Tokyo is coming back!
-Get down on the ground! -[hostages scream]
We have to open the door for her!
Shoot the target. Shoot the biker. Fire at will!
[officer 1] Fire.
[gunshots]
Let's go!
[gunshots]
No! We have to cover her!
[officer 2] Target in range, fire.
Papa, look out!
[Suárez] Take cover, behind you!
[screaming]
[rock music plays]
Fuck.
[heart beating]
[Denver] This is fucking crazy.
[Moscow] What is?
[Denver's voice echoes] All of this, Papa.
-[Moscow] It'll work out this time. -[Denver] Why is that?
[Moscow] It has to work out.
-[Denver] We deserve it, don't we? -[Moscow] Of course we do.
[inaudible dialogue]
[Denver] Help, help!
-Please! -[Nairobi] Get the first aid kit!
-Get the first aid kit! Hold on, Papa. -[Nairobi] Cover the wound!
[Denver] Look at me. Easy.
-Easy. -It's a scratch on the side, that's all.
-Turn him, turn him. -Okay.
-Okay. Easy. -[Moscow screams]
Helsinki, how's it looking?
There's no exit hole. The bullet's still inside.
[Berlin] Nairobi!
-[Nairobi] I'm coming! -Son of a bitch.
We need to stop the bleeding.
Don't worry, son. I've got loads of blood in me.
Do you know how much blood sausage I've eaten?
-Hold him in place. Berlin, morphine. -[Moscow] Calm down.
Okay, okay. Here we go.
-You're okay. -[Nairobi] Here it goes.
I'm starting a line for him now. Fuck.
I've got it.
-Come on. -[Nairobi] Let me. Let me do it.
-Okay. Denver, pull this. -It's bad, huh?
-[Nairobi] Wait, wait, wait! -[Moscow clears throat]
-[Nairobi] Oh… oh. -[Moscow moans]
I'm… I'm starting a line for him.
[Helsinki] Breathe slowly.
Breathe slower.
-[Helsinki] His pulse is increasing. -[Nairobi] Gauze!
[Moscow moans]
It's okay.
-It's okay, Moscow. -It's okay.
-[Helsinki] Moscow, take it easy. -[Moscow groans]
Listen to me, you're gonna be okay.
-Right? You're gonna be okay. -Yeah.
[Helsinki] It's okay, Moscova.
[Moscow moans]
[Helsinki] It's okay, Moscova.
Relax.
[slow music plays]
[breathing heavily]
They put three bullets in him, Rio.
Three fucking bullets.
TUESDAY, 7:35 P.M.
HOUR 105 OF THE HEIST
-Son of a bitch. -[Professor] Wait, Raquel.
I broke free.
I could have escaped.
I could have killed you, Raquel.
You didn't believe that polygraph you brought, did you?
So fine, look. This is proof that I'm telling the truth.
Well, this act of love of yours was a mistake
because I'm putting you away for 80 years.
["My Life is Going On" by Cecilia Krull plays]
♪ If I stay with you If I'm choosing wrong ♪
♪ I don't care at all ♪
♪ If I'm losing now Then I'm winning late ♪
♪ That's all I want ♪
♪ I don't care at all ♪
♪ I am lost ♪
♪ I don't care at all ♪
♪ Lost my time ♪
♪ My life is going on ♪
Slowly.
Get up.
[suspenseful music plays]
Hands on your head, right now, and turn around.
Don't move. What the hell are you doing?
Don't move. Freeze! I said don't move!
Now put your hands behind your head!
Don't take another step!
[gunshot]
[breathes heavily]
Raquel, I'm not stopping.
You're gonna have to kill me.
[intriguing music plays]
[car starts]
Fuck!
Son of a bitch, my phone!
Three bullets!
They put three bullets in his stomach!
We have to call a doctor. We can't do anything about it.
Right now we need to keep a cool head, Tokyo.
I'm not just thinking about Moscow.
-I'm going to call the Professor. -The Professor is gone!
I called him a thousand times. He's not in the hangar. I don't know where he is!
-We have to call Inspector Murillo. -Absolutely not. We can't!
-You know it. It's not part of the plan. -What plan?
Do you know what my plan was?
To kill you.
But Moscow's the one dying right now.
So don't you dare tell me it's not part of the fucking plan.
[line ringing]
[phone ringing]
This is Colonel Prieto.
[Berlin] I'd like to speak with Inspector Murillo.
Intelligence has taken charge.
Colonel, it's Fonollosa.
I'd ask you what you're wearing but I don't have time for chitchat
since you just put three bullets in one of our men.
I want you to send a surgeon in here.
Now.
[Prieto] You know what I want?
For you to stop fucking around.
You took Silene Oliveira out of a police van
and got her back inside the Mint.
You placed explosive devices that, thank God, didn't work.
Do you really think you're in any position to make requests?
Look, it was a clean escape on our part.
Your men, on the other hand, opened fire.
It would be nice of you to help save this man's life.
Listen to me.
If you want to save that man's life
bring him out through the main door, unarmed,
and an ambulance will be waiting to take care of him.
We're not turning our man in, Colonel.
[Prieto] Then you'll have another corpse on your hands.
[phone hangs up]
-Have you tracked down the inspector? -[Suárez] We're working on it.
[tense instrumental music plays]
[guitar strumming]
SAN GABRIEL HILLS, 12-LOT SPECIAL
[exhales]
DARE TO DREAM OF YOUR NEW LIFE
[vehicle approaching]
[breathing heavily]
Helsinki, how does it look?
It's not a shot in the leg.
A stomach wound is very bad, Moscova. Really bad.
We need a surgeon.
Tell me, then…
How much time do we have?
Hours.
Eleven.
Twelve, thirteen… Without a surgeon… nothing we can do.
How many times was I hit?
Three times, Papa.
Three times.
Some mess I've got down there, huh son? [chuckles]
[Berlin] Moscow.
-Yeah? -They won't be sending in a surgeon.
But we have an ambulance to take you to the hospital.
[breathes heavily]
Well, Berlin, you can tell the police they can go fuck themselves
because I'm not going back to jail.
That tunnel needs three more diggers
to get to the other side.
That's ten hours of work.
As for me…
I'll wait here while you dig.
Hang in there, Papa.
I'll open that tunnel even if I have to dig it with my hands.
Everyone, we're getting out of here.
[kisses]
[phone ringing]
[Professor] There was gunfire. What happened?
[Berlin] Moscow looks like Swiss cheese. Three gunshots.
Where?
[Berlin] In the abdomen.
I don't think they hit his liver. As for the rest of him, I don't know.
How's it look to you?
Fucked.
Moscow doesn't wanna leave. He wants us to finish the tunnel.
I have the Serbs here. We're going to start digging from this side as well.
And I'm going to find the Ukrainian doctor.
You have to leave as soon as possible.
They know who I am, Andrés.
I don't know how long before the police show up here.
[action music plays]
[Raquel] Any news?
What's going on?
Why is he here?
Anyone gonna tell me what the fuck is going on?
Did you know Sergio Marquina, the Professor, is Salva?
The mastermind of the heist.
The man you've been seeing at the bar for five days.
Yes.
I just found out a few hours ago.
You got a call from that man.
He called from the station in Canillas, where he was in custody.
Pretty soon, you showed up. You created a scene to get him out.
-You destroyed his fingerprints. -But I didn't know it was him.
The evidence you destroyed would've identified him
as the man who broke into the police car
from which he threatened the Russian to stop doing the facial composite.
The man who erased the fingerprints on the car that you found in the junkyard.
The one Ángel took a teaspoon from that proved him guilty before his accident.
Then you took him to the gang's house in Toledo, right?
You put him in my car,
where I kept the only piece of incriminating evidence from the house.
[Suárez] Paper from the fireplace and that evidence disappeared.
Apparently right after he decided to knock out Inspector Vicuña.
[Suárez] When Ángel did his job and reported his suspicions,
you dropped him from the investigation.
And to top this beautiful story off, while you were destroying your partner,
you and that man were sleeping together.
All right.
Fine.
But first, he can't be here.
He has a restraining order.
So if he's not 500 feet away from me in two seconds, I'll have him arrested.
I didn't know who he was.
And I'll prove it.
I can tell you where he's hiding.
TUESDAY, 10:15 P.M.
[grunting]
THREE HOURS SINCE THE SHOOTOUT
[Denver] What the fuck did you do?
You left my mother alone in the street?
All my life you had me believe she was just a bitch.
-It was her or us. -Shut up!
I won't bash your head in because we need you to get out of here.
And when we get out,
you and I are nothing.
Two strangers,
Denver and Moscow.
[grunts] Fuck!
[sobs]
[grunting]
Can somebody please tell me what the fuck this is?
Please, it's all wrong. It's all wrong.
We said to make little rolls of a million each, please.
I need you to max it out, damn it.
We're gonna keep printing bills for a few more hours.
Then I want you to stop the machines and erase all the logs.
I want everyone working hard! We're getting out.
Come on, let's go!
That's right.
I've heard about another opportunity at the Federal Reserve. [chuckles]
Can you come here a minute, please?
How's Moscow doing?
He's stable.
-We have a few hours left, don't we? -Mm-hmm.
Should we switch to 500-euro bills?
Five-hundred-euro bills are for Russians and pimps.
I'm not Russian. Do I look like a pimp?
-Berlin. -My taste might be questionable, but--
Berlin, do we print them or do we not?
One hundred- and 200-euro bills.
Torres!
Torres,
stop the machines,
change the plates
and start making 100- and 200-euro bills.
You got it.
[intriguing music plays]
You enjoy jumping from one stone to another.
After you jump, the rock sinks.
You leave behind a string of bodies.
Whose idea was it to hijack that truck? Your boyfriend's or yours?
And now your boyfriend is dead
and your mother too.
I'm sure you know how much your mother was hurting because of you.
[crying]
[Tokyo cries]
I thought I'd never see you again.
[Rio kisses]
What's the matter?
[Tokyo] He told me
I leave dead bodies wherever I go.
Berlin kicked me out and I came back.
And I've put everyone in danger. [sniffles]
I just had to fuck it up, didn't I?
-And now the dead body is Moscow. -Moscow isn't dead, all right?
He's going to make it and we're all gonna get out together.
I'm bad luck, like a fucking black cat.
[Rio] No.
You're a panther.
A panther.
[cries and chuckles]
[breathes heavily]
How are you?
[Rio] Right now I'm fucking great.
You have no fucking idea how much I love you. No idea.
I love you too.
[Rio] I have missed you.
We're gonna start taking the cash outta here.
Come on, come on, come on!
The ones in the other room, too!
Ariadna, Ariadna, Ariadna.
Not you. Come.
Put that down.
[Denver grunting]
[stone cracking]
Denver.
Denver!
Listen.
Denver, you have to stop. You have to stop.
-It's not gonna work. -What?
Put the pick down.
You need to tell your father to turn himself in.
He needs to go to a hospital. He can't wait any longer.
This tunnel is the only way out. I won't leave here without my father.
You know why?
-Huh? -[Mónica] Why?
Because when we get out of here
you won't be in that red jumpsuit anymore.
You'll be in all white, breathtaking.
I'll be waiting for you at the altar.
And I need to have my dad there by my side so he can see it.
For him to support me if I need it, you understand?
I won't stop.
[Rio] Okay, should we get started?
Over here!
-Come on! -[Rio] Let's go.
[grunting]
We're almost there.
-[Denver] We're almost there. -[Rio] Less than two meters!
[both grunt]
Have you thought about my proposal yet?
A short but passionate love story in a tropical setting.
A romantic getaway
and an inheritance
that's all yours.
Eight hundred million euros I believe.
But that's not the important part, Berlin.
I really like the idea of the two of us going away together…
but it makes me sad because you're gonna die.
You're going to make a beautiful widow.
[laughs]
Yeah, yeah. You and I have to get married. Right, Ariadna?
I've never done it
dressed in white
at night.
We could do it on a beach,
below the stars, in a wild bacchanal
with lots of light
and lots of fire.
Beautiful.
Come on.
Will you marry me, Ariadna?
-[both laugh] -[Berlin] Hey. Hey.
I'm sure there are people who think that living with a dying man
is boring but they're wrong.
Quite the contrary.
It's living on the edge.
Driving without the safety belt on.
Riding a motorcycle without a helmet.
Scuba diving without an oxygen tank.
Letting go of the reins for good, no horizons.
And babies?
-[Ariadna chuckles] -How does that sound?
Some mini-Berlins running along the beach. [chuckles]
[Ariadna chuckles]
Just kidding.
[eerie music plays]
The address you gave us is where Mr. Marquina
supposedly set up his operations center,
where he made the cider, right?
Yes.
What's this?
A warehouse.
There's nothing in there. There's a beat-up car, a bunch of goddamn junk.
But no sign there was ever an operations center.
Are you sure about the address you gave us?
Yes, of course. I was there.
[Prieto] What were you doing there?
We made love.
[Tokyo] Our first rule was no names,
no personal relationships.
The Professor envisioned a robbery with no attachments,
but when I saw him there,
smiling at me,
I realized that he was the closest thing to a father that I'd had in my life.
What's so funny, papa bear?
Your brilliant ideas.
Making your way out
then driving back in through the front door.
You know it.
Dressed like the police too.
Like James Bond.
[Tokyo laughs]
To see the faces on the cops…
[struggles to breathe]
[groans]
He's shaking.
Moscow, Moscow.
Hey.
[Helsinki] He's white as snow in Stalingrad.
He's got a really low pulse.
He needs a transfusion. Get the plasma.
-Moscow. -Come on.
-[Berlin] O negative. -[Tokyo] Hey. Over here.
-Here. -Moscow.
-[Berlin] Come back. -[Tokyo] There we go. You're with us.
-[Berlin] Take it easy. -It's okay. Are you okay?
It's okay, you're with us.
You're right here, okay?
WEDNESDAY, 7:02 A.M.
[grunting]
ELEVEN HOURS SINCE THE SHOOTOUT
[soft action music plays]
[grunts]
[panting]
[grunts]
Hey, so how's it going with the tunnel?
We're really close.
[grunts]
Hey. Hey, dear. Dear.
Honey.
Why don't you go get some rest, okay? Huh?
-All right? -Okay.
Come on.
[action music plays]
[Professor] Here you go, dig over.
[line ringing]
Inspector.
I'm afraid the inspector can't come to the phone.
She's being investigated for possible collaboration in the heist
and obstruction of justice.
But you already know all of that,
since both of you share such a special relationship.
Now we know who you are, Salva.
Or should I say, Sergio Marquina.
So it's really not necessary to use that altered voice anymore.
[Professor undistorted voice] Colonel Prieto,
we have a man dying here because of your gunfire.
If you don't send in a doctor now,
his death's on you.
[Prieto] The only one responsible for that man is you.
Along with all the people's lives you're ruining with this heist of yours.
Including your friend, the inspector.
How can you bear that on your conscience?
Look, if you want to talk,
about my conscience or yours, we can have a nice, long chat later.
But right now we need a doctor.
There's not going to be a "later," Mr. Marquina.
We know that you're very close.
And we know the location of the three antennas
that recorded the calls you made to the inspector over the last five days.
We're gonna search door to door.
And when you least expect it, we'll be knocking on your door.
My advice…
just quit complicating things and surrender.
Like I told the inspector,
surrendering was never an option.
I'll be waiting here.
[breathes deeply]
Not everyone is letting us go into their houses.
There's a lot of people on their side. They're the heroes on TV.
We're the guys who want them behind bars.
[Prieto] Call Judge Andrade. Request a search warrant.
[Suárez] We can't bust down the doors of 10,000 homes.
We're talking about an 850-meter radius. That's the antenna's cover.
-We have to narrow it down at least. -Fine, then we'll narrow it down.
But like I said, call Judge Andrade and request a search warrant.
Apparently, you've got it all under control.
So I don't get why I'm here.
Am I under arrest?
No, you're not under arrest. You're being investigated.
Great, I'm off then.
Inspector, before you leave, I need you to turn in your badge and your gun.
[suspenseful music plays]
You can tap my phone if you want.
Wait, wait, wait.
You go ahead, I'll go find you a new jumpsuit.
Hi.
[Mónica] Ari.
[Ariadna] Why did you ruin the escape plan?
Because of Denver?
That's why you hit Arturo, because you're together?
-Mónica, did he force you to? -No.
Why are you with him?
Because I love him.
I love him. And I know it may sound ridiculous.
And you might think I'm crazy but
it's real.
It's real, Ari.
This is the first time that
someone looked me in the eyes and was honest.
He loves me. I'm sure.
And you?
Why… Why are you with Berlin?
Just for survival.
I thought they were killing everyone.
And that they killed you too.
I thought it was the only way to save myself.
Come here.
[Ariadna cries]
Berlin disgusts me. He makes me so sick.
Now the asshole thinks I have feelings for him.
He thinks I'm in love with him.
He wants to marry him when we get out and take care of him.
He's dying.
I know.
And you'll do it?
It'll only be a year. I don't know.
We'll travel the world,
live like kings…
Go to
beautiful places, I guess.
There's millions that take proposals like this.
Ari…
But is it worth the pain?
Because in the end, I get all his money.
This guy fucked up my life, Mónica. He fucked it up.
I take four tranquilizers a day so I can stand being around him, huh?
He fucking raped me.
He raped me.
Then one day, when he can't move at all, when he relies just on me,
I'll tell him just what a sick fuck he is for all the shit he's done!
[Suárez] Calls made by the suspect over the last five days
were recorded by these three antennas, located here,
here and here.
Except the one he made from the Canillas police station.
You were right. It's a wide perimeter.
Gómez, go ask the techs to triangulate the signal
to limit the suspect's area of activity.
This would be easier if Ángel was here.
He's the only one who knows the exact location of the hideout.
[heart rate monitor beeping]
[assisted breathing]
[Tokyo] The inspector was at the edge of the abyss,
balancing herself to avoid falling into it forever.
Thinking how absurd it was
to have gone from inspector to suspect
in a matter of minutes.
So she decided to do what her mother always told her to do.
Chase the bad guys.
[action music plays]
[music fades]
[heart monitor beeping increases]
[gasps]
["Asalto al Camión" by Iván L. Lacámara plays] her to do.