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[foreboding music playing]

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[recorder whirs]

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[officer] <i>What I'm concerned about,</i>
<i>Fred, is that you are gonna keep quiet</i>

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<i>because you think,</i>

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<i>or you are frightened to death</i>
<i>it would implicate Rose.</i>

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[Fred] <i>Rubbish.</i>

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[intense, ominous music playing]

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[Savage] <i>Was she ever in the house</i>
<i>when you were killing somebody?</i>

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- [Fred] <i>No.</i>
- [Savage] <i>Or cutting them up?</i>

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- [Fred] <i>No.</i>
- [Savage] <i>Never once?</i>

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[Fred] <i>No. She knew nothing</i>
<i>because I am sure of one thing.</i>

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<i>If she'd have known,</i>
<i>she'd have been the first to report me.</i>

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Turn it off.

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{\an8}[eerie music playing]

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[music fades out]

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[gentle music playing]

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[reporter 1] Cromwell Street
has become a magnet

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for the sympathetic, the shocked,
and the downright curious.

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It's still giving up its grisly secrets,

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but already it's one of
the most infamous addresses in Britain.

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[reporter 2] Detectives, who've unearthed
three bodies in the garden,

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don't expect to find any more there.

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The search for bodies
has now switched to inside the house,

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as, piece by piece,
25 Cromwell Street is torn apart.

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The case has developed

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from a missing person
to three bodies in a garden,

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and now, suddenly,

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{\an8}this acknowledgement
is made of nine more victims.

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So the police now have to cope
with a multiple murder inquiry.

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[music continues]

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[Williams] Fred confessed
to a series of killings.

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So from that point of view,
it wasn't a complicated investigation,

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it wasn't complex.

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The difficulties we had was,
one, identifying the victims,

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and two, what to do about Rose.

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You can only work
with the evidence that you've got.

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Rose was in a safe house
with the children, Mae and Stephen,

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where she spent the time whilst
we were excavating 25 Cromwell Street.

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There were a lot of listening devices
throughout the premises,

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and the intention would have been

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to elicit, covertly,
some admissions to what Rose knew,

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gathering evidence which should directly
implicate her in any of the murders.

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[beep]

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[Rose] <i>I thought Dad was a very sick man.</i>

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<i>And it's come out, he </i>is <i>a very sick man.</i>

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<i>And the worst liar I ever could have</i>
<i>dreamed of.</i>

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<i>But nobody could have known.</i>

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[music swells]

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[Leo Goatley] She was devastated,

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{\an8}quite clearly distressed, um, and shocked.

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[male reporter] She denies she knew
anything about the bodies.

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- Is that correct?
- Yes, she does.

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[male reporter] What about knowledge
of the killings?

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- She totally denies that?
- Yes, she does.

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Whilst there was
this huge shadow on Rose West,

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{\an8}clear instructions to me were that

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{\an8}she had got into a relationship with Fred
when she was still a young girl, 16.

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He'd always been the dominant older party.

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He'd manipulated her.

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She'd been totally hoodwinked.

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[music fades out]

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[Rose] <i>I mean,</i>
<i>if I got near the bastard now,</i>

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<i>I'd put me hands round his throat.</i>

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<i>This is something you don't forgive.</i>

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<i>I'd never forgive that.</i>
<i>You don't forgive that.</i>

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<i>You never forget it.</i>

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[Williams] Although she talked a lot
in the safe house,

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there was no new information.

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We were getting nothing,
absolutely nothing.

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[dramatic music playing]

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[Leach] Fred was
at Gloucester Police Station

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for the murder of his daughter Heather.

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I used to spend quite a lot of time
with Fred in the morning

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{\an8}before, um, Scott or Howard turned up.

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{\an8}So, you know,
we had chance to talk quite a lot.

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And he said, "The other girls
that I've talked about before,

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they're in the cellar."

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So I had some paper,
and he drew the diagram of the cellar,

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and he sort of pinpointed
where each of the bodies were.

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Because he couldn't remember
what the names were, I just numbered them.

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Police are concentrating the search
in the cellar area.

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This follows a day's scanning
using imaging technology.

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This highly sensitive equipment

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allows them to see
into walls and underneath floors,

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shadows on the monitor revealing
any object encased in bricks or concrete.

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{\an8}[male officer] Just a quick shot
of the, uh, threshold to this far room.

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{\an8}See the original access to the basement.

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{\an8}Staircase and a grille.

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{\an8}The cellar was accessible
down some fairly steep stairs.

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{\an8}[male officer] There's another room
off on the side there.

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{\an8}[Williams] It was clear that the kids
had used it as a den at some stage

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because there was pictures on the wall.

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But it was cold, it was dank,

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{\an8}it was particularly smelly
because Fred had split sewage pipes.

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[music continues]

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[Howard Ogden] We went to the cellar
at Cromwell Street

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with a view
to guide the officers to then dig.

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[Janet Leach] Fred came in the back way
because of the press,

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and then they brought us
into the basement.

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{\an8}[eerie music playing]

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{\an8}[male officer] We're currently
in the basement of the premises.

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The people present are
Mr. Frederick Walter Stephen West,

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accompanied by Mr. Howard Ogden,
Mr. Scott Canavan,

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and Mrs. Janet Leach,
um, appropriate adult.

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Officers present,
Detective Chief Inspector Law, DC Savage.

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[eerie music playing]

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- Is there anything in here that we've…
- Along that line, that line there.

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Okay, under here.

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[Ogden] So it's just
where you're standing then, Fred, yeah?

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[Fred] She's there, or somewhere
just on the edge of there.

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I don't think it's quite far over as that,
but just on the edge of there somewhere.

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[Law] Right.

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[Leach] It was strange.

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I mean, because as he talked,
everything was so matter-of-fact.

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You know, he, he'd get a little bit upset,

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but then compose himself
very quickly and change,

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you know, it was like his personalities
were like two different people. You know?

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One of the officers asked him
to choose a spray can

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to mark where the bodies were,
which had been drawn on the diagram.

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He sort of marked the floors,
uh, quite near to the chimney breasts.

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[Fred] It's across there.

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[Law] And who is that?

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[Fred] That's the second girl.

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I just hated the man,

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but I couldn't afford to let
any of my feelings sort of come out,

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because he seemed to sense that.

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So then the trust
wouldn't have been there.

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I'd say that's probably where it came in.

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He said, like,
all the children slept down there.

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It was really dark and damp.

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The smell, it was awful. It was just…

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I just… [scoffs]

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I could smell it.

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When I went to sleep at night,
I could smell it.

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[Hazel Savage] Fred,
is there anybody else in here?

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[Fred] No.

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Are you sure?

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You realize all this will come up,
don't you?

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[Fred] Yeah.
Well, I mean, what's one more? [echoing]

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[music fades out]

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[gentle music playing]

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[sirens wail]

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[reporter 1] <i>Concrete from the cellar</i>

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<i>of 25 Cromwell Street</i>
<i>was removed from the house</i>

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<i>as police continue</i>
<i>their hunt for more bodies.</i>

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<i>Today they announced that three more</i>
<i>sets of human remains had now been found.</i>

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These were found in the cellar area,

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and this brings the total
in Cromwell Street to six.

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[reporter 1] <i>The bodies are believed</i>
<i>to be those of women as yet unidentified.</i>

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[Williams] For the first week,

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we were hearing about
victims' remains being found.

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With the discovery of each new body
comes the task of identification.

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[male reporter 2] Revelations
in Gloucester have aroused fears

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of thousands of people
who have missing relatives or friends.

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[Williams] We knew just from
a local police force, Gloucestershire,

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that we had
certain people missing on our books.

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But then we expanded that
out to our neighboring counties,

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neighboring police forces.

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We had thousands of calls.

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[John Bennett] The Missing Persons Bureau
in London

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has from the outset of this investigation

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been of considerable assistance to us.

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We would hope that persons who have
for some reason distanced themselves

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from their relatives or friends,

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that they can make contact
with their relatives

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or contact with the Missing Persons Bureau
and establish their safety.

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[intense music continues]

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[Belinda] There was a number coming along
the bottom of the screen, so I rang it.

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And then within an hour or two,

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this detective came to my door
and said to me,

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"Can you explain why you think
your sister Juanita is one of those?"

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I said, "I've just got this feeling."

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I was about 15
when Juanita was last known of.

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{\an8}The last time I'd spoke to Juanita,

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she'd been kicked out of home
because she was so naughty.

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Well, she was Juanita.

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I was in bed asleep, and I heard
these stones being thrown at the window.

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So I looked out,
it was her, so I let her in.

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And I said, "What happened last night?"

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And she said,
"Oh, Mum and them wouldn't let me in."

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I said, "Well, you know
the window will always be open for you."

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She said, "Yeah,
and you've got to remember

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that I'll always be there for you."

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"No matter what or no matter when."

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"Just find me."

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[music fades out]

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[ominous music playing]

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As a journalist,
you want a story that's got legs,

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as they say in journalism,

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i.e. a story that's going to keep going.

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00:12:02,560 --> 00:12:04,760
And the West case had that quality.

192
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It's a bit like a jigsaw puzzle.

193
00:12:09,680 --> 00:12:12,600
You have some of the pieces
and, you know, you do the border.

194
00:12:12,680 --> 00:12:15,280
And some pieces join up,
but there are missing pieces.

195
00:12:15,360 --> 00:12:17,480
And early on, one of the pieces,

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00:12:17,560 --> 00:12:21,680
certainly that I tried to put in place,
was how did Fred and Rose meet?

197
00:12:22,200 --> 00:12:24,840
And the truth was slightly obscure.

198
00:12:24,920 --> 00:12:29,880
But essentially, in 1969,
Rose was a 15-year-old schoolgirl.

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00:12:31,080 --> 00:12:34,400
Fred West was a 27-year-old man.

200
00:12:35,280 --> 00:12:38,040
And somehow he chatted her up
and they bonded.

201
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And almost immediately,
she becomes pregnant with Heather.

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00:12:41,440 --> 00:12:43,440
[music intensifies]

203
00:12:46,120 --> 00:12:47,560
[Fred] <i>I trained Rose…</i>

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00:12:47,640 --> 00:12:48,720
[music ends]

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00:12:48,800 --> 00:12:50,960
<i>…to what I wanted.</i>

206
00:12:51,040 --> 00:12:53,400
<i>That is why</i>
<i>our marriage worked out so well.</i>

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00:12:53,480 --> 00:12:56,720
<i>For a simple reason,</i>
<i>Rose had had no wild life.</i>

208
00:12:56,800 --> 00:12:58,360
<i>She just blended into my way of living.</i>

209
00:12:58,440 --> 00:13:00,720
[Savage] <i>Rose would act</i>
<i>under your instruction?</i>

210
00:13:00,800 --> 00:13:01,680
[Fred] <i>Yes.</i>

211
00:13:01,760 --> 00:13:04,120
<i>- Well, yeah. Yes.</i>
- [Savage] <i>To be fair to Rose.</i>

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00:13:04,200 --> 00:13:06,200
{\an8}[somber music playing]

213
00:13:08,400 --> 00:13:13,040
{\an8}[Goatley] Rose West was complex.
Her relationship with Fred was complex.

214
00:13:14,360 --> 00:13:18,560
Rose was bringing up a family,
but at the same time,

215
00:13:18,640 --> 00:13:21,680
Fred was also sending her out
with these other men.

216
00:13:23,040 --> 00:13:26,200
[officer] <i>Statements that I've read,</i>
<i>Mr. West, from people who know you…</i>

217
00:13:27,360 --> 00:13:32,080
<i>This chap says he learned about</i>
<i>your wife's sexual habits through you.</i>

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00:13:32,160 --> 00:13:34,720
<i>How she was a prostitute at the house.</i>

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00:13:34,800 --> 00:13:36,800
{\an8}[music intensifies]

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{\an8}I probed on that. She said, "Well,
I did it because Fred made me do it."

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<i>I was in love with your father.</i>

222
00:13:48,400 --> 00:13:52,720
<i>Whenever I made love</i>
<i>with your father, that was it for me.</i>

223
00:13:52,800 --> 00:13:57,560
<i>But I had to go out with this bloke</i>
<i>I didn't like and climb into his bed</i>

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00:13:57,640 --> 00:14:01,240
<i>and make love all night</i>
<i>and come home in the morning.</i>

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00:14:04,520 --> 00:14:07,040
[Sounes] One of the big
talking points of the West case is,

226
00:14:07,120 --> 00:14:08,680
who was in control?

227
00:14:08,760 --> 00:14:11,160
I think certainly when they first met,

228
00:14:11,240 --> 00:14:13,800
Fred must have been the dominant partner.

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00:14:13,880 --> 00:14:15,240
He had to have been.

230
00:14:15,960 --> 00:14:18,600
He had much, much more life experience.

231
00:14:18,680 --> 00:14:20,800
I thought Fred must have bewitched her,

232
00:14:20,880 --> 00:14:25,800
and she must have gone along
with Fred's idea of what was okay,

233
00:14:25,880 --> 00:14:27,120
sexually and otherwise.

234
00:14:27,200 --> 00:14:28,920
[tense music continues]

235
00:14:29,480 --> 00:14:31,880
[Rose] <i>My mum tells me,</i>
<i>"Get an older man."</i>

236
00:14:31,960 --> 00:14:34,480
<i>"He'll look after you.</i>
<i>He's had his life. He's had his flings."</i>

237
00:14:34,560 --> 00:14:36,120
<i>"You know, you'll be all right."</i>

238
00:14:36,200 --> 00:14:41,040
<i>I mean, and I'm with this man.</i>
<i>I am almost completely brainwashed.</i>

239
00:14:41,680 --> 00:14:44,200
<i>You know, and I am doing what he says.</i>

240
00:14:44,280 --> 00:14:45,120
[music ends]

241
00:14:45,200 --> 00:14:48,680
Now, how much he coerced her
is really unknown.

242
00:14:52,400 --> 00:14:54,920
[Williams] As
the investigation progressed,

243
00:14:55,960 --> 00:14:58,880
the focus then was
to go to speak to people

244
00:14:58,960 --> 00:15:02,240
who would have knowledge
and understanding of Fred and Rose.

245
00:15:02,320 --> 00:15:05,000
What did you know
about Fred and Rose's lifestyle?

246
00:15:05,080 --> 00:15:09,960
Were you aware of any activities
that were going on at the premises?

247
00:15:11,080 --> 00:15:13,400
At that time, the house would be packed.

248
00:15:16,080 --> 00:15:19,760
[officer] <i>Right.</i>
<i>I want to talk first of all, Mr. West,</i>

249
00:15:19,840 --> 00:15:23,240
<i>about a statement of evidence</i>
<i>that we've received</i>

250
00:15:23,320 --> 00:15:25,880
<i>from a lady called Elizabeth Agius.</i>

251
00:15:28,880 --> 00:15:30,560
[ominous music playing]

252
00:15:30,640 --> 00:15:33,120
Rose started telling me
about her personal life.

253
00:15:33,200 --> 00:15:37,280
How did I feel about it,
by she was a prostitute?

254
00:15:38,040 --> 00:15:39,280
Um…

255
00:15:39,360 --> 00:15:42,400
I just told her it was her business.
It was nothing to do with me.

256
00:15:43,840 --> 00:15:45,920
{\an8}She did go into details
that she had, like,

257
00:15:46,000 --> 00:15:48,440
{\an8}microphones or something in the bedroom.

258
00:15:49,080 --> 00:15:51,800
{\an8}Because if she ever had,
uh, clients there,

259
00:15:52,440 --> 00:15:55,760
{\an8}Fred was always on the opposite side,
into the next room.

260
00:15:56,240 --> 00:15:59,600
{\an8}And, um, he likes to listen
to things like that.

261
00:16:00,760 --> 00:16:02,480
{\an8}[music intensifies]

262
00:16:02,560 --> 00:16:05,080
{\an8}But their life,

263
00:16:05,160 --> 00:16:08,000
it was up to them
to whatever I thought turned them on.

264
00:16:08,080 --> 00:16:10,120
And, you know,
I never took no notice, really.

265
00:16:12,720 --> 00:16:14,960
[Williams] Rose came across,
in her early days,

266
00:16:15,040 --> 00:16:18,400
as somebody who was
sweet, vulnerable, gullible.

267
00:16:19,120 --> 00:16:22,960
The more we looked into her,
the more devious she appears to have come.

268
00:16:24,400 --> 00:16:29,720
Fred and Rose, though a couple,
was clearly engaged in activities

269
00:16:29,800 --> 00:16:32,360
which we would consider
not the social norm.

270
00:16:33,080 --> 00:16:35,040
[officer] <i>Has she been happy</i>
<i>to go along with this?</i>

271
00:16:35,120 --> 00:16:38,880
[Fred] <i>Well, all I can say is that</i>
<i>for that 23 years we've been together.</i>

272
00:16:38,960 --> 00:16:41,120
<i>I mean, do you think</i>
<i>she would have stayed?</i>

273
00:16:41,200 --> 00:16:43,600
<i>She thinks just as much of me</i>
<i>as I do of her.</i>

274
00:16:45,440 --> 00:16:49,000
{\an8}[Williams] You had these underlying,
sordid activities

275
00:16:49,080 --> 00:16:52,280
{\an8}that were constantly going on
at 25 Cromwell Street,

276
00:16:52,880 --> 00:16:56,040
{\an8}which people were aware of,

277
00:16:56,120 --> 00:16:58,160
but for whatever reason chose not

278
00:16:58,240 --> 00:17:00,400
to bring it
to the attention of the police.

279
00:17:01,240 --> 00:17:03,800
<i>This lady says</i>
<i>when she was shown around Cromwell Street,</i>

280
00:17:03,880 --> 00:17:06,080
<i>she was shown a trapdoor</i>
<i>which led to the cellar.</i>

281
00:17:08,080 --> 00:17:09,760
{\an8}[music fades out]

282
00:17:09,840 --> 00:17:11,240
We went down there,

283
00:17:12,680 --> 00:17:16,560
and Fred said, um, he wasn't sure
what to make of this yet.

284
00:17:16,640 --> 00:17:20,320
He said, "I don't know whether to make it
a playing area for the children."

285
00:17:20,400 --> 00:17:22,160
Or he nudged me and he used to say,

286
00:17:22,240 --> 00:17:24,680
{\an8}"Or else I could make this
into my torture room,

287
00:17:24,760 --> 00:17:26,520
{\an8}and just think," he said,

288
00:17:26,600 --> 00:17:28,560
{\an8}"what I could do
to you down here," he said.

289
00:17:28,640 --> 00:17:31,960
{\an8}"Nobody would hear me," he said,
"'cause I'd make it soundproof."

290
00:17:32,040 --> 00:17:33,960
[dramatic music playing]

291
00:17:34,480 --> 00:17:37,000
- [woman] Did you consider going to police?
- [Agius] No.

292
00:17:39,240 --> 00:17:41,000
What they did was their business.

293
00:17:41,080 --> 00:17:46,120
I accepted them as they are,
so long as I wasn't involved in anything.

294
00:17:51,720 --> 00:17:55,480
{\an8}[Williams] It was
extremely surprising to see

295
00:17:55,560 --> 00:17:57,640
{\an8}that this activity could take place

296
00:17:57,720 --> 00:18:00,400
{\an8}in a house
in the middle of the town center.

297
00:18:02,800 --> 00:18:05,960
{\an8}But the burning question,
the crucial question was,

298
00:18:06,040 --> 00:18:09,080
{\an8}what were the victims doing
in 25 Cromwell Street?

299
00:18:09,160 --> 00:18:10,720
How did they get there?

300
00:18:10,800 --> 00:18:13,280
[foreboding music playing]

301
00:18:16,160 --> 00:18:18,680
[engine revs]

302
00:18:19,480 --> 00:18:22,160
[somber music playing]

303
00:18:22,240 --> 00:18:25,560
[officer] <i>The conversation then got round</i>
<i>to the fact that Fred used to go out</i>

304
00:18:25,640 --> 00:18:29,360
<i>looking for young girls</i>
<i>who were hitchhiking or thumbing lifts.</i>

305
00:18:31,920 --> 00:18:34,680
<i>She says that when she asked</i>
<i>why you did it,</i>

306
00:18:34,760 --> 00:18:37,080
<i>"Fred said that he liked</i>
<i>to pick up young women</i>

307
00:18:37,160 --> 00:18:39,040
<i>to get them back to lodge with them."</i>

308
00:18:39,120 --> 00:18:41,160
<i>"He said</i>
<i>he could get them into prostitution,</i>

309
00:18:41,240 --> 00:18:44,920
<i>and he liked them to be aged</i>
<i>between 15 to 17 if possible."</i>

310
00:18:56,240 --> 00:18:58,360
What was going through my head
at the time was,

311
00:18:58,440 --> 00:19:01,000
"This is great,
this is a breakthrough, great evidence."

312
00:19:03,320 --> 00:19:06,960
[Britton] A key feature of Fred's strategy

313
00:19:07,040 --> 00:19:11,680
was simply to go cruising
and to look for a victim of opportunity,

314
00:19:11,760 --> 00:19:15,560
someone who seemed vulnerable.

315
00:19:17,840 --> 00:19:19,440
[Williams] But we also realized

316
00:19:19,520 --> 00:19:23,520
it wasn't just people living
in 25 Cromwell Street that went missing.

317
00:19:24,640 --> 00:19:27,760
These victims were
from all over the country.

318
00:19:30,840 --> 00:19:35,080
250,000 people go missing
in Britain every year.

319
00:19:35,160 --> 00:19:38,120
The majority return home
within a few days.

320
00:19:38,200 --> 00:19:41,880
But around 3,000 vanish without trace.

321
00:19:41,960 --> 00:19:43,960
[gentle music playing]

322
00:19:50,280 --> 00:19:52,560
[reporter 1] <i>What has happened</i>
<i>to Lucy Partington?</i>

323
00:19:52,640 --> 00:19:56,680
<i>Has she simply vanished for reasons</i>
<i>which her parents aren't aware?</i>

324
00:19:57,840 --> 00:20:00,760
<i>Lucy's bus was ten minutes late</i>
<i>leaving the center of Cheltenham</i>

325
00:20:00,840 --> 00:20:04,320
<i>and didn't arrive at the stop</i>
<i>on Evesham Road until half past ten.</i>

326
00:20:04,400 --> 00:20:07,200
<i>But by then,</i>
<i>the 21-year-old student had vanished,</i>

327
00:20:07,280 --> 00:20:10,560
<i>and there's been</i>
<i>no trace of her ever since. </i>[echoing]

328
00:20:10,640 --> 00:20:12,640
{\an8}[somber music continues]

329
00:20:19,400 --> 00:20:22,120
She was four years younger than me,

330
00:20:22,200 --> 00:20:26,000
and, um, I was rather
the bossy older sister.

331
00:20:28,440 --> 00:20:32,000
We were all together at Christmas
at my mum's house.

332
00:20:32,080 --> 00:20:36,560
One of my brothers gave Lucy
a lift to her friend Helen's

333
00:20:36,640 --> 00:20:39,600
and offered to pick her up afterwards,

334
00:20:39,680 --> 00:20:43,000
and she said,
"No, it's fine. I'll get the bus."

335
00:20:46,560 --> 00:20:48,600
And was never seen again.

336
00:20:51,440 --> 00:20:54,560
[reporter 2] What do you think
has happened to your daughter?

337
00:20:55,600 --> 00:20:58,040
Well, I don't know. [laughs nervously]

338
00:20:58,120 --> 00:20:59,840
A very difficult question.

339
00:20:59,920 --> 00:21:03,360
You know, I think that whatever has
happened to her was against her will.

340
00:21:03,440 --> 00:21:07,520
I'm quite convinced myself
that she meant to catch that bus.

341
00:21:07,600 --> 00:21:10,000
I don't think
she would have accepted a lift.

342
00:21:10,080 --> 00:21:13,040
I don't think it would have been
in character with her.

343
00:21:18,520 --> 00:21:23,280
[Marian] The police searched.
They dragged the lake by the bus stop.

344
00:21:24,760 --> 00:21:27,920
They put up notices of missing person,

345
00:21:28,680 --> 00:21:30,760
and nothing was found.

346
00:21:33,520 --> 00:21:38,600
{\an8}I would like this thing put to bed,
as they say in journalist terms.

347
00:21:38,680 --> 00:21:42,960
{\an8}Yeah, I would like the thing…
Have it finished. If she is dead, let's…

348
00:21:44,880 --> 00:21:46,720
put an end to it. Let's have a funeral.

349
00:21:46,800 --> 00:21:49,680
The whole thing is so uncertain,
isn't it, at the moment.

350
00:21:49,760 --> 00:21:52,400
And I would like to know
what happened to her.

351
00:21:52,480 --> 00:21:56,120
I don't like to think that I shall die
without ever knowing what happened to her.

352
00:21:56,920 --> 00:21:58,640
- [man] Thank you very much.
- Okay.

353
00:22:02,160 --> 00:22:06,720
[Marian] I first heard
about Cromwell Street when I was at work.

354
00:22:07,200 --> 00:22:08,960
We just felt very restless,

355
00:22:09,040 --> 00:22:12,680
and it was, you know, very disturbing
that all this was going on.

356
00:22:12,760 --> 00:22:18,080
Maybe it was just because
this was about missing people.

357
00:22:18,160 --> 00:22:20,320
And this was about bodies being found,

358
00:22:20,400 --> 00:22:23,320
and it wasn't very far
from where Lucy disappeared.

359
00:22:25,640 --> 00:22:30,160
I just remember
saying to my mum around that time,

360
00:22:30,240 --> 00:22:34,680
"I think it's going to be better to know
than not to know."

361
00:22:34,760 --> 00:22:38,480
And my mum said,
"I'm not so sure about that."

362
00:22:45,280 --> 00:22:46,800
[music fades out]

363
00:22:50,960 --> 00:22:53,280
[Fred] <i>I never actually ever knew</i>
<i>their names.</i>

364
00:22:53,360 --> 00:22:56,040
[eerie music playing]

365
00:22:56,120 --> 00:22:59,720
[Fred] <i>I didn't want to know</i>
<i>or make up a name, whatever it was.</i>

366
00:22:59,800 --> 00:23:02,560
[Savage] <i>No? What about Lucy?</i>

367
00:23:03,560 --> 00:23:07,240
<i>She was well publicized as a missing girl.</i>

368
00:23:08,120 --> 00:23:10,560
[Fred] <i>The thing is,</i>
<i>all these are so mixed up in my mind,</i>

369
00:23:10,640 --> 00:23:12,840
<i>I haven't got a clue which is which.</i>

370
00:23:12,920 --> 00:23:14,680
[Savage] <i>You put them there, didn't you?</i>

371
00:23:16,520 --> 00:23:18,880
<i>- Don't know whether you put them there?</i>
- [Fred] <i>No.</i>

372
00:23:18,960 --> 00:23:21,120
- [Savage] <i>Buried these people?</i>
<i>- Yeah, buried the people.</i>

373
00:23:21,200 --> 00:23:24,880
<i>But I mean, I didn't…</i>
<i>It was done quick and a long time ago.</i>

374
00:23:29,920 --> 00:23:33,760
[Canavan] He did know a couple of names,
but some were strangers.

375
00:23:34,360 --> 00:23:40,400
Which, to me, put a different light
on Fred at that point.

376
00:23:40,480 --> 00:23:42,360
{\an8}I started to imagine then

377
00:23:42,440 --> 00:23:47,120
{\an8}what these poor victims had
actually gone through before they died.

378
00:23:49,400 --> 00:23:52,160
{\an8}[Savage] <i>Fred, you've got</i>
<i>that awful smirk on your face again.</i>

379
00:23:52,240 --> 00:23:53,520
<i>That's worrying me.</i>

380
00:23:53,600 --> 00:23:56,920
<i>And I need to know</i>
<i>we're not going into another world now.</i>

381
00:23:57,000 --> 00:24:00,840
[Fred] <i>No. But, I mean, every girl</i>
<i>I picked up, I didn't put in the basement.</i>

382
00:24:00,920 --> 00:24:03,400
- [Savage] <i>Where did you put them?</i>
- [Fred laughs]

383
00:24:03,480 --> 00:24:05,720
<i>I dropped them off</i>
<i>where they wanted to go.</i>

384
00:24:05,800 --> 00:24:07,240
[sinister laughter echoes]

385
00:24:09,120 --> 00:24:11,640
[Britton] In the early interviews,

386
00:24:11,720 --> 00:24:15,360
what you see is a cunning man
who's living in a fantasy.

387
00:24:17,840 --> 00:24:22,120
[Fred] <i>I mean, each one was</i>
<i>their own kinky sex, that's all it was.</i>

388
00:24:22,200 --> 00:24:24,280
<i>I mean, that's why</i>
<i>you probably find it hard.</i>

389
00:24:24,360 --> 00:24:27,880
<i>It was what they…</i>
<i>their thing that they wanted to try, do.</i>

390
00:24:30,960 --> 00:24:33,400
[Ogden] So far as Fred is concerned,

391
00:24:33,480 --> 00:24:37,480
his approach
is largely entirely matter-of-fact.

392
00:24:38,560 --> 00:24:44,840
{\an8}Really concerned about himself
as opposed to the deceased.

393
00:24:47,200 --> 00:24:50,760
[Fred] <i>It was just this urge</i>
<i>at the time when they… they upset me,</i>

394
00:24:50,840 --> 00:24:52,120
<i>that I went for 'em.</i>

395
00:24:54,800 --> 00:24:56,520
<i>And the whole fear,</i>

396
00:24:58,760 --> 00:25:01,120
<i>and this is something</i>
<i>that we've got to go into,</i>

397
00:25:01,200 --> 00:25:05,080
<i>was that the biggest fear that was in me,</i>

398
00:25:05,160 --> 00:25:07,720
<i>was Rose finding out that</i>
<i>I was messing with other women.</i>

399
00:25:10,280 --> 00:25:16,000
Frederick West seems unmoved
by the fact that these people are dead.

400
00:25:16,080 --> 00:25:21,160
And what we see are the hallmarks
of the sadistic sexual psychopath.

401
00:25:21,240 --> 00:25:23,240
[eerie music playing]

402
00:25:27,120 --> 00:25:29,120
[reporter 1] More human remains
have been found

403
00:25:29,200 --> 00:25:32,640
at the house in Gloucester
being searched by police.

404
00:25:32,720 --> 00:25:34,920
The latest discovery
in the cellar of the house

405
00:25:35,000 --> 00:25:38,680
brings to nine the number of bodies
found at the home of Frederick West.

406
00:25:38,760 --> 00:25:43,120
[eerie music swells]

407
00:25:43,200 --> 00:25:45,440
[Fred] <i>The whole thing now,</i>
<i>you've got them all.</i>

408
00:25:45,520 --> 00:25:46,640
<i>Yeah.</i>

409
00:25:47,320 --> 00:25:49,320
<i>So there ain't no more in the basement.</i>

410
00:25:54,560 --> 00:25:57,760
[Sounes] When the police excavation
on Cromwell Street stopped…

411
00:25:57,840 --> 00:25:58,840
[somber music playing]

412
00:25:58,920 --> 00:26:00,720
…they were bringing
the victim remains out.

413
00:26:06,440 --> 00:26:09,320
Fleet Street is down there,
BBC is down there,

414
00:26:09,400 --> 00:26:14,080
the TV, Sky News, CNN,
Canadian television, French television.

415
00:26:14,160 --> 00:26:18,360
They're all there because victims
are being brought out in black boxes.

416
00:26:18,440 --> 00:26:19,920
It goes around the world.

417
00:26:24,720 --> 00:26:27,240
When the victims' remains
were all excavated,

418
00:26:27,320 --> 00:26:30,400
and you saw the conditions
in which those remains were coming up,

419
00:26:30,480 --> 00:26:32,720
you saw they were dismembered,
you saw evidence

420
00:26:32,800 --> 00:26:36,840
that they had been taped
and bound and gagged,

421
00:26:37,680 --> 00:26:40,960
you start to think,
how could anybody do that?

422
00:26:41,040 --> 00:26:43,640
And then you think
how those kids must have suffered

423
00:26:44,280 --> 00:26:46,000
immediately before their death.

424
00:26:46,080 --> 00:26:48,760
[music swells]

425
00:26:56,120 --> 00:26:58,080
For every victim that we identified,

426
00:26:58,160 --> 00:27:01,400
there would have been
10, 20, 30 names that remained missing

427
00:27:01,480 --> 00:27:03,160
and were never found.

428
00:27:04,280 --> 00:27:08,800
Eventually, we were able
to put a name to all the victims.

429
00:27:12,400 --> 00:27:14,720
[reporter 2] <i>25 Cromwell Street</i>
<i>was the burial ground</i>

430
00:27:14,800 --> 00:27:17,000
<i>for a total of nine young women.</i>

431
00:27:17,080 --> 00:27:18,120
{\an8}<i>They were Heather West,</i>

432
00:27:18,200 --> 00:27:20,720
{\an8}<i>Rosemary West's eldest daughter,</i>
<i>who was 16.</i>

433
00:27:20,800 --> 00:27:24,520
<i>Shirley Robinson, who was</i>
<i>eight months pregnant by Frederick West.</i>

434
00:27:25,120 --> 00:27:28,400
{\an8}<i>Alison Chambers, who lived</i>
<i>in a children's home in Gloucester.</i>

435
00:27:28,480 --> 00:27:31,280
{\an8}Lynda Gough, who'd left home in 1973.

436
00:27:31,920 --> 00:27:35,200
{\an8}<i>Carol Cooper, who'd run away</i>
<i>from a children's home in Worcester.</i>

437
00:27:35,280 --> 00:27:39,080
<i>Lucy Partington, who vanished</i>
<i>after visiting a friend in Cheltenham.</i>

438
00:27:39,160 --> 00:27:43,120
{\an8}<i>Thérèse Siegenthaler, a Swiss student</i>
<i>who'd vanished while hitchhiking.</i>

439
00:27:43,200 --> 00:27:46,440
<i>Shirley Hubbard, who'd lived</i>
<i>with foster parents in Droitwich.</i>

440
00:27:46,520 --> 00:27:48,760
<i>And Juanita Mott, another lodger.</i>

441
00:27:52,520 --> 00:27:54,880
We were picked up in a car,

442
00:27:54,960 --> 00:27:58,440
shielded from the press
because they were camped outside,

443
00:27:58,520 --> 00:28:01,000
and taken to the station,
and we were told,

444
00:28:01,080 --> 00:28:02,720
"Really sorry to tell you,

445
00:28:02,800 --> 00:28:05,680
but it is confirmed
that Juanita was found in the cellar."

446
00:28:07,200 --> 00:28:09,760
[officer] <i>You talked</i>
<i>to Hazel about a girl from Newent?</i>

447
00:28:09,840 --> 00:28:11,360
[Fred] <i>Yeah.</i>

448
00:28:11,440 --> 00:28:15,000
[officer] <i>If I said her name,</i>
<i>which we now think we might have…</i>

449
00:28:15,080 --> 00:28:15,960
[Fred] <i>Yeah.</i>

450
00:28:16,040 --> 00:28:17,960
<i>…would you think you'd recognize it?</i>

451
00:28:18,960 --> 00:28:20,560
[Fred] <i>I'll certainly try.</i>

452
00:28:20,640 --> 00:28:22,080
[officer] <i>Juanita Mott?</i>

453
00:28:23,600 --> 00:28:25,720
- [Fred] <i>That's her.</i>
<i>- And what did you do with her?</i>

454
00:28:26,400 --> 00:28:27,800
[Fred] <i>Buried her in that hole.</i>

455
00:28:30,280 --> 00:28:32,520
[gentle, somber music playing]

456
00:28:32,600 --> 00:28:36,280
[Mary-Ann] It wasn't like,
"Oh, our little bubble's burst."

457
00:28:36,360 --> 00:28:37,760
It was worse.

458
00:28:37,840 --> 00:28:40,440
It was worse than you could ever imagine.

459
00:28:41,680 --> 00:28:44,000
It was an explosion.

460
00:28:44,080 --> 00:28:45,520
Poof, this is it.

461
00:28:45,600 --> 00:28:50,000
Your life is never going to be the same
because of what he did to her.

462
00:28:52,040 --> 00:28:54,480
[Belinda] Up until that day,
I honestly thought,

463
00:28:54,560 --> 00:28:56,560
"One day she's going to get hold of us."

464
00:28:56,640 --> 00:29:00,480
"Never know, she might
just knock on my door one day."

465
00:29:00,560 --> 00:29:03,120
But she never came back.

466
00:29:03,600 --> 00:29:05,600
[music continues]

467
00:29:08,480 --> 00:29:12,920
There was a phone call from the police
saying they had some news for us.

468
00:29:15,840 --> 00:29:20,040
Russell Williams arrived and then said,

469
00:29:20,120 --> 00:29:23,480
Fred West had told them
that one of them was called Lucy.

470
00:29:23,560 --> 00:29:25,560
[music intensifies]

471
00:29:28,760 --> 00:29:32,560
The first question that
you always get asked is, "Are you sure?"

472
00:29:33,440 --> 00:29:35,800
Because I guess
there would always be a little…

473
00:29:36,840 --> 00:29:41,120
[sighs] …a little sliver of hope
that it's not their loved one

474
00:29:41,200 --> 00:29:43,800
and their loved one's gonna
and walk through the door one day,

475
00:29:43,880 --> 00:29:46,680
but we know that reality doesn't exist.

476
00:29:50,120 --> 00:29:53,280
[Marian] My mum didn't express
much emotion at all,

477
00:29:53,360 --> 00:29:55,560
but we met Dad off the train,

478
00:29:55,640 --> 00:29:59,360
and he just broke down
and burst into tears,

479
00:29:59,440 --> 00:30:02,520
and I… we just held each other.

480
00:30:05,000 --> 00:30:06,320
You don't really think.

481
00:30:06,400 --> 00:30:08,320
You just feel

482
00:30:09,120 --> 00:30:14,120
a huge amount of shock and denial.

483
00:30:14,200 --> 00:30:17,880
That's right, you can't quite take it in.
It doesn't feel real.

484
00:30:17,960 --> 00:30:20,160
[mystical music playing]

485
00:30:20,240 --> 00:30:23,440
Especially because
the deaths were so brutal

486
00:30:24,120 --> 00:30:25,800
and meaningless.

487
00:30:33,160 --> 00:30:35,840
[Dezra] It all becomes reality that, yeah,

488
00:30:35,920 --> 00:30:38,960
it's all confirmed that
you're never going to see her again,

489
00:30:39,040 --> 00:30:43,120
and then you realize why she never
got in touch, that all makes sense.

490
00:30:46,200 --> 00:30:50,600
It makes you realize that it must have
been complete hell for her at the end,

491
00:30:50,680 --> 00:30:52,000
knowing that you're on your own.

492
00:30:52,720 --> 00:30:55,280
Nobody knows you're there,
so no one's gonna come save you.

493
00:30:55,360 --> 00:30:58,200
No one's going to…
There's not gonna be a knock at the door…

494
00:30:58,880 --> 00:31:00,120
It's, um…

495
00:31:00,760 --> 00:31:04,040
It must have been horrific for her,
for all of them.

496
00:31:08,760 --> 00:31:11,240
[Mary-Ann] She was hidden.
They were all hidden.

497
00:31:11,720 --> 00:31:17,320
And my mum, having to see
my mum's face, listen to this…

498
00:31:17,400 --> 00:31:18,560
[exhales sharply]

499
00:31:19,800 --> 00:31:22,160
[cries softly]

500
00:31:26,560 --> 00:31:30,320
{\an8}[crying] I saw my hero,
my mum, my hero… [inhales sharply]

501
00:31:31,640 --> 00:31:32,840
…crumble.

502
00:31:43,200 --> 00:31:44,720
[music fades out]

503
00:31:50,760 --> 00:31:53,120
[Savage] <i>Since you've been spoken to,</i>

504
00:31:53,200 --> 00:31:55,000
<i>we've been able to piece together</i>

505
00:31:55,800 --> 00:32:01,720
<i>eh, a little bit more about each body</i>
<i>as it's been recovered by the police.</i>

506
00:32:03,440 --> 00:32:07,320
<i>Most of these people</i>
<i>have got some sort of material with them.</i>

507
00:32:07,400 --> 00:32:08,760
- [Fred] <i>Oh, have they?</i>
<i>- Yes.</i>

508
00:32:08,840 --> 00:32:10,840
[Fred] <i>I don't know, Hazel.</i>
<i>No idea. I can't…</i>

509
00:32:10,920 --> 00:32:12,640
<i>Well, why don't you know?</i>

510
00:32:13,440 --> 00:32:16,320
<i>So that means then,</i>
<i>that somebody else might be involved.</i>

511
00:32:17,160 --> 00:32:18,800
<i>If you didn't put it there.</i>

512
00:32:20,000 --> 00:32:21,800
- [Fred] <i>Hazel.</i>
<i>- Well, I don't know.</i>

513
00:32:21,880 --> 00:32:24,520
[Fred] <i>There is nobody else involved.</i>
<i>I did it all on my own.</i>

514
00:32:24,600 --> 00:32:25,440
[Savage] <i>Right.</i>

515
00:32:25,520 --> 00:32:27,960
[Fred] <i>And there is nobody else.</i>
<i>Let's get that straight.</i>

516
00:32:28,040 --> 00:32:28,880
[Savage] <i>Right, so…</i>

517
00:32:28,960 --> 00:32:31,760
<i>Just because I don't remember</i>
<i>what I did to each one in detail,</i>

518
00:32:31,840 --> 00:32:34,680
<i>surely after these good 20-odd years.</i>

519
00:32:35,400 --> 00:32:38,400
{\an8}- [ominous music playing]
- [indistinct chatter]

520
00:32:41,440 --> 00:32:46,160
Fred West had emphasized that there was
nobody else involved but himself.

521
00:32:47,640 --> 00:32:50,240
Rosemary West
didn't know anything about it.

522
00:32:53,200 --> 00:32:55,960
[Fred] <i>This was all done</i>
<i>behind Rose's back.</i>

523
00:32:56,040 --> 00:32:58,440
<i>I kept her pregnant.</i>
<i>I kept her with other men.</i>

524
00:32:58,520 --> 00:33:02,120
<i>Everything out of my way</i>…
<i>when I did things.</i>

525
00:33:02,200 --> 00:33:05,960
[officer] <i>You said the other day you</i>
<i>and her mentally switched into each other.</i>

526
00:33:06,040 --> 00:33:08,000
- [Fred] <i>Yes.</i>
<i>- You're "as one," you said.</i>

527
00:33:08,080 --> 00:33:09,280
<i>That was your words.</i>

528
00:33:09,360 --> 00:33:11,960
[Fred] <i>But there's a difference,</i>
<i>a lot of difference</i>

529
00:33:12,040 --> 00:33:16,000
<i>between evil locking together and love.</i>

530
00:33:16,080 --> 00:33:18,080
[indistinct chatter]

531
00:33:19,680 --> 00:33:21,000
[Fred] Eh?

532
00:33:21,080 --> 00:33:26,360
Rosemary West is
the most important person in his world.

533
00:33:28,040 --> 00:33:29,480
[laughing]

534
00:33:30,040 --> 00:33:34,560
He needs to protect,
to keep safe, Rosemary West.

535
00:33:39,520 --> 00:33:44,400
[Fred] <i>I've been tempted</i>
<i>over the years to tell Rose, I must admit.</i>

536
00:33:45,640 --> 00:33:48,960
<i>- But I never ever did.</i>
- [Savage] <i>Why, Fred?</i>

537
00:33:50,760 --> 00:33:54,360
[Fred] <i>Um… Well, one reason,</i>
<i>I didn't know how she'd take it,</i>

538
00:33:54,440 --> 00:33:56,560
<i>what she'd do,</i>
<i>whether she'd walk out on me,</i>

539
00:33:56,640 --> 00:33:59,880
<i>or what would happen,</i>
<i>or whether she'd think she was at risk.</i>

540
00:34:00,360 --> 00:34:04,280
<i>I mean, Rose might look a bit hard faced</i>
<i>and that, but Rose is as soft as a kitten.</i>

541
00:34:04,920 --> 00:34:06,920
[dramatic music playing]

542
00:34:09,240 --> 00:34:14,480
[Ogden] At all times,
Fred was seeking to protect Rose.

543
00:34:15,000 --> 00:34:21,160
He had a notion that he would
go to prison for however long it may be,

544
00:34:21,960 --> 00:34:25,400
but she would live nearby,
and she would visit him,

545
00:34:25,480 --> 00:34:31,200
and that that relationship
would continue, uh, unabated.

546
00:34:33,880 --> 00:34:37,600
[Sounes] Mad and weird as he was,
and mad and weird as she is,

547
00:34:38,200 --> 00:34:42,000
on some depraved level,
they also loved each other.

548
00:34:42,800 --> 00:34:46,640
Rose was his whole world,
and he wanted to save her.

549
00:34:50,960 --> 00:34:52,960
[Rose] <i>If they think I've got</i>
<i>fuck all to do with it,</i>

550
00:34:53,040 --> 00:34:56,200
<i>they may as well put me</i>
<i>in a cell and throw the key away.</i>

551
00:34:56,280 --> 00:34:58,600
<i>Because I shall always protest</i>
<i>my innocence,</i>

552
00:34:58,680 --> 00:35:01,840
<i>and I don't care if I spend</i>
<i>the rest of my life in the fucking nick.</i>

553
00:35:01,920 --> 00:35:04,120
- [laughs]
- [eerie music playing]

554
00:35:06,000 --> 00:35:10,520
[Ogden] I always sensed
that there was more to this story

555
00:35:10,600 --> 00:35:13,040
than I was getting from Fred.

556
00:35:13,960 --> 00:35:16,560
And by more, I mean

557
00:35:16,640 --> 00:35:21,160
the knowledge and involvement by Rose.

558
00:35:21,240 --> 00:35:23,240
{\an8}[tense, ominous music playing]

559
00:35:27,200 --> 00:35:28,360
{\an8}[music fades out]

560
00:35:28,440 --> 00:35:31,920
[Savage] <i>The police have gone</i>
<i>to see a girl this afternoon.</i>

561
00:35:33,960 --> 00:35:35,600
<i>Used to be the nanny?</i>

562
00:35:35,680 --> 00:35:38,080
[Fred] <i>Oh, um, Carol.</i>

563
00:35:38,160 --> 00:35:40,160
[unsettling music playing]

564
00:35:43,800 --> 00:35:48,160
I caught the news,
and all I can remember is it said

565
00:35:48,760 --> 00:35:53,280
a man in Gloucester had been arrested
for all the killings that went on.

566
00:35:54,360 --> 00:35:57,320
And I just broke down.

567
00:35:59,800 --> 00:36:01,880
I got onto the police straight away,
and I just said,

568
00:36:01,960 --> 00:36:06,080
"You need to really look into this
because he did the same to me years ago."

569
00:36:06,800 --> 00:36:08,280
"He was gonna kill me."

570
00:36:08,360 --> 00:36:09,920
[music stops]

571
00:36:10,000 --> 00:36:14,440
[Sounes] When Fred was being questioned,
he's asked about Caroline Owens.

572
00:36:16,400 --> 00:36:21,320
She lived at 25 Cromwell Street
as the nanny in 1972.

573
00:36:23,760 --> 00:36:26,960
So in '94,
a detective was sent to see Caroline

574
00:36:27,040 --> 00:36:28,480
and take a statement from her.

575
00:36:28,560 --> 00:36:30,560
[ominous music playing]

576
00:36:36,640 --> 00:36:39,720
When I was actually living there,
I wasn't aware

577
00:36:39,800 --> 00:36:42,080
of what was actually going on,

578
00:36:42,160 --> 00:36:46,320
um, especially with Rose
and the male visitors to the house.

579
00:36:49,080 --> 00:36:52,040
{\an8}During a conversation
one evening with Fred,

580
00:36:52,560 --> 00:36:56,280
{\an8}he said, "Me and Rose
want you to join our sex circle."

581
00:36:57,280 --> 00:37:01,520
{\an8}And I think he thought
that he could groom me.

582
00:37:02,240 --> 00:37:07,040
{\an8}To me, that was dirty, scary.

583
00:37:07,120 --> 00:37:08,400
{\an8}It wasn't me.

584
00:37:10,280 --> 00:37:11,840
{\an8}I left the Wests…

585
00:37:13,760 --> 00:37:15,840
and went back home to live.

586
00:37:17,360 --> 00:37:19,800
But on December 6th,

587
00:37:19,880 --> 00:37:23,120
I remember going to hitchhike
to see my boyfriend in Tewkesbury,

588
00:37:23,760 --> 00:37:26,080
and I saw their car.

589
00:37:28,120 --> 00:37:30,200
At the time, I was thinking,

590
00:37:30,280 --> 00:37:34,080
they are gonna be really angry
with me because of how I left.

591
00:37:36,200 --> 00:37:41,880
I didn't think they would
do anything really bad to me at all.

592
00:37:44,480 --> 00:37:46,080
So I got in the car.

593
00:37:46,160 --> 00:37:48,040
- [tense music playing]
- [engine revs]

594
00:38:02,240 --> 00:38:03,760
[officer] <i>You pull into a gateway…</i>

595
00:38:05,720 --> 00:38:07,800
<i>turn around and whack her one.</i>

596
00:38:07,880 --> 00:38:10,640
<i>- She's semi-unconscious.</i>
- [Fred] <i>Rubbish.</i>

597
00:38:10,720 --> 00:38:14,560
[officer] <i>And she's tied up</i>
<i>and taped and taken back</i>.

598
00:38:15,080 --> 00:38:16,840
<i>- And you were with Rose.</i>
<i>- </i>[Fred] <i>No!</i>

599
00:38:20,720 --> 00:38:22,560
<i>I was always on me own when I went.</i>

600
00:38:22,640 --> 00:38:24,800
- [officer] <i>You weren't.</i>
- [Savage] <i>No, you weren't.</i>

601
00:38:25,280 --> 00:38:26,680
[officer] <i>You went with your missus.</i>

602
00:38:26,760 --> 00:38:29,960
- [Savage] <i>Rose sat on her.</i>
- [Fred] <i>No, she did not!</i>

603
00:38:31,400 --> 00:38:35,680
[officer] <i>The truth is you will write Rose</i>
<i>out of anything you can.</i>

604
00:38:35,760 --> 00:38:37,120
[Fred] <i>No! That is wrong!</i>

605
00:38:37,200 --> 00:38:39,760
[officer] <i>There's these people buried</i>
<i>in the basement, the garden,</i>

606
00:38:39,840 --> 00:38:41,640
<i>and your wife</i>
<i>didn't know anything about it.</i>

607
00:38:41,720 --> 00:38:43,440
<i>It's just too ridiculous.</i>

608
00:38:47,240 --> 00:38:49,200
[Williams] Fred was not on his own.

609
00:38:50,120 --> 00:38:51,960
Rose was in the car.

610
00:38:52,440 --> 00:38:55,840
This MO, the way that they abducted her

611
00:38:55,920 --> 00:39:00,720
was very similar to how we perceived
and imagined the other victims were taken,

612
00:39:00,800 --> 00:39:02,960
that were taken
from the streets, hitchhiking,

613
00:39:03,040 --> 00:39:05,240
or waiting at the bus stop as Lucy was.

614
00:39:08,560 --> 00:39:11,320
That's a blueprint of what happened
to these other girls.

615
00:39:13,160 --> 00:39:15,440
[Owens] At some point, I blacked out.

616
00:39:16,200 --> 00:39:22,320
And when I came back round,
my hands were already tied behind my back.

617
00:39:23,200 --> 00:39:26,120
And all the time he was saying,
"Now, just calm down."

618
00:39:27,160 --> 00:39:28,160
Uh…

619
00:39:28,240 --> 00:39:32,400
"We're gonna take you back home.
We're gonna clean you up."

620
00:39:32,480 --> 00:39:33,640
Uh…

621
00:39:33,720 --> 00:39:36,880
"Calm you down, give you a cup of tea,
then we'll go take you back home."

622
00:39:38,320 --> 00:39:41,160
At that time, I wasn't sure
what was gonna happen.

623
00:39:41,240 --> 00:39:43,240
[ominous music playing]

624
00:39:45,680 --> 00:39:48,600
[Savage] <i>When she's in the house,</i>
<i>she describes how</i>

625
00:39:49,920 --> 00:39:52,120
<i>both you and Rose undressed her.</i>

626
00:39:55,040 --> 00:39:57,200
[Owens] They put a gag in my mouth.

627
00:39:57,800 --> 00:39:59,720
My hands were tied behind my back.

628
00:40:01,320 --> 00:40:02,800
I had a blindfold put on me.

629
00:40:04,960 --> 00:40:08,000
And then I was put onto
this mattress on the floor.

630
00:40:11,960 --> 00:40:14,360
That's when the sexual assault started.

631
00:40:21,280 --> 00:40:25,560
Early hours of the morning,
all of that stopped.

632
00:40:26,840 --> 00:40:30,080
He grabbed hold of me
by the throat and lifted me up,

633
00:40:30,160 --> 00:40:33,480
shouting at me and telling me

634
00:40:34,760 --> 00:40:37,480
that he was gonna keep me in the cellar.

635
00:40:37,560 --> 00:40:39,040
"And when they've finished with you,

636
00:40:39,120 --> 00:40:43,680
we're gonna kill you and bury you
under the paving stones of Gloucester."

637
00:40:43,760 --> 00:40:45,680
[unsettling music swells]

638
00:40:46,720 --> 00:40:48,360
[Savage] <i>What about that, Fred?</i>

639
00:40:48,880 --> 00:40:51,320
<i>- Absolute rubbish.</i>
- [music stops]

640
00:41:00,680 --> 00:41:03,400
[Williams] Eventually,
she managed to escape.

641
00:41:04,960 --> 00:41:08,480
If Fred had been imprisoned
for the offense,

642
00:41:08,560 --> 00:41:11,680
he would have come across the radar
a lot more than what he did

643
00:41:11,760 --> 00:41:17,240
when it came to starting to look
for the abductions of these, uh, girls

644
00:41:17,320 --> 00:41:19,400
that were happening around that time.

645
00:41:19,480 --> 00:41:21,480
[somber music playing]

646
00:41:22,160 --> 00:41:26,440
There'd been a court case in 1973,

647
00:41:26,520 --> 00:41:31,720
and regrettably, scandalously, actually,
the Wests had got away with a fine.

648
00:41:32,480 --> 00:41:34,440
They should have been jailed, really.

649
00:41:39,440 --> 00:41:41,880
The level of abuse was far more serious

650
00:41:41,960 --> 00:41:46,560
than the way it was actually dealt with
in the Magistrates', as a summary matter,

651
00:41:46,640 --> 00:41:49,280
when really it involved rape

652
00:41:49,360 --> 00:41:52,760
and should have been indicted
and go to the Crown Court.

653
00:41:55,560 --> 00:42:01,040
And the outcome at that time
was a £25 fine, I think it was,

654
00:42:01,120 --> 00:42:04,200
at the Magistrates' court
for both of the Wests.

655
00:42:07,040 --> 00:42:09,640
[Williams] I think,
yes, it is a missed opportunity.

656
00:42:09,720 --> 00:42:13,000
It was a missed opportunity
to raise the profile of Fred and Rose

657
00:42:13,080 --> 00:42:15,960
to identify them as possible sex offenders

658
00:42:16,040 --> 00:42:19,640
who could carry out abductions,
kidnapping, and imprisonment.

659
00:42:20,800 --> 00:42:23,760
Fred and Rose did get off lightly with it.

660
00:42:27,000 --> 00:42:30,840
- [Owens] What they did was evil.
- [intense, ominous music playing]

661
00:42:34,760 --> 00:42:38,200
[crying] It's almost like,
"Oh well, we got away with it."

662
00:42:40,080 --> 00:42:44,440
"But only by the skin of our teeth.
So next time, they've got to die."

663
00:42:44,960 --> 00:42:46,960
[dramatic music playing]

664
00:42:48,000 --> 00:42:53,160
[Savage] <i>In hindsight, did you ever think</i>
<i>she was a "practice run" for you?</i>

665
00:42:54,280 --> 00:42:55,880
[Fred] <i>What do you mean, "practice run"?</i>

666
00:42:55,960 --> 00:42:58,600
[officer] <i>The others ended up</i>
<i>being taped, and they're dead.</i>

667
00:42:58,680 --> 00:43:02,280
<i>The only difference is with Mrs. Owens</i>
<i>is she's still wandering around, luckily.</i>

668
00:43:03,200 --> 00:43:04,360
<i>Was it a practice run?</i>

669
00:43:09,360 --> 00:43:12,920
{\an8}[Britton] The relationship
between Frederick and Rosemary West

670
00:43:13,000 --> 00:43:15,840
{\an8}was essential to this whole case.

671
00:43:16,480 --> 00:43:19,880
{\an8}When she came to Frederick West,

672
00:43:19,960 --> 00:43:22,120
she was a relatively young woman.

673
00:43:22,200 --> 00:43:27,080
A girl, almost, and that, yes,
she had had a difficult early life.

674
00:43:27,160 --> 00:43:30,480
She had had a sexually abusive life.

675
00:43:31,000 --> 00:43:34,240
But it was Frederick West who taught her,

676
00:43:34,320 --> 00:43:38,920
allowed her to fly
in this sadistic, cruel world.

677
00:43:42,800 --> 00:43:46,080
[Agius] One day Rose said
she was going out with Fred.

678
00:43:46,160 --> 00:43:48,960
And I said, "Well, why are you
going with him, you know?"

679
00:43:49,040 --> 00:43:50,960
And she turned and said to me,

680
00:43:51,760 --> 00:43:55,160
"So long as there's a woman
in the car with a male,

681
00:43:55,240 --> 00:43:58,040
there's always an easy chance
for another girl

682
00:43:58,120 --> 00:44:00,880
who they're going to pick up
and get inside the car."

683
00:44:00,960 --> 00:44:02,880
"Because she will be there with him."

684
00:44:08,720 --> 00:44:10,800
[Britton] What I'm seeing is

685
00:44:12,240 --> 00:44:15,840
a series of behaviors that tell me

686
00:44:15,920 --> 00:44:22,680
I'm looking at a pair
of sexually sadistic predators.

687
00:44:23,480 --> 00:44:25,040
Not one but two.

688
00:44:25,120 --> 00:44:27,120
[eerie music playing]

689
00:44:38,280 --> 00:44:40,720
[Savage] <i>I could understand</i>
<i>if it was very difficult</i>

690
00:44:40,800 --> 00:44:43,520
<i>for you to tell us if Rose was involved.</i>

691
00:44:45,360 --> 00:44:48,440
<i>I know that,</i>
<i>and you know I know that, don't you?</i>

692
00:44:49,680 --> 00:44:52,280
<i>We're not stupid, hmm?</i>

693
00:44:52,360 --> 00:44:53,880
[dramatic music playing]

694
00:44:53,960 --> 00:44:58,600
<i>You're not alone in this whole… saga.</i>

695
00:45:00,480 --> 00:45:01,320
<i>Fred?</i>

696
00:45:06,840 --> 00:45:09,840
[Fred] <i>From the very first day</i>
<i>of this inquiry,</i>

697
00:45:10,880 --> 00:45:16,480
<i>my main concern has been</i>
<i>to protect other person or persons.</i>

698
00:45:19,600 --> 00:45:24,600
<i>I have not, and still not…</i>
<i>told you the whole truth</i>

699
00:45:26,000 --> 00:45:27,320
<i>about these matters.</i>

700
00:45:27,400 --> 00:45:30,480
- [music fades out]
- [high-pitched ringing]

701
00:45:30,560 --> 00:45:31,560
[tape clicks off]

702
00:45:32,920 --> 00:45:34,600
[chilling music playing]

