Stop the machines and erase all of the logs.
Remove the hard drives. We're taking them.
We only have a little more to reach one billion.
We need to print a couple more sheets and cut them.
How much time do we need, Mr. Torres?
-11 minutes. -11 minutes.
You actually care about that number.
What do you think this is? A game show?
You go get things ready. I'll deal with the money.
If I say I'm leaving with a billion, then I am.
If I say we stop, stop!
Do you know why I'm in charge?
Because you've got stuffing in your head.
You want to stay in this rat trap to reach the billion?
You know what that reminds me of?
Huh? Of a mother
who leaves her child,
a baby, while she goes and sells drugs.
Then she gets caught and they take her child.
With me in charge that won't happen, Nairobi!
[exhales]
[laughing]
No. No, of course not.
No, with you in charge, we'd all marry the hostages.
Are you gonna get married on the beach dressed in white?
And since you know everything,
do you know how your girlfriend feels about you?
You make her sick. I overheard her in the bathroom.
The only comfort she has is knowing she's gonna get all your money.
She only has to put up with you until you drop dead.
And then when you're lying there, dying, she's gonna say
that every time you raped her,
because that's what she calls it,
she would go to the bathroom and throw up.
All she has left
is to spit on your dying body.
And you made that mess.
Torres,
stop the machines.
Miss Nairobi?
Let's stop the machines, Torres.
All right.
[sighs]
Colonel.
We have the phone call made to Raquel.
It was made from Ángel's phone.
-What? -Deputy Inspector Rubio.
[tense music plays]
[chuckles]
Call the hospital. Find out if he came out of the coma.
If so, send three men and tell them to hurry.
That bitch could show up at his room at any minute.
["My Life is Going On" by Cecilia Krull plays]
♪ If I stay with you If I'm choosing wrong ♪
♪ I don't care at all ♪
♪ If I'm losing now Then I'm winning late ♪
♪ That's all I want ♪
♪ I don't care at all ♪
♪ I am lost ♪
♪ I don't care at all ♪
♪ Lost my time ♪
♪ My life is going on ♪
Done.
Timers and cells ready to go.
This will keep the police busy for a while. They'll have to deactivate 'em.
What's your plan tomorrow?
[Tokyo] Tomorrow?
Tomorrow I'm going to be sailing on a cargo ship,
sunbathing with my tits out.
[quacks]
With your tits out?
So I don’t get tan marks.
[Rio] You're gonna be there with your tits out
with all those lonely sailors
who haven't seen a woman in three months?
What do you mean? You think I can't defend myself?
Or you wanna defend me from the sailors?
No, it's not that.
No?
I'm not worried about the trip.
I don't know what you'll do when the ship reaches the port.
I don't know if you'll take off on a jet ski with guns blazing
or what the hell you'll do, I don't know.
So I want you to stay close
to me
with your tits out.
[both chuckle]
[Arturo] Hey.
We just ran into a brick wall.
Hold this.
[tense music plays]
[Tokyo] Make an opening.
It leads to the sewer. That's where we're gonna get out.
Get moving.
Here.
You see all those bombs?
[sighs] Fuck.
Twenty years of my life.
Twenty years.
Jesús, give me the hammer.
[rock music plays]
[officer 1] We're 200 meters from the outlet. Estimated time, six minutes.
Let's go.
[officer 2] Copy. We'll inform you of any seismic movement.
Berlin… shut down all the printers.
-Nairobi, we're leaving. -There's still some money left to pack.
It's excess baggage now. Everyone, it's been a pleasure robbing you,
but it's time to enjoy a relaxing and well-deserved vacation. [laughs]
[man on PA] Doctor Sánchez requested to room seven.
Doctor Sánchez.
Raquel.
[heart monitor beeping]
[cries] How are you?
You know.
I wasn't sure I'd see you again.
I think I owe you an apology.
Forget it. Don't worry about it.
Although I'm pretty sure you called me "Mr. Lover Boy."
It's the most humiliating thing I've been called in my fucking life.
I couldn't even sleep well in that coma.
[both laughing]
I'm really sorry.
Why did they kick you off of the case?
They think I'm part of the robbery. That's why.
And are you?
No.
But you were seeing that guy, right?
Yes.
And are you in love with him?
[sighs]
I'll give you the information on the hangar.
It's where he controls the entire heist.
Maybe you can clear your reputation, solve the case and end it.
[action music plays]
I know where the hangar is.
But I'm not gonna give them the information.
Why not?
Because I don't know who's the good guys… and who's the bad guys.
[door opens]
-[officer 1] Don't move! -[officer 2] Put your hands up!
Hands up now.
López.
Arenas.
Gómez.
[Raquel grunting]
[grunting]
Fuck.
[grunting and panting]
[grunts]
[gasps]
[music ends]
[cries]
[beeps]
You know there are gonna be laws on our island.
You have to be naked all day. Except me, I can wear Speedos.
[chuckles] Shut up and go set some explosives in the warehouse.
[beeping]
[ears ringing]
[coughs]
[Rio muffled] Tokyo!
[Suárez] Move forward!
Move!
My gun!
[Rio] Take this one, fuck!
Let's go!
-[Tokyo] Keep running! -[Rio shouts]
-Fuck! -[Tokyo] Go, go. Go!
[Rio] Let's go!
[both scream]
What the fuck do we do?
[both screaming]
They've got fucking riot shields! We need to shoot at their feet!
Cover me!
[screams]
[rock music plays]
[Tokyo] Sons of bitches!
Lobo, damage report!
[Lobo] They've hit several officers!
-I'll cover you! -[Rio screams]
[Tokyo and Rio scream]
Evacuate the wounded! Evacuate the wounded and move forward!
If we get out of this, I'll never use a gun again. I swear.
You serious?
Not even a water gun at the fair.
[Tokyo screams]
Come on, let them have it!
Besides, we have to go shopping for our island, right?
-Curtains, sofas… -Did you say "our island"?
[Tokyo] Motherfuckers!
[Suárez] Go, go, go, give them hell! Go!
Fuck!
[Suárez] Lobo, now!
-They're coming! Let's go! -[Rio] Let's go!
-[Rio] Fuck! -[Tokyo] Let's go!
-[Rio] Come on. -[Tokyo] Come on! Go!
Rio!
[Suárez] Go, go, go.
Fuck!
Let's go.
[screaming]
-[Suárez] Hold your ground. -[Tokyo] We have to reach that door!
[screams]
-Aníbal. -Yeah?
[officer 2] Stay covered.
Give me your badge.
You mean we're engaged?
[officer 3] Now!
[screams]
-[screams] -[Suárez] Hold your fire!
[screaming]
[both] I love you!
[officer 1] One, two, three.
[Suárez] Now!
[screams]
Tokyo!
Tokyo.
[officer 1] You're under arrest! Don't move!
-[gasps] Rio! -[officer 1] Don't move!
-[Rio] No, don't shoot! -[officer 2] Move away from her!
-Hands up! -[Denver] Rio, get down!
[screams]
Fire!
Shit!
Watch out! Stay down!
[screaming]
[Denver screams]
[both screaming]
Here! Cover us, Rio!
Mónica, get back!
Run, run, run, run!
Lobo, Ruiz! Are you guys okay?
Ruiz is down! We gotta get him out of here now!
-Rio! -Come on, come on!
-Denver! Denver. -What?
-Get the Browning. Meet us in the vault! -Okay.
Come on, they're getting close.
[Rio] Let's move!
Fall into formation and move forward! Come on, let's get them!
[Gómez] Yes, sir.
I'll put him on.
The CNI has taken over.
It's Coronel Prieto.
Ángel, how are you?
Well, I've seen better days if I'm being honest.
[Prieto] Look, I'm curious.
Why did you call Inspector Murillo as soon as you woke up?
Because we're friends.
Oh, come on now.
Why did she come to see you?
She came because we're friends.
She humiliated you like an asshole in front of the whole team
and almost ended your career and your life.
So stop jerking me around with this fucking friendship bullshit.
I'm going to repeat the question, Ángel.
Why did you call Inspector Murillo?
Because she's my friend.
You were at that guy's hideout, the Professor, right?
I know you took a teaspoon from his place
and turned it over to forensics for analysis.
Give us the address.
I don't remember anything.
I don't remember a fucking thing.
Yeah.
You know any information you hide from us can count as an offense for collaborating.
You may end up sharing a cell with the robbers,
or with your "friend."
Give us the address.
[Ángel] Prieto…
this is a great way to treat a guy who just came out of a coma.
[tense music plays]
[uptempo percussive music plays]
Let's go, let's go, let's go! Nobody stays behind! Move it!
[Tokyo] Everyone put your masks on!
They're inside.
We have to take the Browning to vault three!
-Denver's on it. -What about the hostages?
-Release them. -[Tokyo] Everyone, mix up!
Mix up and get on your knees, now!
Let's go!
Not everyone.
Ariadna is coming with me.
Let's go, Helsinki!
They're in the museum.
[Suárez] Surround them! Hands up where I can see them.
All of you, hands up!
[hostages] Don't shoot.
[Suárez] Everyone, masks off!
[Prieto] They're hostages.
They're hostages, get them out!
Prepared to receive the hostages.
We're moving out.
Suárez, we're sticking to the plan.
We're going to the basement. We have to force them to the tunnel.
You two, with them. The rest with me, to the basement. Let's go!
[instrumental music plays]
[sirens wailing]
That's Alison Parker.
[clapping and whistling]
Get me the ambassador.
I want a headcount and hostage identification.
[Suárez] Colonel, we're making our way down to the basement.
Hold on.
What the fuck is that?
Bomb unit… they wired it with explosives.
Motherfuckers.
[suspenseful music plays]
How about it? Can you do it?
Yes, but I'll need more time, sir.
The detonator could be close to the RDX.
There may be tripwires.
My men have detected movement in one of the tunnels, sir.
[officer 1] Closing in on the target.
-They're on the other side of the wall. -There's five. It's the hijackers.
Wait.
I'm actually counting six.
It's them.
It looks like they're about to enter the sewer.
Underground agents ready. They're right on top of you.
[officer 1] Copy that.
[Prieto] We've got you now, you sons of bitches.
In six seconds, five,
four,
three,
two,
one.
[Suárez] Don't move.
Hold your ground.
[grunts]
Hold it.
[grunting]
-[officer 2] They're coming through. -[Suárez] Put your hands up!
-[Arturo] Don't shoot! -[officer 1] Turn off the light!
Don't shoot!
I'm Arturo Román!
[officer 2] They're hostages, hold fire!
[officer 1] Confirmed, they're hostages.
Shit!
[uptempo music plays]
I may not always have been able to read women.
Maybe because of my ego. But with you it's different.
I know exactly what you feel.
I know even if there was no money,
you'd come with me to the end of the world because you're in love with me.
-Isn't that right? -Yeah, yeah.
That's why I want you to know how much I love you.
[Helsinki] Berlin, let's go!
And the little time we have left
is gonna be like a grand finale with fireworks.
[laughs]
[rock music plays]
[Helsinki] Where did he go?
What a wonderful little toy.
What a wonderful little toy, Helsinki! Nairobi, how's it going?
The trench is in place. We're just missing that last batch of money. Helsinki!
Let's go! Come on!
Okay, let's do it.
Colonel, they have another tunnel.
What is it?
They've been taking money out through a vault in there. We've seen it.
They dug a hole in the floor. They're taking it out through there.
Come here.
There's four vaults in the basement, two on each side. Here and here.
Can you tell me which one it is and point it out on the map?
It's that one. Vault number three.
Are you sure, Alison?
Yeah.
-Suárez. Suárez, do you copy? -[Suárez] Loud and clear, sir.
We have new information. They're in vault three.
Top priority. That's where the tunnel is.
Roger that, Colonel.
All right, we're moving to vault three! Go, go, go!
Do you have any idea where that tunnel leads?
They don't know, but I do.
They're taking the money to the hangar to that fucking Professor.
They're planning to escape there.
Somebody get me Inspector Murillo, now!
Gómez, Gómez. We need Inspector Murillo here immediately!
[Nairobi grunts]
Are you gonna get your son when you get out?
No.
At the moment, no.
[laughs] I have no plan.
We could get an apartment together.
Helsinki.
[chuckles]
-Come on, let's go. Now! -[Tokyo] They're in the basement.
Come on, come on!
Get going.
-[Tokyo] And Denver? -On his way to the hangar. Get going!
That's an order.
Let's go. Let's go.
Berlin! Let's go!
Berlin, they're coming down. They're right on top of you.
Okay, I got it.
They know where we are. Get going.
If we don't leave now, we won't be able to.
Helsinki, take Nairobi. I'll hold them.
What the hell does that mean?
I said get moving! If they enter the tunnel we're all dead!
What are you doing?
Someone has to stay here in the trenches.
-No. -Yes, they'll be here any second!
It was supposed to be everyone goes out as one!
Nairobi…
you and I agreed that I'm a misogynist.
[sighs]
So then it's women and homos first.
-[Helsinki] Let's go. -I hate you!
[Helsinki] Let's go!
-I hate you! -[Helsinki] Let's go!
Come on, come on. Everyone at their posts, go!
-[Ariadna whimpers] -Hey, hey!
Hey, hey, hey. [chuckles]
-Where are you going, darling? Hmm? -[Ariadna cries]
We had agreed that you and I would stay here, together to the end.
[Ariadna] No!
Please, Berlin.
No! Let me out, let me out!
Let me out, damn it!
-[Berlin] Calm down! -Fuck you!
Bastard! Son of a bitch!
You and I are the resistance.
[whimpers]
You're a sorry sight.
Where's the hangar?
I have no clue.
Not only do you know where it is,
but you know perfectly well that I know you know,
so you can spare me this facade.
Heavy fire, take cover!
[Berlin yells]
[yelling]
-We gotta go back. -[Helsinki] No, Nairobi. There's no time.
Come on, let's go.
[Berlin yells]
-Ariadna, load it! Load it! -[Ariadna shouts]
Now!
[Ariadna whimpering and shouting]
[Berlin] Load it, come on!
[Ariadna screams]
[Berlin shouts]
This is a lawsuit for legal custody.
And it was drafted by the hero of the case,
the police officer who managed to identify the brains of the operation.
Your ex-husband.
Hold on! Hang in there!
-[Berlin] Load it! -Now!
We're Romeo and Juliet!
We're Bonnie and Clyde!
We're the… the lovers of Teruel!
He's requesting full custody of your daughter.
And the very moment a judge finds you
guilty of any of these lovely charges you're being accused of,
it'll be granted to him automatically.
And if your ex-husband is indeed the wifebeater you say he is,
your daughter's gonna have a problem.
[Berlin yells]
[both shouting]
[Berlin] Load it!
Now!
You goddamn motherfucking asshole. Go fuck yourself.
Intelligence can easily drop all the charges.
I can make this all go away.
But don't ask me for any guarantees other than my word.
Because the offer disappears if the robbers get away.
And that could easily happen in the next few minutes.
Let's go, come on.
[both shouting]
[Prieto] So choose your daughter
or a man you didn't even know until a week ago.
Lobo, we can't contain that machine gun!
We have to take it out!
Grenade.
Load it!
[Suárez] Now!
Take cover!
Look out, let's go!
Come on, take cover!
Go!
[Ariadna screaming]
Get down!
-[explosion] -[Ariadna screams]
[all panting]
You're here. You're finally here.
Where's Berlin?
He stayed inside.
What do you mean?
The cops almost had us. He insisted on covering the tunnel.
He saved our lives.
[Suárez] Clear. Formation!
[somber music plays]
[Berlin] Surprise!
[yells]
[Suárez] Get down! Get down!
[grunts]
["Bella Ciao" plays]
You don't have much time left.
Not only will you lose your daughter, you'll be throwing your whole life away.
Give me that address.
["Bella Ciao" continues]
I want the address now!
33 Alcántara.
33 Alcántara, everyone there now!
["Bella Ciao" continues]
-Andrés! -[gunfire over radio]
-[Professor] Andrés! -Professor?
[Suárez] Move forward.
Right now you caught me at a bad moment!
Get in the tunnel.
-[Ariadna screams] -Negative!
Andrés… we're going to blow the tunnel.
You need to get out.
They're on top of me. It's too late.
[Suárez] Move forward!
Get going now!
I'm not leaving without you, you know that.
Clip!
[Suárez] Keep moving.
A prolonged death wasn't meant for me.
Can you imagine me drooling or losing control of my bowels?
No. That would take courage. I prefer this.
I'm begging you.
Sergio!
Listen.
You promised me you wouldn't stick around if things got ugly and they're ugly.
Helsinki,
blow the tunnel.
No, no.
[Suárez] Get down!
Helsinki, that's an order. Soldier, blow the tunnel!
[Professor] No, no. Don't do it!
Helsinki, that's an order. Soldier, blow the tunnel!
-No! No, Helsinki! -[Helsinki] No, Professor.
I love you, little brother. Don't forget that.
[Helsinki] No Professor! Don't.
Helsinki! Andrés!
[Ariadna cries]
Hey, hey.
Andrés, please!
I've spent my life being a bit of an asshole, but today…
[crying]
[chuckles]
-…I feel like dying with dignity. -[Ariadna shouts]
No!
[screams]
[Suárez] Let's go, give him hell!
[cries]
[Helsinki] Professor.
["Bella Ciao" builds]
["Bella Ciao" ends]
[Suárez] Clear.
["Bella Ciao" plays]
[Suárez] Fonollosa is down. I repeat, Fonollosa is down.
[whimpers]
[Nairobi] Professor,
listen.
We have to keep moving.
We gotta keep moving.
Let's get out of here.
[Professor cries]
-[sirens wail] -[tires screech]
[officer 1] Colonel, units headed to 33 Alcántara.
Three hundred meters from the target.
Change your clothes.
["Bella Ciao" ends]
-[officer 1] Turning onto Alcántara. -[officer 2] We've reached the target.
[sirens wailing]
[action music plays]
[officer 2] We're inside.
We're searching the area. Melero and Sanz, left. Ribero, with me.
Melero?
[Melero] It's clear.
-[officer 2] Sanz? -[Sanz] It's clear.
-[officer 2] Ribero? -[Ribero] Clear!
[officer 2] Confirmed.
There's no one here.
The hangar's empty.
[exhales]
[sighs]
[breathes heavily]
WEDNESDAY, 6:28 P.M.
[exhales]
128 HOURS
[sirens wailing]
[rock music plays]
END OF THE HEIST
ONE MINUTE EARLIER
TWO MINUTES EARLIER
FIVE MINUTES EARLIER
[inaudible laughter]
SEVEN MINUTES EARLIER
[Helsinki laughs]
Professor!
[laughing]
Professor!
[laughing]
365 DAYS SINCE THE HEIST
[reporter] It's been one year since the heist at the Royal Mint of Spain.
What is considered to be the greatest heist in history
remains unsolved,
as are the whereabouts of the bank robbers
who got away with a haul of over one billion euros.
Although the authorities have condemned the heist,
much of the general public still thinks their actions were legitimate
and a form of political protest against the established order,
which has generated intense debates on social media.
One of the most well-known cases
was that of Chief Police Inspector at the time, Raquel Murillo,
who has since left the force after controversial statements to the media,
in which she disapproved
of the way the National Intelligence Corp handled the crisis.
However, she has yet to provide an official statement.
[TV powers off]
[Professor] Let's leave… Then we can go to a country in the Caribbean.
[Raquel] It's just that it's so crazy…
that I can't picture myself doing anything else.
Choose one.
[Professor] Palawan.
[intriguing music plays]
[airplane engine roars]
[street vendors selling in foreign language]
[man] Fruit?
[intriguing music builds]
[phone beeps]
[music ends]
Excuse me.
Uh, do you have a charger?
A charger, please? For the phone.
The battery died.
If it's important…
you can use mine.
[exhales]
[chuckles]
["My Life is Going On" by Celia Krull plays]
♪ Oh, oh, oh ♪
♪ Oh, oh, oh, oh, oh, oh ♪
♪ Oh, oh, oh, oh, oh ♪
♪ Oh, oh, oh ♪
♪ Oh, oh, oh, oh, oh, oh, oh ♪
♪ I don't care at all ♪
♪ I am lost ♪
♪ Why not have it all? ♪
♪ I don't care at all ♪
♪ Oh, oh, oh, oh ♪
♪ Oh, oh, oh, oh, oh, oh, oh ♪ ll plays]