43:49,160 All right. Fine, let's do it. 678 00:43:49,240 --> 00:43:52,440 Get things rolling while I talk to the legal department, just in case. 679 00:43:52,520 --> 00:43:54,480 - Mm-hm? - Perfect, thank you. 680 00:43:55,800 --> 00:43:58,720 - Where should we do it? - At the house with the red door? 681 00:43:58,800 --> 00:44:00,760 - The Tapias. Perfect. - Yeah. 682 00:44:00,840 --> 00:44:02,840 [engine drones across water] 683 00:44:16,360 --> 00:44:19,440 [suspenseful music builds] 684 00:44:38,320 --> 00:44:41,520 [expansive music unfolds] 685 00:45:28,320 --> 00:45:30,160 [locked handle rattles] 686 00:45:31,400 --> 00:45:34,400 [expansive music continues] 687 00:45:35,120 --> 00:45:36,320 [locked handle rattles] 688 00:45:38,720 --> 00:45:41,120 [stiff handle rattles against lock] 689 00:45:43,160 --> 00:45:44,040 [thud] 690 00:45:44,120 --> 00:45:47,400 [alarm beeping] 691 00:45:53,640 --> 00:45:57,680 21-64-07. 692 00:45:58,440 --> 00:45:59,280 [beeping stops] 693 00:45:59,360 --> 00:46:02,640 ["Dance Crip" by Trueno playing] 694 00:46:02,720 --> 00:46:05,520 [indistinct chatter] 695 00:46:08,960 --> 00:46:11,440 [teenagers cheering] 696 00:46:13,480 --> 00:46:15,240 Come on in, come on in. 697 00:46:21,560 --> 00:46:26,560 It's unprecedented for Bariloche. 320 hectares. It's 600 plots. 698 00:46:26,640 --> 00:46:28,880 Thirty-four companies have made purchases already, 699 00:46:28,960 --> 00:46:31,240 either in tech or high-end services. 700 00:46:31,320 --> 00:46:32,960 Both national and international. 701 00:46:33,040 --> 00:46:35,960 German and Japanese clients are coming to see it next week. 702 00:46:36,040 --> 00:46:38,240 My partners and I are really excited about it. 703 00:46:38,320 --> 00:46:39,400 [Leo snickers] 704 00:46:40,840 --> 00:46:42,720 - Why are you laughing? - Your partners? 705 00:46:42,800 --> 00:46:45,440 You bastard. Fine, partners is just a way of saying-- 706 00:46:45,520 --> 00:46:47,920 - [Leo] Come on, it's me. - You're an asshole, man. Seriously. 707 00:46:48,000 --> 00:46:49,600 [Leo] You don't have to sell me anything. 708 00:46:49,680 --> 00:46:51,160 And the girls? 709 00:46:51,240 --> 00:46:53,560 - They're adjusting okay? - Oh, they're fine. 710 00:46:53,640 --> 00:46:57,000 I thought they'd struggle. They didn't. They're happy to get out of Buenos Aires. 711 00:46:57,080 --> 00:46:58,600 - [phone buzzing] - Give me a minute. 712 00:46:58,680 --> 00:46:59,880 Sure. 713 00:47:01,240 --> 00:47:02,320 Hello? Yeah. 714 00:47:03,720 --> 00:47:05,880 Yeah, yeah. Go ahead. 715 00:47:09,160 --> 00:47:13,120 - Where's Leo? Food's getting cold. - Yeah, he went outside. He's on the phone. 716 00:47:13,200 --> 00:47:16,080 - Could you get us two more beers, please? - [Juliana] Sure. 717 00:47:41,200 --> 00:47:44,360 [pop music playing] 718 00:47:51,200 --> 00:47:52,960 [teenager] Look, there's Brunito. 719 00:47:53,040 --> 00:47:54,120 Yo, brother! 720 00:47:54,200 --> 00:47:55,920 - Look at what we got for you! - Hey. 721 00:47:56,000 --> 00:47:57,200 - Hey. - Oh, for me? 722 00:47:57,280 --> 00:47:58,400 - For you, man. - Of course. 723 00:47:58,480 --> 00:48:00,480 - All good? - How's it going for you? 724 00:48:01,440 --> 00:48:03,120 - What's up, Bruno? - All good? 725 00:48:06,280 --> 00:48:07,360 Cool. 726 00:48:07,440 --> 00:48:08,800 - Wow, nice! - Oh, hey there. 727 00:48:08,880 --> 00:48:09,720 Thank you. 728 00:48:09,800 --> 00:48:11,720 - [Gael] Brunito. - Gael. 729 00:48:11,800 --> 00:48:14,040 - You outdid yourself. - You having fun? 730 00:48:14,640 --> 00:48:15,600 Hey. 731 00:48:16,480 --> 00:48:18,400 - What was that? - [Bruno] What? Nothing. 732 00:48:18,480 --> 00:48:21,760 - [Fer] Think you're the king of the night? - [Bruno] Don't get jealous. 733 00:48:21,840 --> 00:48:22,920 Hey. 734 00:48:24,280 --> 00:48:26,520 - How's it going, guys? - Hey man, what's up? 735 00:48:26,600 --> 00:48:27,840 - You good? - What's up? 736 00:48:27,920 --> 00:48:28,880 Look at this, wow. 737 00:48:28,960 --> 00:48:30,480 - Pink coke! - Seriously? 738 00:48:30,560 --> 00:48:33,440 I'm not gonna say "pink coke", alright? Hey. No pictures. 739 00:48:33,520 --> 00:48:35,280 [Gael] Like, what're you, a narc? 740 00:48:38,680 --> 00:48:41,520 - [Flor] Martina! - [Martina] Flor. I'm here! 741 00:48:42,320 --> 00:48:45,040 - How's it going, Martina? - [Martina] Hey. What's up? 742 00:48:47,320 --> 00:48:49,680 [party music continues] 743 00:48:50,880 --> 00:48:52,880 [chirping of nocturnal insects] 744 00:49:22,840 --> 00:49:26,040 [distant, uneasy music playing] 745 00:49:45,400 --> 00:49:47,040 [music fades] 746 00:49:55,960 --> 00:49:58,880 [door creaking] 747 00:49:58,960 --> 00:50:00,040 Hello? 748 00:50:06,440 --> 00:50:10,080 [uneasy music resurfaces, growing] 749 00:50:26,160 --> 00:50:28,520 [water running in distance] 750 00:50:41,760 --> 00:50:45,120 [phone buzzing] 751 00:50:46,640 --> 00:50:50,160 - [Ema] Let's go. - Wait, wait, wh-- What's goin' on? 752 00:50:51,600 --> 00:50:54,080 - [Leo] Ema, is that you? - Leo? 753 00:50:54,160 --> 00:50:56,360 Why are you recording me? Put that down. 754 00:50:56,440 --> 00:50:58,920 - Turn that off, please. - What are you doing here? 755 00:50:59,000 --> 00:51:02,960 A girl called asking for help, so-- I don't understand what you're doing here. 756 00:51:03,040 --> 00:51:04,960 Why are you chatting with an underage girl? 757 00:51:05,040 --> 00:51:06,360 I would never… 758 00:51:06,440 --> 00:51:09,040 I didn't chat with any girl. 759 00:51:09,120 --> 00:51:12,040 - Why are you still recording me? - Are you here to abuse a little girl? 760 00:51:12,120 --> 00:51:13,920 Abuse? Seriously? 761 00:51:14,000 --> 00:51:17,640 She was the one asking for my help. For fuck's sake, turn that thing off. 762 00:51:17,720 --> 00:51:19,640 - Asshole! - In the middle of the night? 763 00:51:19,720 --> 00:51:21,920 Where is she? What happened? 764 00:51:22,000 --> 00:51:23,720 [unsettling music playing] 765 00:51:23,800 --> 00:51:25,640 How many girls have you abused, Leo? 766 00:51:25,720 --> 00:51:28,600 - [Leo] What are you talking about? - [Ema] Do you get off on little girls? 767 00:51:28,680 --> 00:51:30,960 How many have you abused, Leo Mercer? 768 00:51:31,040 --> 00:51:32,200 Why are you doing this? 769 00:51:32,280 --> 00:51:33,840 Girls like Camila Costa! 770 00:51:33,920 --> 00:51:35,520 Are you completely insane?! 771 00:51:35,600 --> 00:51:37,520 Yesterday, you were at the skate park. 772 00:51:37,600 --> 00:51:41,160 [music turns intense] 773 00:51:42,440 --> 00:51:44,560 - Let's go. The car, Vicky. - [Vicky] Yeah. 774 00:51:44,640 --> 00:51:46,640 [engine turns over, then starts] 775 00:51:49,760 --> 00:51:50,720 For fuck's sake. 776 00:51:53,840 --> 00:51:57,000 Tell the police to get to his house. He may be going there to destroy evidence. 777 00:51:57,080 --> 00:52:00,960 [intense, hurried music playing] 778 00:52:01,040 --> 00:52:04,800 ["No Siento Mi Sangre" by Evlay & Taichu playing] 779 00:52:43,160 --> 00:52:45,600 ["No Siento Mi Sangre" continues playing] 780 00:52:49,360 --> 00:52:51,320 Want to go upstairs? I got something. 781 00:52:52,760 --> 00:52:53,600 Martina. 782 00:52:59,200 --> 00:53:00,400 Let go of me! 783 00:53:16,080 --> 00:53:18,080 [engine rumbling] 784 00:53:25,040 --> 00:53:27,800 [police siren blares] 785 00:53:51,800 --> 00:53:53,680 [guy] Holy fucking shit! 786 00:53:57,080 --> 00:54:01,120 [indistinct chatter] 787 00:54:09,000 --> 00:54:11,000 [calling] 788 00:54:18,000 --> 00:54:20,280 [calling] 789 00:54:23,200 --> 00:54:24,800 [exhales] 790 00:54:28,880 --> 00:54:32,840 [uneasy music playing] 791 00:54:51,880 --> 00:54:54,680 [cheering] 792 00:55:06,600 --> 00:55:09,280 [police radio] Several units are already inside. 793 00:55:10,000 --> 00:55:12,240 [man] We're checking all of his bags as well. 794 00:55:12,320 --> 00:55:14,360 - Let's go, Manu. - I was just about to. 795 00:55:14,440 --> 00:55:16,640 Wait a second. May he come in? 796 00:55:18,960 --> 00:55:20,920 Fine, go. Don't touch anything. 797 00:55:21,760 --> 00:55:23,080 Go with him. 798 00:55:23,760 --> 00:55:25,360 Thank you. 799 00:55:25,440 --> 00:55:26,680 Give me that. 800 00:55:28,600 --> 00:55:31,440 He wasn't here, but we found this in his bedroom. 801 00:55:31,520 --> 00:55:32,440 It's him. 802 00:55:32,520 --> 00:55:35,720 - We've issued an arrest warrant. - [officer] Commissioner. 803 00:55:35,800 --> 00:55:37,000 What's this? 804 00:55:38,000 --> 00:55:39,520 [officer] Pictures of minors. 805 00:55:42,560 --> 00:55:44,320 Tell me you're gonna find this guy. 806 00:55:44,400 --> 00:55:46,760 We've alerted the units we have out on the road. 807 00:55:46,840 --> 00:55:50,720 - What if he tries to run away to Chile? - If he uses any roads, we'll find him. 808 00:55:50,800 --> 00:55:54,600 If he hides in the woods, well, not much we can do about it then. 809 00:55:55,720 --> 00:55:57,920 I can't make any promises. 810 00:56:11,320 --> 00:56:15,240 [somber music playing] 811 00:56:25,760 --> 00:56:29,080 [Ema's urgent breaths linger] 812 00:56:39,840 --> 00:56:42,800 [somber music continues] 813 00:56:49,120 --> 00:56:52,320 [faint TV chatter mixes with rustling officers] 814 00:56:58,000 --> 00:57:00,080 [phone buzzing] 815 00:57:05,880 --> 00:57:08,280 [Ema] Why are you chatting with an underage girl? 816 00:57:08,880 --> 00:57:09,800 I would never-- 817 00:57:12,000 --> 00:57:14,120 [Ema] Are you here to abuse a little girl? 818 00:57:14,200 --> 00:57:15,880 Abuse? Seriously? 819 00:57:15,960 --> 00:57:19,200 - She was asking for my help! - Really? In the middle of the night? 820 00:57:19,280 --> 00:57:21,040 [Leo] Where is she? What happened? 821 00:57:21,120 --> 00:57:22,840 [Ema] Do you get off on little--? 822 00:57:22,920 --> 00:57:24,360 [recording stops] 823 00:57:25,200 --> 00:57:28,920 [somber music swells] 824 00:57:32,880 --> 00:57:34,760 [typing] 825 00:57:34,840 --> 00:57:36,920 [music fades] 826 00:57:37,000 --> 00:57:39,480 {\an8}ATTENTION FUGITIVE! 827 00:57:39,560 --> 00:57:42,240 YOUR VIDEO HAS BEEN POSTED 828 00:57:43,440 --> 00:57:47,400 [Vivaldi's "Summer" from The Four Seasons playing] 829 00:58:03,800 --> 00:58:07,880 {\an8}["Summer" continues playing] 830 00:59:15,320 --> 00:59:16,600 Martina? 831 00:59:32,240 --> 00:59:34,280 [music ends] 832 00:59:35,880 --> 00:59:39,280 BASED ON THE NOVEL BY HARLAN COBEN 833 00:59:39,360 --> 00:59:42,040 [closing theme music playing]