[alarm buzzing]
-Yes? -[Suárez] Inspector? It's Suárez.
We found something on the museum's security tapes.
-It's important. -Coming.
[radios beep in background]
SUNDAY, 8:35 A.M.
-Here. -Thanks, Ángel.
We've been reviewing the security footage from the museum--
Listen. Just listen, Raquel.
[sighs] I want to apologize for last night.
I hadn't slept in 48 hours, I had way too much to drink,
-I don't want you to think that-- -Ángel. Don't worry about it.
It's not a problem.
HOUR 46 OF THE HEIST
Look, Suárez got us a lead.
It's a tape of the day Aníbal Cortés and Silene Oliveira visited the museum.
[tense music plays]
Look at the objects they put in the security tray.
Zoom in closer.
There. Stop. Zoom more.
Those are car keys.
[Raquel] Of a sedan, an old one,
with the original key.
[Suárez] The model could be from 1989 to 1996.
We got the time and date they entered and we now have the make of the car.
We'll search the entire area.
Find security cameras, cars, traffic lights,
banks, nearby parking lots, everything.
Okay, get rid of that. Look at that other file. Go forward.
[Raquel] We have to find that car, no matter what.
[Suárez] Keep going, good. We have it.
[computer beeping]
A '92 Ibiza.
[music builds]
[Raquel] Perfect.
That car is gonna take us to where it all started.
MATCH FOUND
-[Nairobi] Shut up! -[Professor] Take the car keys.
Nairobi and Rio, get dressed to go to the museum.
Me?
-Seriously? I'm going to the city? -You.
[laughs]
No, but don't send me with the kid. Send me with a man.
Helsinki. Send me with Helsinki. How about you send me with Helsinki?
Helsinki doesn't enjoy your kind of company.
Huh?
I thought I'd go with you.
Check the security cameras against the drawings from my previous visits.
We need to confirm their location, the angles and the lenses.
[suspenseful music plays]
Come on, change your clothes.
Helsinki's a queer?
[laughs]
Oh my God!
So, you prefer men, then?
Well, war… [chuckles]
prison…
-Yeah. So girls, no? -Mm…
-No. -No, you don't like 'em that much.
-Wasn't I going with Rio? -I changed my mind.
Why? What happened?
Nothing. I just changed my mind, that's all.
[Helsinki and Nairobi talk in background]
What happened?
You don't trust me? What did I do?
What did I fucking do?
-[Nairobi] So then, yeah… -[Helsinki speaks indistinctly]
[Nairobi and Helsinki laugh]
I haven't done anything.
That's not it.
[soft piano music plays]
No.
What happened?
My mother?
[clicks tongue and sighs] She had a heart attack. I'm sorry.
When?
[Professor] Yesterday.
I decided you shouldn't go to the museum so you're not tempted
to say goodbye to her.
I'll stay with her. Someone else can go.
I don't need to say goodbye.
I already did.
Last time we talked she tried to turn me in to the police.
That woman wasn't my mother.
[keys jangle]
[thunder rumbling]
["My Life Is Going On" by Cecilia Krull plays]
♪ If I stay with you ♪
♪ If I'm choosing wrong I don't care at all ♪
♪ If I'm losing now but I'm winning late ♪
♪ That's all I want ♪
♪ I don't care at all ♪
♪ I am lost ♪
♪ I don't care at all ♪
♪ Lost my time, my life is going on ♪
[phone ringing]
Professor?
[harmonica playing nearby]
Tell me what to do with Berlin.
Throw him to the dogs?
Or just shoot him? You tell me.
I'll take care of him. Let me talk to Helsinki.
Is it police?
Come on, take it.
-[Professor] Helsinki. -Yeah?
Okay, the photo you gave me of that crushed car was the Ibiza, right?
Because I'm looking at it carefully and um… I don't know.
The paint color doesn't actually look… exactly the same to me.
I leave car at the junkyard.
[tense music plays]
Helsinki, this photo that I'm holding, is it the Ibiza?
No,
other car.
But they said it
gets crushed.
Helsinki, I gave you 1,000 euros.
A thousand euros to pay them
to crush the car in front of you.
What did you do?
Keep 1,000 fucking euros when we were about to get more than two billion?
Two billion euros, I don't have.
But 1,000… it's in my hands.
I've been stuck
five months with no pay in Toledo.
And my family…
I send the money to my family.
See, to you, 1,000… not important.
But to me, important.
"Important"? Helsinki, that car is a loose end.
And now they'll find another clue and another.
Inside here we leave many of your loose ends.
Outside, only one.
Okay then.
Okay, tell me that you at least got rid
of all the fingerprints that were inside the car.
Yeah. Yeah.
Helsinki, what are fingerprints?
Prints. Yeah, Professor. Yeah, prints.
Do you know what they are?
Mm… No, don't know.
[Professor] Did you clean the steering wheel?
The gear stick? The windows? The dashboard? The whole fucking car?
Yeah.
[music builds]
No… didn't do it.
[fast electronic music playing]
Let me talk to the Professor.
You must have slept well, you're practically glowing.
We make them run, then we catch them. We've been too passive.
AMMONIA
Where's my pencil?
[tense music plays]
Let's put some pressure on them.
[phone ringing]
[clears throat]
[phone continues ringing]
[breathes heavily]
[Raquel] Good morning, Professor.
How's Mr. Roman doing after the operation?
Good.
He's sleeping and seems better. No fever.
[electronically distorted] I thought you forgot about me.
On the contrary. In fact, all I do is think about you.
Really? That sounds like a fantasy.
We should explore that a little more.
If you're gonna ask me about my breakfast, if I had an orgasm this morning,
or if I'm into foreplay, that's not what I have in mind.
But yes, I do have a fantasy.
A fantasy with handcuffs.
I put them on you and take you to jail.
Well, that's still a fantasy. Isn't it?
Of course.
And if you want, you can tell me all of your fantasies face-to-face.
But listen, I'm afraid I have bad news.
First of all, the boat you asked for, the Malaika,
is on hold for the trial
and still belongs to the previous owner.
[clicks tongue] That's no excuse, Inspector.
The police can ask a judge for authorization to use that boat
if it's for the repression or pursuit of criminal acts.
[distorted] As long as there hasn't been a sentence yet.
So, you still can ask for that boat,
especially if there's something this important.
Have you even asked yet?
I see that you know the law.
Well, I'm an amateur.
But I like to read about trial sentencing.
[distorted] You'd be surprised how interesting it can be.
Very well. I'll look into it.
Now I have the time.
-I'm being relieved of this case. -[whispers] What the…?
We've reached a dead end.
It's lasted too long.
And, as you can imagine,
my superiors have limits.
[tense music continues]
If you really wanna negotiate with me, free eight hostages.
Eight hostages. They need to be minors.
Why would I do that?
NERVOUS
Because it's your turn for a gesture of good will.
If you want some credit, free those hostages.
If not, they'll put another inspector on the case.
Someone with a different approach and goal.
You have an hour to think about it, not a minute more.
[dial tone]
[music builds]
[beeps]
That man doesn't want the Malaika at all.
Why do you say that?
Why would he ask for a boat that takes five days if you can get any other boat?
To see who has the biggest dick?
Look, Inspector, I don't know. But give them the boat and get them out.
They plan to escape another way.
-Ángel. -Talk to me.
Get some officers.
I want them to search the sewers in a radius of 500 meters.
Old tunnels, sanitation areas, any tunnel.
-Okay. -[Raquel] Everyone, let's get to work.
[slow music plays]
JUNKYARD CLOSED, DO NOT ENTER
[breathes heavily]
[grunts]
[panting]
[continues panting]
[suspenseful electronic music plays]
[man] Hey, you!
Hey. Finally, I found you. I'm trying to find the front entrance…
[speaking Russian]
[music ends]
[suspenseful music plays]
[panting]
[breathes silently]
[music swells and fades]
[breathes loudly]
[machinery whirring]
[crane grinding]
[Professor shouts] Ah!
Don't! Stop!
Put me down!
Please! Put me down!
-Please! -Okay!
Oh, fuck!
-Please! Put me down! -[speaking Russian]
I'm in the trunk!
[cell phone rings]
INCOMING CALL
[Raquel] Salva. Salva?
Yes, hello?
Salva. It's me, Raquel. Umm…
I'm here at the Hanoi having some coffee and uh…
Well I… I didn't see you here and uh…
I guess I'm used to seeing you here when I come, so I thought maybe, um…
you would like to have a coffee or take a break?
Well, I mean, I'd love to but I'm not in Madrid right now.
[shouts and grunts]
Salva, are you okay?
Yes, sorry. I just… I was distracted and…
a big truck almost hit me.
I'm sorry, I won't take any more time.
So I'll just see you around then.
If you get back early and want to get something to eat…
-I'm sorry. It's just that… -[Professor shouts]
…the thing is that I was talking about you with my mother and… [chuckles]
…and she's so funny sometimes and, well, she said to me that,
uh… [laughs] …maybe I should, um…
get out and spice up my life,
take a chance, try something new.
Don't me wrong,
by "something new" she just meant a social life.
So that is why I'm asking.
Okay.
Ah, yeah? Really?
That's great.
-Dinner's better? -Perfect.
-Of course. -Well, that's really great.
-Well, see you then. -Bye, bye. Ciao.
Okay, see you later.
[pop music plays]
[sighs]
[chuckles]
Please, stop!
Put me down!
Stop, just let me go!
[music swells and ends]
[door squeaks open]
[door closes and locks]
Do you smoke?
Okay.
I won't be the one that ruins your health.
[hostage sobs]
[Berlin exhales]
You're okay here, right?
All together.
Unaware of the horror…
and the gunfire…
[hostage continues sobbing]
…the blood, attacks by police.
I should come here more often.
Out there, everything is complicated.
Tonight, I…
I called a friend. [chuckles]
I told him how difficult it is to maintain order and harmony in here.
[sighs] And I told him I had to kill someone.
That I ordered the death
of a woman.
If you don't put dead bodies on the table then people won't give you respect.
You know why?
I could feel the emotions of my friend.
His deep distress,
his breathing,
agitation…
and his pain.
He…
He wasn't here. [chuckles]
He didn't even know that woman.
Mónica Gaztambide.
[hostage trembles and sobs]
And for a moment…
[dramatic music plays]
For a moment I thought it might be really nice to feel
what my friend does.
[hostages sob]
To feel those pure emotions.
All the guilt.
All that pain.
But no.
Those things don't move me.
It's horrible, right?
I'm bothering you with my stupid thoughts. Forgive me. Silvia?
[Silvia breathes heavily]
[Berlin] Silvia.
You're having a panic attack, aren't you?
She's just a little nervous.
But she'll get over it soon.
[Berlin] Of course.
[Berlin] Of course she'll get over it. Come with me.
Silvia, give me your hand.
[music intensifies]
[Berlin] There you go.
[hostage begs] No. No.
[ominous music plays]
[music builds and ends]
[barking]
[pants]
Spasiba. I came because my car is here.
And I left something important in my trunk.
Um… very important.
[speaking Russian]
You jumped fence now.
I go tell the police.
[in Russian] I will buy the car.
-[in Russian] How much? -A lot.
Look, look, a lot of money.
-This is not a lot. -I don't have any more money.
Here, get my wallet.
[dog continues barking]
[man] Run away now.
[in English] I count to five, then let dog go.
[man, in Russian] You never come back.
[in English] Understand?
[man, in Russian] Five. Four. Three.
Two. One.
[in English] Go!
[dog barking]
[tense music plays]
[music builds and ends]
[door opens]
[door closes]
What's up?
I'm mounting the cells.
Put explosives on all the entrances.
Did Berlin ask you to?
The Professor.
It's a deterrent. We want the police to see them.
And that?
That fucker had some sherry here. I'm airing it out.
[chuckles] Bullshit.
Boss.
The position of general director suits you very well.
[chuckles]
Sit down please, Miss Tokyo.
I see that you're late.
I'll have to write you up.
[sighs] I'm very sorry, Mr. Director.
[laughs]
Um… If…
If I show you a boob,
could you let it go?
-It's a tempting offer, for sure. -Mm?
But you'll have to offer me more.
Mm. [chuckles]
Umm…
[soft instrumental music plays]
I know how you're feeling.
-Rio? -I'm here.
Stuck in this hole.
Thinking about how I got here.
[chuckles]
-I don't remember. -[sighs]
[Rio] I was contacted one day.
They paid me to hack through some security.
Turned out it was a mansion in Geneva. They took everything, even the carpets.
I wasn't even there.
Fuck it.
Hacking through security systems is a lot more fun
than doing IT for some company.
I didn't think about it.
It was a game.
Now I don't have parents.
I don't have a mother.
It's a little different though.
My parents are alive.
I could have stayed legal.
I was good at my job.
I made a living.
My life would be normal.
I could meet a normal girl.
Have normal friends. [chuckles]
I'm not like all of you.
I don't know what to say. [chuckles]
I think I need your door.
What door?
The door you told me about the day we visited the museum.
The day we heard that your mother died.
[music builds and ends]
[Rio] Cameras 12 and 13 have new lenses.
Now they have a wider focus.
[whispers] Camera 14 is still the same.
It's focused on the entrance.
We can go now.
Why are we leaving now,
when we have a day to ourselves, just to be tourists?
Make out at a bar,
on the street…
On the street?
Seriously? Someone could see us.
Not on the street then.
Follow me.
[intense music plays]
[Tokyo moaning]
[moaning and crying]
[sobbing]
It's like I was the one who killed her.
She was so pretty
and I made her so upset.
She died because she was so disappointed
and how shitty my life is… [cries]
[toilet running]
She only wanted to protect me.
She loved me.
[exhales]
She loved me like crazy.
She wanted me to turn myself in,
so she wouldn't see me dead on TV.
When I was little…
[grave instrumental music plays]
…if she was there I didn't worry about anything.
She just wasn't always there.
And your father?
I didn't have a dad.
My mom worked at a luggage factory.
When they money ran out at the end of the month,
she'd work nights.
But she didn't have anyone to take care of me.
So I was home alone.
I was so scared. [chuckles]
How old were you?
Eight or nine.
Just a little younger than you.
[both chuckle]
The point is, my mom invented a trick.
She drew a door…
on my bedroom wall.
It was a magic door.
If I was scared…
I could open it and she'd be right there.
Did you open it after she left?
She said I could only open it once,
only one time in my life…
if I needed her.
[Rio exhales]
Only once.
So when I was afraid…
I always thought,
"I need to hold out just a little more."
"A little more."
I would think that the next day I might be more scared.
Or more lonely.
And I'd need that door.
I would've opened it the first day.
[exhales]
I never opened it.
You're the strongest person I know.
And the most incredible.
And…
And, what?
[both chuckle]
-And, what? -And…
Oh, fuck!
We… The parking.
[music swells]
-What is this? A ticket? -Yeah.
A parking ticket issued to a '92 Ibiza
two blocks from here. And look at the time and date.
It's the same day the robbers came to the museum.
[breathes heavily]
Great job, Ángel.
Run the license through our database.
This will be the most expensive ticket ever.
It'll cost them millions of euros. Let me talk to the Professor.
[tense music plays]
-[phone ringing] -[clears throat]
[phone beeps]
-[electronically distorted] Inspector? -Professor.
I need your decision.
I want eight hostages. Teenagers.
Here's who we'd be willing to free.
[electronically distorted] Pablo Holgado,
Silvia Moreno, Abraham Salmeron, Ignasi Castell,
Magdalena Ribot, Rocío Huertas,
-Jessica Sanchez and Alicia Villanueva. -What about Alison Parker?
She's one of the girls from Brighton. I want her on the list.
I see.
I know that you're aware, Inspector…
[distorted] …that Alison is the queen of hearts in this house of cards.
I can't let her go.
We want her to be released.
I'll propose something.
Alison in exchange for the other eight.
What'd you say?
[distorted] I'll give you Alison Parker
and no one else.
We both know how important she is to you and to me.
[distorted] So if you want her, she'll be released alone.
-I have to ask my superiors. -[distorted] You have one minute.
Call him, tell him yes.
-Release Parker. -That's the wrong decision.
It's completely immoral to only save one hostage
instead of saving eight.
[Prieto] As much as you want to believe the contrary,
this is a government matter.
The priority is to save the ambassador's daughter.
I assume responsibility.
[exhales and inhales deeply]
Put me through to him.
[phone rings]
Well then?
Alison Parker.
[dramatic music plays]
Are you sure?
[distorted] You'd rather save Alison Parker than eight other students?
Yes, I'm sure.
Wow.
Now I'm the one who has to think it over. I didn't expect this from you.
Give me an hour to think about it.
Very well… I'll expect your call.
If I don't call you,
then you'll know my decision anyway.
[hangs up phone]
[sighs]
What did he mean by that?
[Ángel] I don't know, but look.
That Ibiza hasn't been used in ten years. No insurance, no owner, no taxes.
It's out of commission.
[Raquel] Attention everyone, come here.
Closer.
What would you do if you had to ditch a car without leaving any traces?
Burn it.
[Raquel] Good.
Look for burned cars. Check with the city and the Civil Guard.
What else?
Sink it.
Look for any news of cars
that have shown up in marshes, rivers or anything. What else?
Chop shops, selling parts.
Burying it.
-Excuse me? -Dig a hole and bury the car.
Uh… I saw it in a movie and it worked.
Anything else?
What's the legal way to make a car disappear
and get rid of fingerprints?
To crush it like they do in a junkyard.
Our priority is to search junkyards and scrapyards.
Wait, it's Sunday. They'll be closed.
I don't care. Get the owners out of bed if you have to.
Quickly.
[contents rattle]
[suspenseful music plays]
[music builds and ends]
ROOM B
Relax.
Nothing's gonna happen.
You'll be protected here.
More isolated.
You won't hear anything in here that could upset you.
I'm all better. Can I please go back?
Listen to me.
It's best if you stay here.
Now, I have to tie you up
because you'll be alone.
But it's for the best, that's it.
It won't hurt. There we go.
Let's go sit down. You don't wanna stand, do you?
[inhales and exhales deeply]
How'd you get so dirty?
What have you been up to?
-Please, let me go with the others. -Calm down.
Don't you get it?
The ones who are afraid now
are them.
[spooky music plays]
Girls, she'll be back.
She'll be back.
They'll bring her back soon.
She's a kid. They're not gonna do anything to her.
[hostages cry and tremble]
And now, rest.
[suspenseful music plays]
[music builds and ends]
[breathes heavily]
[suspenseful music plays]
[panting]
[coughs]
-What are we gonna do with all that money? -I know what I'm gonna do.
I'm getting myself a Maserati.
-And the color? Bright sky blue. -[Naibori laughs]
[breathing heavily]
[sirens wailing]
[tense music plays]
[sirens stop]
[dog whimpers]
[shushes]
This is red car.
How long has this car been here?
I can't say.
[tense music continues]
Don't know. This is my boss day of holiday.
[Ángel] Oh yeah?
Your boss said that you know every car in the junkyard. So how long?
[grunts]
How long has it been?
[gags and coughs]
Ah…
twenty days.
[panting]
Who brought it?
This guy…
[grunts]
East Europe, no Russian.
[Ángel sighs]
Grab gloves and call forensics. Say we have the car.
I assume the man that left the car showed you his ID?
You did give him a receipt, right?
[breathes heavily]
[grunts]
Ticket?
[in Russian] Yes.
[in English] Ah, maybe.
-What do you mean "maybe"? -Ángel…
Go to the office. See if you can find another lead.
Yeah. Let's go.
[tense music continues]
[groaning]
[grunts]
[woman on radio] …the police department has yet to make a statement
about the leaked conversation between Inspector Raquel Murillo
and one of the kidnappers suspected to be their leader.
[man over radio] Inspector.
[whines]
[playful music plays]
Hey, you.
Hey!
Check out what that guy is doing here.
[Tokyo] The inspector had almost taken the game to checkmate,
but even in a moment of total desperation,
the Professor had another trick up his sleeve
and it was all over the news.
[woman on radio] The leader of the opposition party spoke out,
declaring that it is shameful that diplomatic relations
are considered more important than the lives of eight Spanish teenagers.
The recording was sent anonymously…
[phone rings]
["Asalto al Camión" plays]
-[Tokyo] Yes. -Tokyo, listen to me.
[Tokyo] The professor ordered me
to release the conversation with the Inspector.
A conversation that was very damaging to the Spanish government and to Raquel.
-[Professor] Well then? -[Raquel] Alison Parker.
[Professor] Are you sure?
You'd rather save Alison Parker than of eight other students?
[Raquel] Yes, I'm sure.
[Tokyo] Perhaps because Berlin called him weak,
he slammed his fist on the table
and punished everyone that was in his way.
[woman on TV] …free Alison Parker, daughter of the British ambassador,
instead of eight Spanish teenagers who are also being held captive.
This has sparked controversy…
[Tokyo] Or maybe because that recording
would make us look like heroes in the eyes of the public again.
But Raquel was a bloodhound.
[woman on radio] …the daughter of the British ambassador, Alison Parker.
[Tokyo] She picked up a scent
and she wasn't gonna lose it.
It was the scent of the man behind the heist.
[officer] Stop!
[Tokyo] The Professor himself.
Nothing.
[tense music builds]
What are you doing here?
No, I wasn't stealing.
[coughs]
I… I…
-What the hell is this smell? -It's ammonia.
[Professor] I swear, I didn't steal.
[Tokyo] The Professor had made himself look like human waste.
Still, he needed one final touch to win the game.
So he did it what he had too.
[urine trickling]
Get going.
[breathes heavily]
AMMONIA
[music swells and ends]
[Professor grunts]
[music swells]
It was him.
[music swells]
It's him!
[tense music plays]
[music swells]
["Asalto al Camión" by Iván M. Lacámara plays] uman waste.