[tense music swells and fades]
[Denver speaks indiscernibly]
You're dead anyway.
[Mónica cries]
[music swells]
-[Denver] Come on, man. -[Mónica sobs]
[heart beating]
-[Denver] Come on, man. -[Mónica sobs]
[music swells]
[Mónica cries]
[Denver pants]
[gun cocks]
-[Denver] On your knees! -[music swells]
Please don't.
SATURDAY 12:30 P.M.
[Denver] Don't look at me.
[Mónica sobs]
Don't look at me.
-Don't. -[Denver] Don't look at my face.
Don't look at my fucking face.
[tense music plays]
[breathing heavily]
[tense music builds and ends]
[Denver breathes heavily]
-[gunshot] -[hostages screaming]
[man] What was that?
HOUR 26 OF THE HEIST
-[man] What was that? What happened? -[Nairobi shushes] Calm down.
Calm down, shut up and keep it together if you ever wanna get out of here alive.
-[man] Wait! -Fucking grow a pair.
[breathes heavily]
[tense music plays]
[gasps for air]
[sobs]
Thank you.
-Shut up. Shut up. Shut up. -Thank you. Thank you.
Tell them you killed me and got rid of the body. I'll hide.
-Where the hell are you gonna hide? -In vault two.
I have access to the vault. Nobody else can get in.
-Say you killed me. -There's no blood anywhere.
-There's no fucking blood in here. -Shoot me here, do it.
-Shoot my hand. -Don't be stupid. I'm not gonna shoot you.
Fuck me!
-Shoot my shoulder. -The shoulder?
The shoulder is close to the lungs.
I can't do it.
In my thigh. It'll bleed a lot, I've seen it.
My sister was stabbed there and she bled a lot. Let's do it, come on.
[tense music plays]
[gun cocks]
Bite my hand if you have to.
[tense music builds]
[muffled screams]
[gunshot]
[hostages screaming]
[tense music builds and ends]
[muffled scream]
[Denver] Hey.
-Hey, hey, hey. -[cries]
[Denver] Easy. It's gonna be okay.
[Mónica cries]
[tense music plays]
[sobs]
[tense music builds]
[music swells and ends]
[Berlin] Two gunshots.
Are you a bad shot or do blonds make you nervous?
[Denver] It's not easy when she's on her knees begging you not to kill her.
How come you didn't do it?
[exhales]
You fucking piece of shit.
You don't want blood on your hands so you used me.
If you ever put your hands on me again, you're a dead man.
[exhales]
There's a coal furnace in the basement. Throw the body in there.
When you're gone, come back and clean this.
[music swells and ends]
["My Life is Going On" by Celia Krull plays]
♪ If I stay with you If I'm choosing wrong ♪
♪ I don't care at all ♪
♪ If I'm losing now But I'm winning late ♪
♪ That's all I want ♪
♪ I don't care at all ♪
♪ I am lost ♪
♪ I don't care at all ♪
♪ Lost my time ♪
♪ My life is going on ♪
[unsettling music plays]
Paula?
Paula, honey? Where are you?
Where are you?
[door creaks]
Paula, honey.
Paula!
[Maribi] Don't live in Almazán. I live in Madrid.
Bus number 21 goes downtown.
I have two daughters.
The keys are by the door.
I live with Raquel and Paula. My brother is sick.
I'll never go to a home. I have two daughters.
Raquel, Laura…
There's a restraining order against Paula's father.
Never let Paula go with her father.
[music swells and ends]
[phone rings]
[line rings]
[radios beep in background]
[phone rings]
Yes?
Professor, the time I gave you is all up now.
Are you going to surrender?
What sort of games did you play as a girl?
[sighs]
I played jump rope.
Uh… kick the can.
-Pin the tail on the donkey. -Mm.
I've played with paper dolls, I enjoyed that.
[electronically distorted] I played cops and robbers. Know it?
The cops had to catch robbers.
But if they got caught, then they were out.
And I don't have a single memory of a child
surrendering before getting caught.
Those kids weren't looking at
being incarcerated for eight to 16 years.
You're right.
You're right. Which is why I've talked to all of my partners.
[distorted] We voted and guess what?
We're very optimistic.
In fact, we've decided we're not going to prison.
[unsettling music plays]
[line rings]
[voicemail] This is Raquel. I can't answer right now.
If this is urgent leave a message after the tone.
You're making people suffer. What do you plan to do?
Get a pen and paper.
[distorted] I need a truck
with three axles that can hold 18 tons,
escorted by two tankers full of propane gas.
And the ship Malaika with the flag of Saint Vincent and the Grenadines.
Sound familiar?
You seized it nine months ago with 6,200 pounds of cocaine.
It's still at the military base in Ferrol.
Getting the green light for your demands won't be easy
due to logistical reasons and safety concerns.
Imagine this.
So, a building collapses
and 67 people are inside.
How many units would you mobilize to save those innocent people?
Listen carefully, Inspector. Let's be clear here.
You only have two choices. One, go after us. Two, you save lives.
I'm afraid you can't choose both.
-[voicemail] You have one new message. -[line beeps]
[Raquel] Mom, I just finished. I'm on my way.
[voicemail] To listen to the message again, press one.
-I'll make you a promise. -[cell phone ringing and buzzing]
[line rings]
If you don't come after us,
I'll hand over the 67 hostages safe and sound
once we're in international waters.
I assure you, this wasn't my first choice.
I hate the sea, the fish and sand on the beach.
[distorted] Life doesn't always give you an easy way out, does it?
[hangs up phone]
[cell phone ringing and buzzing]
[Maribi] I got a voicemail from my daughter this morning
from this phone… [hesitates] …and I'm Raquel Murillo's mother.
And I can't reach her.
Do you know where she is? It's very urgent.
We're getting the truck to bring them out of hiding.
It'll be easier if they aren't in the open.
-We'll stock the trucks with tear gas. -They won't come out.
How do you know that?
They opened up the vault but didn't want the money.
They waited for the police.
[tense music plays]
-They began shooting. -[shots]
They dropped two bags that happened to be open,
scattering money on the street.
And?
They pretended to be trapped to gain two days to negotiate with us.
But they meant to go in
with a Browning machine gun, masks, suits and everything else.
-[music swells] -[punch]
[hostages screaming]
They activated the alarm a few hours after entry.
[Raquel] They opened the vault.
They used the money inside to create the illusion of a heist.
It was intentional.
The ambassador's daughter is in there.
[Raquel] That's why he's not hesitating.
He's confident because his plan's working.
What plan is better than leaving with the eight million from the vault?
They're printing their own unmarked bills.
[music swells and ends]
-It's here, right? -Yeah. Wait.
Careful. Careful.
[Mónica groans and pants]
-It won't open? -I have blood on my finger.
-Does it take as long as the other one? -No.
[keypad beeping]
-Okay. -Let's go.
[metal clings]
[siren wailing in background]
-[officer] You can't go in. -I have a call for Inspector Murillo.
-For Raquel Murillo. -Okay.
It's urgent and private.
-It's urgent. -Come on.
Thank you.
Spread your arms.
[dramatic music plays]
Follow me.
[computer beeping]
There's an incoming call on the repeater.
Record it. Now.
It's recording.
[officer on phone] A civilian's approaching the command post.
He wants to see the inspector. He says it's urgent.
Uh, excuse me, Inspector. I'm sorry, but your mother on the phone.
I guess you called her from here earlier. Excuse me.
I think it's about your daughter.
[dramatic music plays]
-Yes? -[Maribi] Oh, sweetie.
-[Raquel] What is it? -Stop recording.
[Maribi] Paula left with her father.
-They went to lunch. -What?
-He said it would be quick. -What did you do?
-They're not back yet. -Alberto has a restraining order.
He only sees Paula every 15 days. He's not allowed in the house.
-I don't know what to say. -[Ángel] Stop recording!
It's not working, sir.
[Ángel] Turn it down then.
Mom. Mom, tell me when they left.
Two hours ago, I think.
All right, I'm coming home.
NATIONAL POLICE
[dramatic music continues]
[music ends]
-What a mess you've got here, huh? -[Ángel] Almansa.
Escort this gentleman out, please.
[suspenseful music plays]
Those shots you heard came from an incident with the police.
There was a hostage who decided not to follow my rules
and tried to contact the outside with this cell phone.
[cell phone ringing and buzzing]
[Berlin sighs]
I was wondering,
since I already have Miss Gaztambide's cell phone…
[cell phone ringing]
…who owns this?
Anyone recognize this little ditty?
What happened?
What are you doing?
Everybody heard those shots. I'm asking you to tell me what happened.
Not here.
We said no victims.
She had a phone on her. You think I had another choice?
You could have scared her, not kill her. Cut off her ear, like in the movies.
If she had given any information to the police on us,
you'd be the dead one right now!
At least you still have your ear.
Who shot her?
Denver.
He's too hotheaded.
The Professor said there wouldn't be any blood.
That was one of our rules.
Well, I've made a change for the hostages, concerning who controls them.
Understood?
Don't get nervous. The public is on our side.
That won't change a bit.
When they notice the missing hostage, we won't be around.
We'll be long gone.
Is the Professor aware? Huh? Hmm?
Does he know you broke the first rule of the plan?
You're talking to me about rules?
Because of this idiot that you fell for, you almost murdered a cop.
We have to tell the Professor.
[phone beeps and line rings]
[Berlin] Little boy. [shushes]
[music swells]
His name is Rio.
[picks up phone]
[phone beeps]
[phone rings]
[line rings]
No answer.
[phone rings]
[tense music plays and ends]
He can't monitor everything that goes on inside here.
He has to eat, get sleep, have a bowel movement…
That's why I'm the one in charge.
We'll only get out if we act like professionals.
What the hell is going on in here? I could hear you from outside.
Berlin ordered a hostage killed.
[melancholic piano music plays]
Who did it?
Your son.
[Tokyo] A thief is, by definition, a habitual optimist.
[rock music plays]
[Tokyo] They always believe everything will be okay.
But Moscow was the first to crack.
He was a good man.
He made you feel confident, looked after you and told you bad jokes.
He was very sweet.
What is it?
[rock music fades]
-Mm. -[Tokyo] Great song.
[chuckles]
Do you know how music was invented?
Hmm?
-No. -On a train.
It was a father and his son. The son was called Pachi.
The boy was very worried.
He wanted to know if the train would stop in the village or not. He was a brat.
And he would go, "Will it stop, Papa?" "Yes It will, Pachi."
"Will it stop, Papa?" "It will, Pachi." [scatting]
[both laugh]
You and Denver, huh?
Family and… and partners in crime?
Yeah, we're like a comedic duo of burglars.
[Tokyo] That afternoon,
Moscow told me how he dragged his son into this insane heist.
My son shouldn't be here.
But when the Professor told me about the plan, I brought him in.
-[sirens wail] -[metallic door opens]
Hey.
-[Moscow grunts] -[Denver laughs]
Hey, give me a hug!
[Denver chuckles]
Hey. You're enjoying all the food in there, huh?
-Hey, back off. It's just gas. -[Denver] Gas, sure.
And all that garbage they make us eat.
-[Denver] Yeah? -Give me a cigarette.
I got it right here. Here.
And you? How's life?
It's going. I'm fine.
-What is it? -What do you mean, "What is it?"
I'm excited to see you.
Don't lie to me, kid. Huh?
This is the sixth time you've come and you've never had that face.
What's going on?
I fucked up.
What the hell did you do?
He'd lost about 800 pills.
Belonged to a fucking Polack.
A drug dealer from Alcorcón.
Apparently, they were stolen from his car.
He has a boss.
He's fucking crazy.
They start with breaking your nose, then your legs.
So everyone knows you stole from the wrong guy.
Papa,
the deadline's tonight and I don't have the money.
I swear to God, I don't have them. They were stolen from my car.
You gotta believe me. I didn't sell any or take 'em.
[Tokyo] And since they were gonna break his bones, you thought…
-"I'll just try to print the money"? -We've done all sorts of crappy jobs.
Banks, stealing furs, trucks…
This time, we needed a big one.
If this works out,
I'll take him to a country with a name we can't even pronounce.
[laughs]
Without Polish drug dealers and debt, we'll start over,
but with a mojito and a beach. [moans happily]
-[door squeaks open] -Sorry, sorry, sorry.
"Sorry"? Can't you see she's cleaning right now?
Yeah, but I left my notes here.
You got your notes. Go on. Get out.
-No, no. I just need another note. -Hey, hey.
-What do you need? -Stop, I left my notes.
-I gotta study. -[Moscow] Come on.
Go, go, go. Hurry.
[Denver] Fine, fine.
[Moscow] Ah, get outta here.
[tense music plays and ends]
[Berlin] Moscow!
Don't move.
-[gun cocks] -[Berlin] Last chance.
Go back to your post.
[suspenseful music plays]
And if I don't?
Then you shoot me?
Who is next?
Everyone?
You'll be alone in this mouse trap.
Son…
Did you kill that woman?
[pants]
Papa.
[struggles to breathe]
[grunts]
-I can't breathe. -Papa.
Papa, what's wrong? What's wrong? Papa.
Is it your heart? Come on. Is it a heart attack?
Papa, no, no, no, no, no.
It's a panic attack. Lay him down.
-[Denver] Hey, hey. -[Berlin] That's it, that's it. That's it.
[Tokyo] Lying on that bloody floor,
Moscow knew there wouldn't be any drinks
or any country they couldn't pronounce.
That he didn't save Denver from anything.
He'd thrown him in a hole that he'd only get out in chains
or with a bullet in his chest.
[music ends]
Excuse me, I'm sorry.
The gunshots we heard before… Is anyone hurt?
Take it easy, all right?
Nobody's hurt, okay?
We did it to stop an intervention, that's all.
Thank you.
You heard him. Why don't we stop thinking about those gunshots, okay?
These people, they're robbers, they're not…
They're not terrorists or anything.
-Mom. -Honey, I'm so sorry.
[Alberto laughing] How was the roller coaster?
[Paula] I liked that ride a lot.
[Alberto speaks indistinctly]
-[Paula] The boats that spin. -[Alberto] Oh, yeah. The boats.
All right, there's Mommy.
Mommy! We went to the theme park together. Daddy and I had so much fun.
That's great, sweetie.
Mom, can you take her up and put the teddy bear in her room?
Sure, honey.
Come here, honey.
[kisses] I'll see you later.
[laughs]
You violated your restraining order.
Turn around and face the wall.
Raquel, I'm her father. You can't keep me from Paula. All I want--
You violated your restraining order. Turn around and face the wall.
You ruined my life. Isn't that enough?
-Turn around! -What are you doing?
[Alberto] Really?
You pointing your gun at me?
[birds chirp in background]
[door opens and closes]
[shudders]
[unsettling music plays]
[music ends]
[cell phone ringing and buzzing]
-Yes? -[Professor] Raquel, this is Salva.
I'm calling from the café.
You took my phone during all the commotion.
Raquel?
Papa, Papa. You feeling okay?
-I'm cold. -[Denver] Cold?
-Bring a blanket… -[Nairobi] Yeah.
…and something with sugar.
[Nairobi] Helsinki, go find sugar. Don't just stand there.
[Moscow] I don't know what happened.
[breathes heavily]
I think it's because I've been digging… the tunnel.
And I've only had one shitty sandwich all day.
[Denver] You can rest. Just rest.
[Moscow breathes heavily]
You know what you could use right now?
One of the stews that you like,
with lots of chickpeas… [sniffles]…and some pork.
[Nairobi] Here's the blanket. Here.
-All right. Here you go, Moscow. -[Denver] Thanks.
"There are four corners to my bed and there are four angels at my head."
Just relax, okay?
[distant crickets chirp]
[soft piano music plays]
[exhales]
[Moscow sniffs]
[Denver] What are you doing out here, huh?
I wake up at 4:00 in the morning and you're not in bed.
[Moscow] I'm fine. I couldn't sleep so…
I came out to look at the stars.
[Denver] The stars.
The sky is so big.
Where do you think it ends?
-What is it? -[laughs] Nah.
-You know why I left the mine? -Yeah, I know why.
Because of what was eating your lungs, the "sinflis."
-[chuckles] "Sinfilis," huh? -[Denver] What?
You dumbass. Silicosis.
-Whatever. -[Moscow] That's not why.
It's 'cause I had claustrophobia.
-You? -[Moscow] Yeah.
I just couldn't stand being in a hole like that.
That's why I started stealing, to get out of the hole.
[both chuckle]
And look what happened. Spent my whole life trapped in prison.
[laughs]
Are you okay, Papa? [sniffles]
You're acting weird.
Nah.
I feel fucking great.
[laughs]
Enjoying the country
in the open air.
I can never go back. I'd suffocate there.
-[Denver] We're doing great here. -Yeah.
We'll be even better when we leave, I know it.
-Fuck the Maserati and the gym. -[Moscow chuckles]
You know what we're really gonna do?
We're gonna buy an island.
[both laugh]
And if we do that, you'll nap naked under the palm trees… [laughs]
…or in a hut. You'll have one to yourself.
No more sleeping together 'cause you snore man.
-You know I don't snore. -Papa.
Papa, you snore so damn much. I'm telling you.
-I don't snore. -[laughs] Oh yeah, you do.
-I don't snore. -You sound like a trombone, Papa.
[soft piano music continues]
One second.
[exhales]
We'll let him rest now.
Finish cleaning the bathroom.
Then switch out with Helsinki and watch the hostages.
[indistinct chatter]
Hello.
I'm sorry, I'm a mess.
No, no, don't be sorry. I bet nobody's even called me.
Let's see.
Not even a sad text.
Of course not. [chuckles]
Forgive me. It's none of my business, but…
Is your daughter okay?
Wait. I stole your phone, almost arrested you,
and you're worried about me?
All right, um… I think you took my phone by accident.
-You were very stressed out. -[sighs]
And about the arrest…
-It was pretty fun, what can I say? -How embarrassing.
"Where is the recorder?"
-My arm was like this on the wall. -Sorry. I'm so sorry.
You know, Antonio was terrified.
But then all of my drinks were free, so we're even.
-Everything's fine. -[Professor] Good.
Yeah.
Great, I'm glad.
We worry about a lot of things in life that aren't important.
-But the truth is that at the end-- -Actually… nothing's fine.
[chuckles] Honestly, everything's bad.
In fact… [laughs]
…things are fucking awful. [laughs]
Excuse me, but I…
-I, I… -[Raquel laughs]
Um, the emergency…
my ex-husband took away my daughter.
I have a restraining order against him for abuse.
[tense music plays]
Thank you.
[metallic door opens]
I got stuff to help you.
-Does it hurt a lot? -A bit.
[Denver] Can we fix that tourniquet?
[Mónica] All right.
Okay, okay.
[grunting and panting]
Can I help you take off the…
-Okay. -Okay?
You good?
[Mónica grunts]
Go slow.
[grunts]
Come on.
That's it, that's it.
[Mónica pants]
That's it, that's it.
[moans]
-[Mónica moans] -That's it.
[moans]
Good. Good.
[grunting]
[moaning]
[Denver] Careful, careful.
There you go. That's it.
[Mónica moans] Ow!
[exhales] Oh, man.
[breathes heavily]
The bullet has to come out.
No, no, no. Don't.
There's bones and tissue. What if you mess it up?
-I'll be careful. -"Careful"? How will you get it out?
-[Denver] I'll take it out with this. -Don't.
Better to get it out than leave it in.
No, I've seen people living with bullets in them on TV.
Some have glass in them. They're fine.
All right, all right.
Keep it in.
Let's stop the bleeding and we'll see what happens, all right?
-Let's do that. -Yes.
[Mónica moans]
-[Denver] Easy, easy. -[liquid splattering]
Easy.
That's it, that's it.
I'm done, I'm done. I'm done.
[breathes heavily]
[slow piano music plays]
That's it.
It's just like when you were a kid, right?
You know, playing doctor.
[Mónica pants]
Okay.
[aquarium water bubbles softly]
[grunts, pants and cries]
[pants and shouts]
[music swells]
-[music swells] -[gun cocks]
[music builds and ends]
[slow music plays]
[breathes deeply]
[Mónica breathes heavily]
Okay. I've got a ton of antibiotics on me.
Painkillers, muscle relaxers, everything.
Isn't that bad?
-[Denver] Huh? -See if they have any side effects.
Well,
they can't be as bad as a gunshot wound.
I meant for the baby.
Right.
Okay.
Well, I'll read the instructions and then we'll decide.
Okay?
Let's see. "Read the entire leaflet carefully before using this product."
"Save this leaflet in case you need to refer to it again." Yeah.
"If you have any questions about this medication,
ask your doctor or pharmacist. This…"
[tense music plays]
[metal thuds]
[breathes heavily]
[cocks gun]
[mouthing words]
Oh, man. [pants]
[breathes heavily]
[indistinct chatter]
No.
Hey, any more noodles?
Noodles, no. There's rice.
That's fine.
[theme song plays]
[Helsinki] Moscow.
What's he doing? [shouts] Moscow!
Moscow, Moscow!
Stop! Hey!
[music builds]
What the fuck?
-Tokyo, what happened? -I don't know.
[Helsinki] Don't open the door!
-[door buzzes] -Moscow!
[door opening]
-The doors are opening. -Everyone get ready.
-[officer 1] Go! -[officer 2] Cover the main entrance.
[door opening]
[Helsinki] Don't move!
Get the snipers!
Alpha one in position.
-Alpha two in position. -Alpha three in position.
Everyone needs to get down!
-[hostages shouting] -Get down!
[music builds]
I have a clear shot. On three,
-two, one. -Papa!
-Hide your face. -Let me out.
-They don't have masks on. -They're fighting.
-No, Papa. -I have to get out.
-Record. -I have a shot but can't see their faces.
-I have to get out. -You can't leave!
-[gun cocks] -[sniper 1] I have a shot.
We can't see their faces.
It's my fault. You shouldn't be here. You shouldn't have killed anyone.
[sniper 2] Waiting for the green light.
[Tokyo] Let's go.
[Oslo] Tokyo!
-Let me go. -I know why you're doing this.
Because of me, isn't it?
[sniper 1] Faces are blocked. We're awaiting orders.
[metallic door closes]
-I have to get out. -I didn't do it.
[theme song plays]
-[Moscow] Let me out. -I didn't kill her.
She's alive. She's hidden.
[sniper 1] The doors are closing in three seconds.
Doors closing.
[sniper 2] Nobody shoot.
[door closes]
Shit.
[breathes heavily]
-Let me go out. -We'll go out, Papa.
We'll go outside. You can get some fresh air.
-[Moscow] I need air. -[Denver] Yeah.
[breathes heavily]
[exhales]
[theme song builds and ends]
I'm very sorry you had to…
experience all of that.
If there's anything I can help you with…
I can give you, um…
a new phone or a bodyguard with sunglasses. [laughs]
Forgive me, I shouldn't be making jokes.
Don't worry about it.
Sorry. I look at you and it… [hesitates]
It doesn't make sense.
You're not what comes to mind when…
When you picture an abused woman. Is that it?
Because I have a gun?
[pants]
Look…
The reality is, it doesn't start with being hit.
If it did, no one would be with someone who is violent.
You actually…
You…
fall in love with someone who is sweet and intelligent.
You feel like the center of the universe.
And… uh…
When he asks you to change a profile picture of your daughter,
well, you think it's sweet.
And when he tells you not to wear a miniskirt to work,
you think, "I'm just a woman working in a man's world."
"He's just being protective."
[pants]
And then, one day, he yells at you.
-You don't have to share this with me. -Yes. Yes, I need to.
Look, it's like… [inhales]
…going down some stairs, one step at a time,
just like in those horror movies, when someone goes downstairs
and everybody says, "Don't go down."
"Don't go."
But they do.
Then he hit me for the first time.
And then a second time. Then a third.
Then I filed for divorce.
You didn't report him?
[clicks tongue] No, I didn't.
He's a cop and…
and very, very popular at the station.
I just wanted to move on.
I suppose that… [exhales]
…I was too ashamed to sit down with my boss and…
tell him about the year and a half of humiliation and beatings.
I carry a nine-millimeter in my holster but, you know…
The truth is, I don't even know how to protect myself.
Don't say that.
But the real drama started a few months back.
[somber music plays]
Because my sister fell in love with him.
[laughs]
And they began dating and traveling.
And then I reported him.
Late and with no proof.
I didn't want my sister to live that hell.
That's why.
But of course, I ended up looking like…
a jealous psychopath making false accusations.
See? The inspector didn't report him until he became in love with her sister.
But, Raquel, the police or…
or the judges have to listen to you. It's impossible not to.
I can feel your helplessness. There must be someone who can help.
-No one can help me with this. -[Professor] I can.
Uh, I'm sorry.
I don't know how… how I can help, but…
Thank you.
[Ángel] Raquel.
[indistinct bar chatter]
-Raquel. -[Raquel] Ángel.
There's activity at the Mint.
Someone opened the door for a second. We saw fighting.
-One could be a hostage. -[Raquel] Let's go.
[tense music plays]
Listen up, I want you to know this isn't a threat.
I'm asking you this as a personal favor, not as a thief.
I want you to put on your masks and hoods.
Go onto the roof without starting any trouble.
Just for ten minutes, okay?
Go out, get some air and come back.
You got that?
What are you trying to do?
Distract the police?
The police are busy enough.
So shut your mouth and mind your own business.
We're the bait.
-They're using us as bait. -What is that?
They'll throw us to the wolves while they escape.
We're doing this to be nice.
One of our partners needs to get some air. I won't repeat myself again.
[indistinct chatter]
Don't worry.
I don't know.
What's up with this fucking world?
No one likes to do anything for anyone, no?
One of us has an anxiety attack
and you're only thinking that you're being used as bait.
All of you are safe.
Nothing's gonna happen because I'm going out with you.
Why did he have an anxiety attack?
It was because of the shooting, right?
It was the fucking shots. Who did you kill? Tell me. Who'd you kill?
-[gun cocks] -Open your mouth, Arturo.
Open your fucking mouth, Arturo.
-Open your mouth. -[gagging]
[Denver] Raise your left hand if you're gonna keep busting my balls.
If you plan on keeping your mouth shut, raise your right hand instead.
[Denver] Good.
Denver, enough.
That's enough.
Stop screwing around. Do you hear me?
-It wasn't a hostage. -Why do you say that?
Because unless they're a bunch of saints,
they wouldn't let anyone out the door without shooting them.
One of them wanted to surrender.
[indistinct radio chatter in background]
[metallic door opens]
Here we go, Papa.
Some air.
You didn't have to do this for me.
I remember when Mom left us.
You had trouble breathing.
You'd go out on the balcony every night for air.
You gotta pretend you're out there right now.
You get some air and when you're relaxed we'll go back.
Everyone, put on your masks and your hoods.
Arturito, you're with me.
[tense music plays]
This is sniper three to headquarters. We have movement on the roof.
Suárez, tell your snipers to get ready.
[Suárez] Sniper one, everyone in position.
[sniper 1] I have a visual. They are advancing.
-[Moscow breathes heavily] -[Denver] Try to calm down.
Look, it's a great fucking day, Papa.
[Moscow] Yeah, yeah.
[Denver] The sun's out. Just breathe and relax.
[sniper 1]They're advancing.
They're walking. They're headed to the ledge.
[phone rings]
-Yes? -What are they doing out on the roof?
Moscow went out for air surrounded by hostages holding fake guns.
As you know, I've never would have… permitted this craziness to happen,
but my partners have convinced me that it's a really great idea.
[Professor] No more improvising.
Keep me informed.
[sniper 1] They're getting closer to the ledge.
If you don't keep your cool,
forget about the millions life in Acapulco with your garden full of kids
because you'll destroy it all.
You only had to do one thing.
Be professionals.
[Nairobi] Does this not look professional?
Huh?
-How precious. -[Nairobi] Precious? No.
A fucking bill that's better than what the banks have.
No one can even trace this.
-This is a work of art. -[Berlin] Mm-hmm.
-And do you know why? -[Berlin] Enlighten me, Nairobi.
[soft piano music plays]
Because I made it with passion.
You're looking at a professional.
What I don't understand is
what would you do if your father fell apart in the middle of all of this?
Are you a burglar before a son?
Hey, Berlin?
Like, you're not human?
Yeah, well, a piece of shit like you, maybe.
But I can't ignore it.
-[Moscow] You didn't kill the girl, right? -[Denver] No.
-[Moscow] Tell me the truth. -[Denver] I said no!
[siren wailing in distance]
[Denver] Berlin found the phone on her.
He ordered me to kill her.
I had to shoot her. I didn't have a choice.
[Arturo] Mónica?
-What'd you do to Mónica? -[Denver] What are you doing? Get in line.
This is not a courtesy call, Professor.
If you want me to be upfront and not hide anything,
then I expect the same.
Everyone has a right to take a break.
[rock music plays]
[distorted] Don't you think it's kind to let the hostages out for air?
I assure you, I don't intend to torture or scare anyone.
[distorted] I'd like to return them safe and sound.
As soon as I get what I asked for.
That's all.
[sniper 1] They're armed. We need to take cover.
-Everyone take cover. -[sniper 2] Requesting orders.
[Arturo] What the fuck did you do to Mónica?
[Denver] Calm down.
-[sniper 1] Something's happening. -[sniper 2] Requesting instructions.
[Arturo] You killed Mónica. Fuck.
She was so innocent.
This is sniper one, target in sight. Requesting permission.
-[Moscow] Get down. -[Denver] What?
[Arturo] She was pregnant!
[Moscow] They're snipers.
They need to think we're hostages. Put your hands up.
[Arturo] Stop playing around. I'm talking to you!
-[sniper 1] Something's happening. -[sniper 2] They're kneeling.
They're rounding them up to be executed.
[sniper 1] I need orders.
[Moscow] Snipers, get down! Everyone down!
[Denver] Everybody, stay down!
-[all clamoring] -[Denver] Stay down!
[sniper 1] Something's going on.
There's movement!
This is sniper three. A suspect is pointing his weapon.
[sniper 2] I have a clear shot.
[sniper 1] Requesting instructions.
I need authorization.
[sniper 2] They're still on their knees. Awaiting orders.
-[Suárez] Give me the go. -[sniper 1] They're going to execute them.
[sniper 3] I have a visual.
[Arturo] What are you doing?
-[Moscow] There are snipers! -[Denver] Arturo, on your knees!
-[sniper 3] He's aiming a gun. -Give me the go!
[sniper 3] They are going to execute them. Requesting permission.
-[Arturo] What did you do to her? -[Denver] Now!
-[sniper 3] They're going to kill them! -Open fire.
Sniper three, permission to fire.
-[Moscow] Arturo, behind you! -[gunshot]
[sound fades in slow motion]
[sniper 1] Target down, sir.
-[man] Target down. -[sniper 2] We have a visual.
[Ángel] He's the fucking factory director, Arturo Román.
-Hold your fire! -[Suárez] Sniper three, hold fire.
All units, hold fire.
[sniper 1] Holding, copy that.
[panting]
[sniper 1] We hit a hostage.
["Asalto al Camión" by Iván M. Lacámara plays] e.