[suspenseful music plays]
Paula's marker with chewed-up caps, just like you used to do. [chuckles]
Thanks, Mom. Give it.
All right, on the day we went on a date, he came 25 minutes early.
I called him and he said he was heading out at that moment.
See you soon.
[Raquel] We met… right here, at Hanoi.
He walked and he took about five to seven minutes.
What a pity. For once, you land a good guy.
Why do you want to know how long it took anyway?
To know how far away he was from Hanoi, Mom.
HOW MANY METERS CAN A PERSON WALK…
In that time frame, he could have traveled 500 meters at best.
More or less…
his hideout is in this area.
He must have taken one of these streets to get to where I was.
I'm sure one of the security cameras taped him.
I have to narrow it down. Give me the purple.
I'll get the footage from that area to figure out his route.
-Are you sure you know what you're doing? -Mom…
I'm gonna find that man, whatever it takes.
Just be careful.
[suspenseful music builds]
[door buzzes]
We have a serious situation.
Three gunshots in the abdomen. It's been a few hours.
-Where is he at? -I have to get him out of there.
I don't know how long it'll be. There's one more thing.
I know the police are getting close to me.
[doctor] Is it safe for them?
Yeah. They already know and they agreed to their part.
Your cut will be ten million.
I need abdominal laparotomy gear,
a medical ventilator and surgical equipment.
Can you do it?
Yeah.
[soft action music plays]
WEDNESDAY, 9:36 A.M.
FOURTEEN HOURS SINCE THE SHOOTOUT
[grunting]
Good morning. Inspector Murillo.
I need the footage from the security cameras out there. October 23rd.
-Here you go. -Thanks.
Bye.
[soft action music plays]
Thank you.
[stone cracking]
[breathing heavily]
[action music continues]
[sighs]
[Maribí] Did you find anything yet?
Yeah, I'm starting to figure out
the route he took to the coffee shop.
Look, that narrows the area down to this triangle.
If he came to Hanoi through here,
it means his hideout is very close in this area.
I have to go out again, Mom.
[Suárez] The bulk of the calls were made from this area.
So the Professor must have taken these streets.
I want you to check the surveillance tapes from inside of this radius.
Get the judge to issue a warrant.
This is headquarters.
["My Life is Going On" by Cecilia Krull plays]
♪ If I stay with you ♪
♪ If I'm choosing wrong I don't care at all ♪
♪ If I'm losing now but I'm winning late ♪
♪ That's all I want ♪
♪ I don't care at all ♪
♪ I am lost ♪
♪ I don't care at all ♪
♪ Lost my time ♪
♪ My life is going on ♪
[breathes heavily]
I just told the boy.
Told him what?
What I did to you.
I abandoned you at the roadside in Martorell.
I went back to that roundabout
because
I had a dream you were cleaning windshields at the stoplight.
I took the car
and drove
hours and hours
because I wanted to fix my mistake.
Don't talk.
Just rest.
And I showed your photo
to everyone who passed by.
And now
your son…
told me he hates me.
Your son
adores you.
No matter what you think he said.
I know he doesn't hate you.
But I deserve it.
I left his mother.
No.
No, you were a great dad.
You have a wonderful son.
Strong.
Kind.
He's all that…
thanks to you.
I did what I could, honey.
That boy's a little nuts.
[Tokyo cries]
[sobbing]
[Moscow] Never
was I as happy
as the day I met you.
If I could go anywhere right now
I would go there…
to that place in our town.
And dance with you,
together…
with the lights…
with the colorful lights.
I love you.
I'm sorry. Forgive me.
[melancholic music plays]
[Moscow] Forgive me.
[Tokyo crying]
I'm sorry.
I'm the one that's sorry.
I'm so sorry.
[both crying]
I'm so sorry.
[flamenco music plays on radio] ♪ Compadre, I come bleeding ♪
♪ From the ports of Cabra ♪
♪ If I could, my boy ♪
♪ This deal is closed ♪
[Spanish guitar plays flamenco]
♪ Green, how I want you, green ♪
♪ Green wind, green branches ♪
-[Nairobi sings along] -♪ Green, how I want you, green ♪
♪ Green wind, green branches ♪
♪ Three hundred dark roses ♪
♪ Have grown from your white shirt ♪
♪ Your blood oozes and flees ♪
♪ Around the corners of your sash ♪
♪ Now the two friends climb up ♪
♪ Up to the high balconies ♪
♪ Leaving a trail of blood ♪
♪ Leaving a trail of tears ♪
♪ But who will come and from where? ♪
♪ Where is this bitter girl? ♪
♪ How many times she has waited for you ♪
♪ How many times will she wait for you? ♪
♪ Green, how I want you, green ♪
♪ Big hoarfrost stars ♪
♪ Come with the fish of the shadows ♪
♪ That opens the path of dawn ♪
♪ Green, how I want you, green ♪
♪ Green wind, green branches ♪
♪ Come with the fish of the shadows ♪
♪ That opens the path of dawn ♪
♪ Come with the fish of the shadows ♪
♪ That opens the path of dawn ♪
[grunting]
-[Rio] Hold on. -[Denver] What?
[music ends]
-What are you doing? -Listen!
[scraping and clanging nearby]
Do you hear that?
-It's them! -It's them.
-How much do you think is left? -30 or 40 centimeters.
Come on, let's go. Let's go!
-Hey! Hey! -Hey! Hey!
Professor!
[Rio and Denver] Hey! We're here!
-[Denver] We're here! -[Rio] Hey, Professor!
-[Denver] Professor! -[Rio] Can you hear us?
[Denver laughs]
That's them. They're here!
They're here!
Hey!
They're here! Hey! Hey!
They're right there! A little more! A little more!
Professor!
[Maribí] Careful not to get ink on the wall, dear.
Mom, I'm gonna need the keys to your car.
That car hasn't been used for a long time.
It's about time we take it out.
[action music plays]
[sighs]
[Professor] Hey!
[Rio] Professor! Hey!
[Mónica] Hey, Denver.
[grunting]
Denver, Denver, Denver!
Mónica. Tell my father to hang in there. We're almost there!
-[Mónica] Denver. Go back up. -We're almost there.
-[Mónica] Go back. -I'm not going!
-Listen to me, Denver. -I'm not… What?
Go back up.
-You need to go now. Come on. -[panting]
I can't do it.
I can't.
-Denver. Denver, stop! Please. -I can't stop now!
[grunts]
-It's only a little further, Mónica. -I know. Listen.
You have to go up now.
Hey, look at me.
If you don't do this now
you'll regret it for the rest of your life.
Go on.
Go up.
Let's go.
-[Professor] Hey! -[Mónica] Let's go.
Let's go.
[Mónica grunts]
[Professor] Come on! Come on!
[piano music plays]
I'm here, Papa.
You just have to hold on a little longer. We're almost there.
Right, Rio? We're digging like crazy. You can hear the Serbs on the other side.
It's okay.
[Denver] Papa…
-[Moscow] Hey… -That…
[Moscow struggles to breathe]
That thing I said…
that I hate you…
[sobs] I could never feel that towards you.
I could never hate you, okay?
-[Moscow faintly] It's okay. -You did what you had to do with Mom.
But there's no way I could hate you.
Mónica.
Yes?
I'll give you three million to take him off my hands.
[chuckles]
[Moscow] He's a real pain in the ass.
He's all I got.
But now I have to go on vacation.
I understand.
-[Moscow] Take care of him. -Okay.
My friends.
I haven't introduced myself.
[struggles to breathe]
Agustín Ramos.
It's been a pleasure.
[Denver crying]
I love you.
I love you too, Papa. So much.
I'm not letting you go like this.
Rio, bring all the explosives we have. I'm blowing up that tunnel no matter what.
No.
If you blow the tunnel,
you'll kill us all.
But, Papa…
You're gonna make it.
-Don't forget. -[Denver] What?
There are no regrets.
I remember.
But I don't know if…
I love you.
[Denver crying]
I love you, too.
[somber music plays]
[Denver sobbing]
[singing] ♪ For the absence of your lips ♪
♪ I cried for the first time ♪
♪ And I cursed the day we met ♪
♪ 'Cause I couldn't stop loving you ♪
♪ I wanted to make you my wife ♪
♪ Without love, I looked for luck ♪
♪ Shooting my guns ♪
♪ And destiny brought death ♪
[Denver and Moscow singing] ♪ María, my life and my love ♪
♪ I promised ♪
♪ That I'd return ♪
♪ But I will not return ♪
♪ I was caught by the police ♪
♪ María, my life and my love ♪
♪ I won't stop loving you ♪
♪ The hugs that I lost ♪
♪ You will not see me again ♪
[cheering]
[somber music plays]
[music ends]
[Gómez] All the shops said the same thing, Murillo has seized the videos
from all the local surveillance cameras that could be important to us.
Evidence that she's collaborating with the robbers.
Activate intervention protocol
immediately.
And only use your best men.
[Suárez] What about the hostages?
What about Alison Parker or international law?
What about the public's safety?
Colonel, they have large-caliber guns in there,
entrances loaded with explosives.
The hostages are wearing jumpsuits and masks like the robbers.
We won't be able to tell them apart.
Storming in there now will be a bloodbath and you know it.
So, what do you propose?
Let those criminals get away, along with Inspector Murillo?
Yes. Let them out. We can catch them all after that.
Mm.
Do you have any idea what the public thinks about our operation?
Do you want me to tell you?
We're a fucking joke.
And not only to Spain, to the whole fucking world.
Half the world's headlines follow the story every step
like it was the World Cup finals.
Did you happen to see the latest headline?
"The idiotic assholes in the Spanish police department
let an escaped prisoner suddenly reenter the Royal Mint of Spain on a motorcycle."
Riding a motorcycle!
-Do you like being an idiotic asshole? -Excuse me.
I didn't ask for your opinion.
The government's given the order to intervene.
Those sons of bitches have been in there for 125 hours,
and if by some chance they escaped,
it'll discredit this country to its absolute core.
-Excuse me. -What?!
The state prosecutor's office has issued an arrest warrant for Inspector Murillo.
There are orders to bring her in, effective immediately.
[Berlin] Shall we close it?
Is that it?
Shouldn't we…
say a few words at least?
[sniffles]
[somber music plays]
Our Father who art in Heaven,
hallowed be Thy name.
Thy will be done on earth, as it is in Heaven.
-It's "Thy Kingdom come." -What?
You skipped a part.
After "Hallowed be Thy name" comes "Thy Kingdom come."
Why the fuck does that matter?
If you're gonna pray, you better do it right.
You think God is gonna be checking if I did it wrong or right?
[sniffles]
Give us this day our daily bread.
And forgive us our debts,
as we have also forgiven our debtors.
And lead us not into temptation,
but deliver us from evil.
Amen.
[sobbing]
[Tokyo] There's moments in life
where you should be able to have a fucking remote control
so you can pause everything.
Even just for five minutes.
But sometimes things happen with contemptuous timing.
And there's nothing you can do to help it.
On one hand,
we just buried Moscow.
On the other,
we were opening our path to freedom.
AVAILABLE FOR RENT
WEDNESDAY, 3:35 P.M.
HOUR 125 OF THE HEIST
[action music plays]
[grunts]
[soft piano music plays]
-Where is he? -He's in the warehouse.
I'm so sorry.
[Denver crying]
[Denver] Come here.
The one with the phone. [laughs]
[Professor chuckles]
Hello.
-You can call her Stockholm if you want. -[all chuckle]
[Denver] It can't be all tears, right?
Go with them.
Go.
[door squeaks open]
[Nairobi] Nine hundred and eighty-four
million euros.
Nine hundred and eighty-four million euros.
[laughs]
-[Professor] 984 million euros. -Yes.
[exhales sharply]
-Colonel, my men are ready to go in. -Good.
I heard some news from the tunnel.
The GPR data shows that they are a few meters from the sewer system.
We have special ops unit already down there.
[officer 1] Entering the drainage channel.
[officer 2] Target distance 300 meters north.
[officer 1] Copy that. Standing by.
Suárez.
We're gonna carry out this operation with two units.
We're gonna use an enveloping tactic, flanking them from both sides
to force them into the hole, just like a fucking sandwich.
We'll push them from the inside so they're forced out.
Then you catch them on the other end. They won't be able to go back for cover.
It's a rat trap. There's absolutely no way out.
Now all we have to do is find Inspector Murillo
and her little boyfriend.
Lieutenant.
[siren wailing]
[officer] Go, go!
-Squadron! -[all] Sir!
-Everyone ready? -[all] Sir! Yes, sir!
Berlin, start moving the money.
-We need to go now! -[Berlin] Very well.
-Assault units are getting ready to enter. -[Berlin] We're moving out.
-[gun cocks] -[Raquel] We've already entered.
[shouts]
[Helsinki laughing]
Son of a bitch! You bastard!
Helsinki, this won't be the end of this, I swear!
[yells in pain]
I'm gonna sue your ass when I get out of here
for cruelty, torture and crimes against humanity, you fucker!
[shouts]
Arturito,
we're going to the tunnel
on a very important mission, okay?
[Arturo] It was fake.
It was fake.
Get up.
Slowly.
-[chair rolls away] -Turn around!
Now you're coming with me to the station.
And don't move a fucking muscle because this time I will shoot.
You know why?
Because, thanks to you, I went for a little walk.
And I had time to think and now I regret not shooting
the biggest son of a bitch that I ever came across in my life.
Raquel, please.
I'm not killing you now because I want to see you do 30 years in prison.
And there,
you get to ask whoever the fuck you want how they orgasm.
[gun cocks]
[Raquel panting]
Don't move.
Drop it.
Drop it!
[Professor panting]
[metal clangs]
[man] Don't move!
Stay there!
[Raquel grunts]
[both grunting]
[gun cocks]
[Mónica] He was born on Labor Day.
MOSCOW, AGUSTĺN RAMOS DOS HERMANAS, MAY 1, 1964
Every year on every birthday since he started at the mine…
he always had a party waiting for him.
A huge protest. [sniffles]
The rubber bullets from the cops were his gift.
This year, they were real.
I guess if you're born on the wrong side,
you die on the wrong side.
Tell me your name.
-No, Mónica. -I need to know your name.
Because I'm leaving here with you.
I don't know if through the back door or the tunnel or with a machine gun.
But I don't wanna be apart from you.
And if I have to learn to fire a gun, I will.
And besides,
this child…
This child is gonna need a father.
[uplifting music plays]
So, tell me your name.
[whispers]
[officer 1] This is the underground unit. We're making our way down the sewers.
[rumbling]
-[officer 2] What's that? -[officer 3] Stay where you are.
[officer 1] It's the metro. Line six. It's right above us.
[officer 2] Proceeding.
All right everyone, we're almost there!
Let's keep this magic going until the very last minute!
When we get in there, we'll have satellite radio and video signal
in order to avoid possible frequency jammers.
Also, the bomb squad will open a gap in the cargo door
with 300 grams of thermite explosive.
You know what that means.
So, Lobo, Ruiz,
you two will provide cover fire if necessary.
The rest of us will enter in single file, no one strays behind.
Come on, come on, come on!
Gentlemen, there's going to be hell fire in there,
so we're gonna have to be united together!
-Understood? -[all] Yes, sir!
[action music plays]
[Suárez] And this is imperative.
Do not open fire on anyone wearing a mask in there.
However, if you are fired upon, you are authorized to use deadly force.
You only need to know that there are no orders
for any of those sons of bitches to come out alive. Is that clear?
-Is that clear? -[all] Yes, sir!
-Men, let's take down these bastards! -[officer] Go, go, go!
[sirens wail]
[gun cocks]
[helicopter whirs]
[tires screech]
Rio.
-Rio, are you there? -[Rio] Yeah.
I encrypted the frequency.
-How long does it take to decode it? -[Rio] At least two hours.
Perfect. Set the explosive charges.
-Pass the intercom to Berlin. -[Rio] Right away.
[Raquel] Hey.
Help, please.
What's wrong?
I don't feel well.
[Professor] What's the matter?
I feel pain in my chest.
Could be an anxiety attack. Want to take a pill?
-[Professor screaming] -[Raquel moaning]
[Raquel grunts]
[pants]
It would've been easier for me too if none of this had happened.
It was the only…
The only crack in an otherwise perfect plan.
It was, but no longer. And you know what?
Because even if this all goes well…
Even if it all goes well, I'll be…
I'll be fucked anyway.
Because I won't ever see you again.
You think it was in my plan to fall in love with the inspector in charge?
No, don't tell me this.
[Professor] You don't want to hear it.
Why don't you want to hear it?
Because I'm a bad guy?
You've been taught to see there's only good and bad guys.
But what we're doing is okay when other people do it. Is that right?
In 2011, the European Central Bank
made out of nothing 171
billion euros out of nothing.
Just like what we're doing here.
Only more money.
One hundred eighty-five billion in 2012.
One hundred forty-five billion euros in 2013.
Do you know where all that money went?
To the bankers.
Directly from the Mint
straight to the rich.
Did anyone say that
the European Central Bank was a thief?
"Liquidity injections," they called it.
And they pulled it out of nowhere, Raquel. Out of nothing.
What's this?
It's nothing, Raquel. This is paper.
It's paper, see this?
It's paper.
I'm making a liquidity injection,
but not for the bankers.
I'm doing it here,
in the real economy with this group of…
of losers, which is what we are, Raquel.
To escape from all of this.
Don't you want to escape?
[cell phone ringing]
Ángel is calling you.
He's calling. What does that mean? Did he wake up?
If he's awake, they're going…
He's going to talk. It'll be five minutes until they're here.
Okay, I'm gonna answer it.
And you're going to speak, Raquel. But no nonsense, please. Please.
You're going to answer it and you're going to verify
if he's awake, okay?
Please.
No, no! Don't answer it.
Don't answer it.
My phone has been tapped.
Do you have another one?
[cell phone buzzing]
[heart monitor beeping]
-Who is this? -It's Raquel.
Raquel Murillo.
[nurse] Ángel woke up.
He didn't want us to call anyone before he talked to you.
Here you go.
[Ángel] Raquel.
[sobbing]
How are you?
[sobbing]
[Ángel shushes] Don't worry, come on.
[Raquel sobs]
It's okay.
It's okay, Raquel.
-How are you? -[Ángel chuckles] Me?
Well, I'm so high I can't even feel my asshole.
[Raquel and Ángel laugh]
[Ángel] Listen,
I saw on TV that you were
fired from the investigation.
Yes.
Don't tell anyone that I woke up, okay?
I need you to come see me first.
Okay.
Colonel, we've picked up a phone call to Raquel Murillo's number.
But there was no communication.
Locate the source of this call.
I want the owner of the phone and the cell tower now, got it?
You have to let me talk to Ángel.
If I don't go in 15 minutes, he's going to talk to the police.
He'll tell him where you are. I can keep him from doing it.
-It's your only chance. -Please, don't.
It's about your plan, your perfect plan not falling apart.
Let me think, please.
There's no time for that.
Sergio.
I'm with you.
A minute ago you were screaming and biting me like an animal.
Can I trust you?
Come here. Get closer.
[romantic music plays]
[both panting]
[up-tempo electronic music plays]
["Asalto al Camión" by Iván M. Lacámara plays] an animal.