[intense music playing]
Nick Harp killed your father?
No, he handed a gun to a woman who did, and he's still out there.
Can I speak with Andrea Oliver, please?
I believe she's staying with you.
I'm sorry. Andrea has left.
I think your uncle has a contact in WITSEC.
Jasper sent that guy?
What if he wanted that suitcase? I think that money's evidence.
-Where is it? -Back in my hotel room.
Sorry.
Mike? I got you. Call 911!
My mom knew Nick Harp. They were together.
It's easy, Jane. You choose. Me or your father?
[Nick] Everyone, Jane has come back to us.
This is Grace Juno.
Her husband and three children are dead. The man responsible is your father.
We could use your help.
[opening theme music playing]
["Joy To The World" instrumental playing softly]
[suspenseful music playing]
[footsteps approaching]
[Jasper] What are you doing?
These files are a mess.
What are you, Dad's secretary now?
[locks click]
Scared I'm taking your place?
I know you're still seeing Nick.
That's been over since the summer.
Give me some credit, Jane.
I'm not the moron you and Andrew think I am.
Jasper. I told the board you'd be hosting the company Christmas party
since Jane will be joining me in Oslo.
Yeah. Sure, no problem.
I'd like a word with your sister.
I think it's cocktail hour.
-The usual? -No, no, you relax.
I know you're not feeling well.
Still nauseous?
I'm fine.
You need to take better care of yourself.
[glasses clinking]
You're very precious to me.
I want you safe and sound.
Here.
How's the hand?
Better.
I was so clumsy.
Did Nick give you the idea?
To ruin your career?
Jane, I'm your father, it's my job to protect you.
Nick isn't going to do any more damage to you
or to anyone, and I'll make sure of that.
He can't have you. Can't have any part of you.
You belong with me.
It'll be good to get away.
We can… start over.
To Oslo.
Oslo.
[glasses clink]
[intense music playing]
[Martin] I always win, Jane.
You know that.
[woman] Excuse me?
Ma'am?
If you'll follow me?
Yeah.
[solemn instrumental music playing]
[indistinct chatter]
[Cynthia] Have Sophie cancel the rest of the day.
Mr. Queller will need 90 minutes to get to the meeting.
Senator Shepard absolutely hates when people are late. Do not fuck this up.
[door opens]
It's good to see you again.
How long are you in town?
Well, that depends on my brother.
Mr. Queller's waiting.
It's, uh… It's really you.
Hello, Jasper.
Jane.
[mumbles]
You look good.
[chuckles]
You… look like him.
[scoffs] God, don't say that.
[Laura sighs]
That's his desk, isn't it?
Yeah. Remember how bored we were
when he dragged us to his office on the weekend?
[chuckles]
You sat behind that desk when you got the chance.
You begged me to take a photo of you lying on top of it.
Did I?
Mm-hmm. [smacks lips]
In sunglasses.
[Jasper chuckles softly]
I must have blocked that out.
[Laura] Well…
We all do things we'd rather forget.
[sighs]
Where's my daughter?
Andrea left early this morning. I was… I was a bit surprised.
I, I haven't heard from her. Have, have you?
-Why did she leave? -I don't know.
That's it? "I don't know?" [chuckles] Come on. You can do better than that.
I think she was pretty upset by how little you've told her.
She hasn't even heard you play.
I was in witness protection.
Those are the rules.
I was curious.
What sort of deal you made with them?
You mean what did I say about you?
You always cared too much what other people think.
Dad hated that.
[mouthing] Yeah.
Well, things have changed. Dad's gone. It's my show now.
[smacks lips]
I could ruin your political career with one phone call.
Well, I wouldn't try that if I were you.
Well, Jane, you've been gone for a long time.
I'm guessig there are all sorts of things you'd, uh, like to do.
Oh, yeah. But right now, I'm trying to find my daughter.
Last night…
Andrea asked me about Nick.
I didn't say much.
Maybe she's trying to find out more about him.
-Have you heard from him? -No. No, I'd call the FBI in a heartbeat.
He saw me on the news.
I think he's come back. So, you see my concern about Andrea.
If anything happens to her--
My security team is at your disposal anytime.
[scoffs]
Oh, you're not leaving.
Well, you can't keep Senator Shepard waiting.
You know, you really did pull it off. Redeeming the family name.
The sins of the father, washed clean by the son.
[scoffs]
It's a good story.
[door closes]
[ringing]
-[Charlie sighs] -[clicks tongue]
-Hello? -[Laura] Charlie, it's me.
I need your help.
Well, I tried helping you.
It's… It's Andy. She's missing.
Call the FBI.
That's what they do. Missing persons.
Charlie, please.
This isn't a good time, Jane.
What about that Marshal who was assigned to her?
Michael Vargas. Where is he?
Would they still be in contact?
I don't know. And even if I did, I couldn't tell you.
Look, I wouldn't be calling you if it wasn't serious.
We're done, Jane.
That's what you wanted, and that's for the best.
Andy went to Jasper's, and now she has disappeared.
Something is very wrong.
Charlie, please.
Please.
[inhales deeply]
[gripping instrumental music playing]
[indistinct chatter]
[lock beeps]
[door closes]
[breathing heavily]
[grunts]
[sighs in relief]
[sighs]
[panting]
[suspenseful music playing]
[sighs]
[typing]
[clattering nearby]
[indistinct chatter]
[door lock beeps]
[door opens]
[door closes]
[woman] It's all here.
Don't touch that.
[man] Nice jacket.
[woman] Let's go.
[door opens]
[door closes]
[suspenseful music playing]
-[elevator bell dings] -Take the service lane.
Too much traffic…
-Lot of traffic. -Really?
[gasps]
[car lock beeps]
[car lock chirps]
[engine starts]
[seat belt clicks]
[engine starts]
[tires screech]
[birds chirping]
[sighs]
[keypad beeping]
[sighs]
[line ringing]
[over recording] Hey, this is Andy. Leave a message.
[beeps]
Honey, it's me.
Uh…
I don't know if you're checking your voicemail. Probably not, but, um…
I'm here.
[sniffles]
I'm in San Francisco.
And I'm looking for you.
When you were little, you used to hate it when I told you to be careful.
Maybe you felt like I didn't think you could take care of yourself, but…
You'd say, "I'm being careful."
[chuckles]
And I knew that you were.
And I know that you are.
But there are just
some things you don't understand. I'm trying to…
[crying] I've lost so many people. I just…
I don't know what I'd do if I lost you too.
So, call me, okay?
Call me if you get this.
[sniffles]
[melancholy music playing]
-[somber instrumental music playing] -[bell tolling]
So sorry for your loss.
[Martin] Lost something?
If you find a credible argument in there, let us know.
[man laughing]
[Andrew] Jane.
[Jane] You're high.
You want some?
[Jane] I guess we're orphans now.
I hated him for so long.
-If I thought Grace was going-- -[Andrew] No, don't. Don't do that.
Jane…
What was that about?
He's convinced that the Army of the Changing World's
gonna come for him next.
After the board makes him CEO?
Yeah, well, the FBI's here to hold his hand.
What are they doing here?
Maplecroft's ransom note was on the cover of the Chronicle.
Whole city's on edge.
Look…
Draw this out as long as you can.
I should get going.
[Jane] We don't need that money.
Look, it's not about the money.
We need to send a message.
-People need to know what we stand for. -[Andrew] He's right.
-Come on. -No. You should stay here with Jane.
You're going to get caught.
No, I'm not.
I'm just getting started.
["Undercover Of The Night" playing]
[sirens wailing in distance]
[crowd chanting] Act up! Fight back! Fight AIDS!
♪ Down in the bars The girls are painted blue ♪
♪ Done up in lace, done up in rubber ♪
♪ The johns are jerky… ♪
Act up! Fight back! Fight AIDS!
♪ On R&R from Cuba and Russia ♪
♪ The smell of sex, the smell of suicide ♪
♪ All these things I can't keep inside ♪
♪ Undercover Keep it all out of sight ♪
♪ Undercover of the night ♪
[intense music playing]
[chanting continues]
[FBI agent shouts]
[man] Fuck you, pig!
[woman] Oh, God!
Act up! Fight back! Fight AIDS!
[suspenseful music playing]
[bag unzips]
[suspenseful music continues]
[car door closes]
[tire pops, air hisses]
[seat belt clicks]
[door closes]
[siren wailing in distance]
[clicks tongue]
[sighs]
[gripping instrumental music playing]
[cell phone beeping]
[exhales]
[sniffles]
[line ringing]
[cell phone ringing]
-Yeah? -[Laura] Charlie, you were right.
Michael Vargas was here and so was Andy.
Vargas was supposed to be on a flight to Atlanta.
He never showed up.
Didn't log in some evidence either.
What evidence?
I don't know yet.
But he also read your full WITSEC report. Which he was not authorized to do.
You think he told Andy what was in it?
Maybe.
You find anything?
No.
I don't know exactly what's going on, but you need to get off the street.
Not until Andy's safe.
[line disconnects]
Hello?
[brakes squeal]
[hand brake cranks]
[suspenseful music playing]
[woman] Hurry up. We're gonna be late.
[man] So call him.
[tool clanking]
[police siren chirps]
[officer] Can I give you a hand?
[man] No, thanks. We got it.
[officer] Run into some trouble?
Alcatraz. He tripped trying to get the perfect selfie.
Where you folks from?
Texas.
[officer] Long way from home.
[woman] We should get moving.
-You ready, honey? -[man] Yeah.
[woman] Let's go.
Don't forget your jack.
[man] Thanks.
[police siren chirps]
[car door closes]
[engine starts]
[Nick] …twenty-one, 22, 23,
twenty-four, 25, 26, 27…
You're dead. Do it again.
Eli. You're a lifesaver.
Jane, this is Clara and Eli.
[Eli] What happened?
-[Nick] …11, 12, 13… -We made it. We're okay.
Fits, close…
-[Clara] Whatever you need. -…16…
[Nick] Gotta save your own life, Jane!
[car lock beeps]
Excuse me.
Eli?
Yeah?
It's Jane.
My God.
Could I come inside?
[Eli sighs]
[glass clinking]
[liquid pouring]
[glass clinking]
[spoon clinking on glass]
-[pot whistling] -[liquid pouring]
I'm sorry about Clara.
Are you?
Thank you.
You didn't call. Send a note.
Nothing.
-I-- -What are you doing here, Jane?
I'm looking for Andy. I thought maybe she'd come by.
Is she all right?
No, yeah. I-I-I'll find her. It really was a long shot.
What about, uh… You still have the, the, the farm?
Don't get up there much, too many memories.
Andy always seemed so… happy there.
Sometimes, I wonder if Andy should have stayed with you.
It always seemed so easy for Clara.
-What did? -Well, being a mother. [chuckles]
Turns out, I've never been any good at it.
You want somebody to let you off the hook?
I can't help you.
[solemn instrumental music playing]
[sighs]
[exhales]
[cell phone ringing]
Hi.
[Charlie] Heading to the airport.
Why, what is it?
Michael Vargas is in critical condition at San Francisco General.
What? What happened?
-Not sure yet. Maybe a stroke. -[car lock beeps]
[sighs] Is Andy with him?
No, but paramedics said a woman matching her description
was there when they showed up.
Oh, God.
Andy may have taken his phone.
Well, have you tried calling her?
It's his personal phone.
I'm chasing down the number.
Okay. Well, um, I'll be waiting. And… Charlie?
Yeah.
Thank you.
Yeah.
[train horn blaring]
[railway crossing bell dinging]
[siren wailing in distance]
[train horn blaring]
[police siren chirps]
[police officer speaking indistinctly]
[gripping instrumental music playing]
[man] Hi.
Hey, nice hair.
[Jane] I brought as much food as I could.
[Paula] Were you followed?
-No. -Are you sure?
I'm sure.
We need to get out of here.
This neighborhood is crawling with cops.
-Looking for Alex Maplecroft. -[Nick] Need to sit tight.
-Didn't get into this to sit around. -I didn't wanna kill anybody.
-Asshole deserved it. -Settle down. We'll talk later.
[Jane] Did you get it?
The money's safe. Don't worry.
Audrey Hepburn wouldn't know it if the FBI held a tea party up her ass.
[man] Let's take another look.
[intense music playing]
[Jane] Nick?
Yeah.
Maybe we should…
-What? -Make it stop?
We can explain Grace was unstable, we never meant to--
-[Nick] Explain to… -The police.
Right.
Okay. Yeah, because you and Andrew, you'll be fine.
You gonna come visit the rest of us in lockup sometime?
If we don't fry first.
We let Maplecroft go tomorrow.
That's the plan.
Your turn.
[clinking]
I brought you some water.
[gasps]
Mm.
[gulping]
[suspenseful music playing]
[officer] Stop!
[coughing]
-[crunches] -[Jane screams]
Help! Nick! Help!
[Nick] What the fuck?
[Nick panting]
[Jane whimpers]
[running footsteps approaching]
-Quarter's been shot! -[Nick] What?
What the fuck?
[Nick grunts]
[groans]
[Paula] We gotta get out.
[Nick] Come on. Come on.
Jane, come on!
[officer] We've got movement!
[officers shouting]
Is tunnel secured?
[all panting]
[officer] Stop right there!
Hey, go, go, go! Come on!
-[gunshots] -[tires screeching]
[cell phone buzzing]
-[man 1] You took your fucking time. -[man 2] Car trouble.
-[man 1] What about that marshal? -[woman] Out of the way.
-[man 1] Well, do you have it? -[man 2] Yeah.
-[man 1] I don't have all night. -[woman] In the trunk.
Show me.
-[gasps] -[bodies thud]
[intense music playing]
[keys jangling]
[trunk opening]
[trunk slams shut]
[man 1] We have a situation here.
It's gone.
[man 3] Gone where?
[man 1] I don't know.
But they've been dealt with.
You can clean up the mess.
[engine starts]
[gripping instrumental music playing]
[grunts]
[wind howling]
[woman 1] Andy!
[woman 2] Andy?
Come back, Andy!
Andy!
[mysterious music playing]
[cell phone buzzing]
Hello?
[song playing on diner speakers]
[indistinct chatter]
[gasps]
[Laura] You should eat something.
[Andy] I'm okay.
You don't look okay.
How'd you get Mike's number?
Charlie.
-Charlie works in-- -Yeah, I know who he is.
Tell me if I get anything wrong…
You're not an only child from Rhode Island.
You have a brother in the running for vice president,
and the other one, the one I'm named for, was in some cult that killed your father.
Jerry Randall didn't die in a car crash 'cause he never existed.
Everything I think I know about him, you and Charlie made up.
I'm sorry.
Are you?
You have… every right to be angry.
It's Nick Harp, isn't it?
I know you were with him. I saw the video.
You know that's not who I am.
Honestly, I don't have the first fucking clue.
I keep waiting for something real to come out of your mouth.
Is he my father?
Yes.
And were you part of that group?
I did anything Nick wanted.
I mean, until Oslo.
I mean, I knew he hated Martin, but I didn't think he would…
And did you ever think I might want to know all this?
You know what I thought? I thought, what if I wake up one night
and Nick is just standing right there?
Or what if I take you to school or the movies or the beach
and he's just waiting?
You could have told me at some point.
What was I supposed to say?
Your father is wanted by the FBI, and he would kill us if he got the chance?
[sighs]
As long as I am alive, I can testify against him.
What about the money?
I know it's the ransom for Alex Maplecroft.
Why keep it?
Honestly, I thought,
if Nick did find us, we'd need it.
Because we'd have to run.
So, why does Jasper want it?
Jasper?
He tried to kill me to get it.
Uh, I don't know. Somebody came after me.
[softly] Oh, my God.
I can't believe my brother would…
-What is it about that money? -I don't know.
Yes, you do.
No. It was for us. It's all it ever was. I swear.
I'm calling the FBI.
Andy, no.
Nick is out there somewhere.
And you just…
[sighs]
You just need to… disappear.
Okay? Charlie's flying in, and when he gets here,
we'll find the Marshals.
No, we can't go to them.
Mike thinks there's some kind of leak.
Everywhere we went, they knew how to find us.
Well, then you have to leave. You cannot be a part of this.
-I'm already a part of this. -No, you've been through enough.
Mom.
I'm not letting this go.
Okay.
All right. Here's what we're gonna do.
We're gonna find the nearest police station,
and we'll call the FBI.
Okay.
Yeah, okay.
Do you have any chapstick?
Yeah.
Here.
I'm glad you're here.
[solemn instrumental music playing]
[sighs]
You ready?
Will you settle up while I use the ladies?
Sure.
Thank you.
[cashier] Hey, how was everything?
-Fine. -[cashier] Okay, that'll be $12.50.
[cash register beeps, drawer opens]
[woman] Come back, Andy!
[cashier] Miss?
Miss? Your total is $12.50.
Oh. Sorry.
[cash register drawer closes]
[suspenseful music playing]
[sighs]
[engine starts]
You were just gonna leave me?
-Andy, move! -No!
[panting]
I have to go. Just wait for Charlie.
-Where are you going? -You have to trust me.
Why the fuck would I do that?
[cries]
[theme music playing]